Faust IV

Editorial Reviews

All Music Guide - Steve Huey
Coming on the heels of the cut-and-paste sound-collage schizophrenia of The Faust Tapes, Faust IV seems relatively subdued and conventional, though it's still a far cry from what anyone outside the German avant-garde rock scene was doing. The album's disparate threads don't quite jell into something larger as in the past, but there's still much to recommend it. The nearly 12-minute electro-acoustic opener "Krautrock" is sometimes viewed as a comment on Faust's droning, long-winded contemporaries, albeit one that would lose its point by following the same conventions. There are a couple of oddball pop numbers that capture the group's surreal sense of whimsy: one, "The Sad ...
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Editorial Reviews

All Music Guide - Steve Huey
Coming on the heels of the cut-and-paste sound-collage schizophrenia of The Faust Tapes, Faust IV seems relatively subdued and conventional, though it's still a far cry from what anyone outside the German avant-garde rock scene was doing. The album's disparate threads don't quite jell into something larger as in the past, but there's still much to recommend it. The nearly 12-minute electro-acoustic opener "Krautrock" is sometimes viewed as a comment on Faust's droning, long-winded contemporaries, albeit one that would lose its point by following the same conventions. There are a couple of oddball pop numbers that capture the group's surreal sense of whimsy: one, "The Sad Skinhead," through its reggae-ish beat, and another, "It's a Bit of a Pain," by interrupting a pastoral acoustic guitar number with the most obnoxious synth noises the band can conjure. Aside from "Krautrock," there is a trend toward shorter track lengths and more vocals, but there are still some unpredictably sudden shifts in the instrumental pieces, even though it only occasionally feels like an idea is being interrupted at random quite unlike The Faust Tapes. There are several beat-less, mostly electronic soundscapes full of fluttering, blooping synth effects, as well as plenty of the group's trademark Velvet Underground-inspired guitar primitivism, and even a Frank Zappa-esque jazz-rock passage. Overall, Faust IV comes off as more a series of not-always-related experiments, but there are more than enough intriguing moments to make it worthwhile. Unfortunately, it would be the last album the group recorded at least in its first go-round.
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Product Details

  • Release Date: 11/3/2009
  • Label: Virgin Records Us
  • EAN: 5099968865818
  • Catalog Number: 88658
  • Sales rank: 22,303

Album Credits

Performance Credits
Faust Primary Artist
Technical Credits
Faust Composer, Contributor
Uwe Nettelbeck Producer
Jean Hervé Peron Composer
Gunther Wusthoff Composer
David Ilic Liner Notes
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