- Shopping Bag ( 0 items )
Shohini Chaudhuri shows how these four thinkers construct their theories through their reading of films as well as testing their ideas with a number of other examples from contemporary cinema and television. She concludes that the concepts have not remained static over the past thirty years but have continually evolved with the influence of new critical debates and developments in film production signalling their continuing impact and relevance in an era that is often unthinkingly branded as 'post-feminist'.
About the Author:
Shohini Chaudhuri is Lecturer in Contemporary Writing and Film at the University of Essex