Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage
Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four female playwrights in England with multiple comic successes from 1670-1800. Behn's interest in the body, Centlivre's fascination with written contracts, Cowley's nationalism, and Inchbald's discussion of divorce emerge in the comic events that are animated by the psychological mechanisms of humor. Attending to the dialogue between these comic events and the plays' more predictable comic endings illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.
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Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage
Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four female playwrights in England with multiple comic successes from 1670-1800. Behn's interest in the body, Centlivre's fascination with written contracts, Cowley's nationalism, and Inchbald's discussion of divorce emerge in the comic events that are animated by the psychological mechanisms of humor. Attending to the dialogue between these comic events and the plays' more predictable comic endings illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.
54.99 In Stock
Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage

Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage

by M. Anderson
Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage

Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage

by M. Anderson

Hardcover(2002)

$54.99 
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Overview

Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four female playwrights in England with multiple comic successes from 1670-1800. Behn's interest in the body, Centlivre's fascination with written contracts, Cowley's nationalism, and Inchbald's discussion of divorce emerge in the comic events that are animated by the psychological mechanisms of humor. Attending to the dialogue between these comic events and the plays' more predictable comic endings illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.

Product Details

ISBN-13: 9780312239381
Publisher: Palgrave Macmillan US
Publication date: 03/28/2002
Edition description: 2002
Pages: 262
Product dimensions: 5.51(w) x 8.50(h) x 0.03(d)

About the Author

MISTY G. ANDERSON is an Assistant Professor of English at the University of Tennessee. She has published articles on the state of eighteenth-century studies, MTV, Jane Austen, Margaret Cavendish, Jane Barker, and John Cleland. This is her first book.

Table of Contents

Preface Introduction: Funny Women 'Divertisement and Delight': Comedy, Contract, and Pleasure You Irreplaceable You: Behn's Unalienable Bodies and Comic Exchange Coming to Market: Centlivre and the Promise of Contract Rule, Britania: Women and the National Community in Cowley's Comedies Beyond the Law: Contract, Divorce, and Community in Inchbald's Comedies Epilogue
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