Fast Man Raider Man

Editorial Reviews

All Music Guide - Heather Phares
Playing like the widescreen director's cut version of Honeycomb, Frank Black's sprawling double album Fast Man Raider Man reunites him with the Memphis session legends who played with him last time, and adds even more stars to the cast of characters. Along with veteran Catholics member Lyle Workman and Honeycomb players Reggie Young, Buddy Miller, Spooner Oldham, and Chester Thompson, the roster also includes Al Kooper, Jon Tiven, Bobby Bare, Jr., the Band's Levon Helm, Cheap Trick's Tom Peterson, and Bad Company's Simon Kirke, giving Fast Man Raider Man the feel of an all-star jamboree. As on Honeycomb, the playing throughout the album is subtly excellent (and how could...
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Editorial Reviews

All Music Guide - Heather Phares
Playing like the widescreen director's cut version of Honeycomb, Frank Black's sprawling double album Fast Man Raider Man reunites him with the Memphis session legends who played with him last time, and adds even more stars to the cast of characters. Along with veteran Catholics member Lyle Workman and Honeycomb players Reggie Young, Buddy Miller, Spooner Oldham, and Chester Thompson, the roster also includes Al Kooper, Jon Tiven, Bobby Bare, Jr., the Band's Levon Helm, Cheap Trick's Tom Peterson, and Bad Company's Simon Kirke, giving Fast Man Raider Man the feel of an all-star jamboree. As on Honeycomb, the playing throughout the album is subtly excellent (and how could it not be with supporting musicians like these?). Jazzy guitars and saxophone give "If Your Poison Gets You" a sophisticated take on roots rock, while the lush horns on "My Terrible Ways" and the keyboards on "Highway to Lowdown" and "You Can't Crucify Yourself" are authentic, soulful touches. Though Fast Man Raider Man shares the warmth of Honeycomb, unlike that album -- which was recorded in just a few days in Memphis when all the players had the time to come together -- this set of songs is less urgent, and less overtly confessional. Black seems more and more comfortable in the Americana/alt-country direction of his later work, but fortunately it's the kind of comfort that allows him to keep elaborating on this sound. Indeed, the overall vibe of the album is just as important, if not more so, than the individual songs. However, highlights are scattered throughout both of Fast Man Raider Man's discs and include "Dirty Old Town," an Irish drinking song that Black transforms into an alternately heartfelt and rollicking duet with Marty Brown; the dramatic, Lou Reed-esque "End of the Summer"; "Where the Wind Is Going," a fun homage to Texas garage rock; and the breezy yet heartfelt ballad "Don't Cry That Way." This is easily one of Black's most eclectic albums, moving from gutsy rock like "Johnny Barleycorn," "Kiss My Ring," and "In the Time of My Own Ruin" to oddities such as "Dog Sleep," which switches between a rousing brass band and slow-motion passages that drift on woozy organs, to the genuinely soulful "Sad Old World" and "Golden Shore." Like the simultaneously released Devil's Workshop and Black Letter Days, Fast Man Raider Man could've been edited down to one disc's worth of songs; however, the flowing, laid-back feel of the whole set is a big part of its appeal. Indeed, if it weren't for the album's studio polish, it'd feel like an extremely well-recorded concert -- it has the ebb and flow of a good live set, and its expansive warmth ends up making its length work in its favor.
Billboard - Troy Carpenter
Black sounds just as comfortable and confident cutting back-porch versions of Irish folk classics ("Dirty Old Town"), sultry New Orleans swamp-rock ("Dog Sleep") and old-timey country send-offs ("Sad Man's Song") as he did bridging the gap from underground punk to grunge in the late '80s.
Washington Post - Steve Knopper
A collection of well-written rock, soul and country songs, about topics ranging from Hurricane Katrina to tragic Polish coal miners. There's no common thread other than Black's flat but oddly alluring croon and all-star session men such as the Band's Levon Helm and Cheap Trick's Tom Petersson.
The Guardian - Dorian Lynskey
Amiable, assured, seldom surprising. Backed by an army of session veterans, [Black] roams through the country-tinged end of classic rock.

A collection of well-written rock, soul and country songs, about topics ranging from Hurricane Katrina to tragic Polish coal miners. There's no common thread other than Black's flat but oddly alluring croon and all-star session men such as the Band's Levon Helm and Cheap Trick's Tom Petersson.
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Product Details

  • Release Date: 3/24/2009
  • Label: Imports
  • UPC: 711297477627
  • Catalog Number: 849317
  • Sales rank: 154,916

Album Credits

Performance Credits
Frank Black Primary Artist, Guitar, Ukulele, Vocals
Marty Brown Bass, Background Vocals
P.F. Sloan Piano, Background Vocals
Steve Cropper Guitar
Al Kooper Organ
Chester Thompson Drums
Ian McLagan Keyboards
Billy Swan Background Vocals
Jim Keltner Percussion, Drums
Bob Babbitt Bass
Billy Block Drums, Background Vocals
Jack Clement Dobro, Background Vocals
Steve Ferrone Drums
Rich Gilbert Pedal Steel Guitar
Levon Helm Percussion, Drums
David Hood Bass
Wayne Jackson Trombone, Trumpet, Flugelhorn
Duane Jarvis Guitar
Carol Kaye Bass, Guitar
Simon Kirke Percussion, Drums
Buddy Miller Guitar, Background Vocals, Mando-Guitar
Spooner Oldham Keyboards, Background Vocals
Jon Tiven Guitar, Percussion, Piano, Alto Saxophone, Background Vocals
Lyle Workman Guitar
Reggie Young Guitar
Tom Petersson Bass
Sierra Swan Background Vocals
Rick DuVall Background Vocals
Akil Thompson Drums
Bobby Bare Jr. Background Vocals
Ellis Hooks Background Vocals
Jack Kidney Harmonica, Tenor Saxophone
Mark Wilson Jordan Keyboards
Brooks Watson Background Vocals
Technical Credits
Ewan MacColl Composer
Marty Brown Duet
Frank Black Arranger, Composer
Dan Penn Engineer
Jon Tiven Producer, Engineer
Lyle Workman Arranger
Jake Burns & The Big Wheel Engineer
Michael Halsband Original Photography
Marc Chevalier Engineer
Reid Paley Composer
Andrew Swainson Illustrations
Traditional Composer
Miles Wilson Engineer
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