Fearful Symmetries

Fearful Symmetries

5.0 1
by Thomas F. Monteleone

Editorial Reviews

Publishers Weekly - Publishers Weekly
The 27 reprints in Monteleone's story collection span the last 22 years and are as much a chronicle of the course horror fiction has taken in that time as they are of the author's career. Several are solid dark fantasies that strive for a subtle sense of unease rooted in the troubled emotions of their characters. In the best of them, "Rehearsals," a Twilight Zone-type memory tale, a man watches his childhood replay itself as a painful stage drama he's desperate to rewrite. "Love Letters" is a skillfully underplayed blend of supernatural horror and psychological suspense, written as an exchange of letters in which one correspondent reveals an increasingly inhuman sensibility. Monteleone (Eyes of the Virgin, etc.) has used virtually every classic horror trope, from vampires in "Triptych di Amore," in which a seductive lamia destroys celebrity artists over the centuries, to Lovecraftian monsters in the tongue-in-cheek "Yog Sothoth, Superstar." Some stories that originally appeared in narrowly defined theme anthologies don't hold up well on their own, while others add little to overly familiar themes. Nevertheless, these solidly crafted tales consistently evoke an enjoyably unsettling mood of horror. (Dec.) FYI: Monteleone's nonfiction collection, The Mothers and Fathers Italian Association (2003), won a Stoker Award. Copyright 2004 Reed Business Information.

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Cemetery Dance Publications
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65.00(w) x 95.00(h) x 1.25(d)

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Fearful Symmetries 5 out of 5 based on 0 ratings. 1 reviews.
harstan More than 1 year ago
This is a terrific compilation of many of Thomas F. Monteleone¿s horror-dark fantasy tales published mostly in the 1980s (nine) and 1990s (fifteen) with two from this decade. Each entry includes a newly written ¿introduction¿ (more like background information/commentary) that enhances the reading and footnotes that though insightful and interesting can prove distracting. The stories run the gamut of horror and dark fantasy from obsession and revenge suspense to black magic and lethal monsters. Every contribution is gripping but especially thrilling is those (most of them) in which Mr. Monteleone avoids overindulging his morality gene such as 'The Roadside Scalpel' and ¿Rehearsals¿. Some eerie scary illustrations by Matt Eames augment this fine anthology that fans of the author or the horror genre will want to read. --- Harriet Klausner