Fenix

by Gato Barbieri

Overview

Some artists totally change directions; some reinvent their personalities. It is hard to know exactly what to make of the case of this Argentinian tenor saxophonist, who first appeared as a sideman on several extremely important Don Cherry projects, making such an essential contribution to the overall feel of these records that listeners expected great things. After a few attempts at finding a meeting place between the energy and harshness of free jazz and the his own rhythmic roots, he created this album in which everything seemed to come together perfectly. If a judgement is to be made based on Barbieri's overall career, then a lot of credit would be given to his accompanying musicians here, who are strictly the cream of the crop. A horn player certainly couldn't complain about a rhythm section featuring bassist Ron Carter, drummer Lenny White, and pianist Lonnie Liston Smith, the last fresh out of the band of Pharoah Sanders, where he had established himself as the absolute king of modal, vaguely Latin or African sounding vamps. Smith was able to fit right in here, and he of course knew just what to do when the saxophonist went into his screaming fits, because he surely had plenty of practice with this kind of stuff playing with Sanders. The leader adds a nice touch of ethnic percussion with some congas and bongos and Na Na on berimbau; in fact, this was the first time many American listeners heard this instrument. From here, Barbieri continued to build, reaching a height with a series of collaborations with Latin American musicians playing traditional instruments. He would then switch gears, tone down the energy, and become kind of a romantic image with a saxophone in his mouth, producing music that brought on insults from reviewers, many of whom would have bit their tongues if they'd known much worse sax playing was to come via later artists such as Kenny G. But at this point in 1971, well before the Muppets would create a caricature out of him, Barbieri was absolutely smoking, and for a certain style of rhythmic free jazz, this is a captivating album indeed. ~ Eugene Chadbourne

Product Details

Release Date:	10/08/2013
Label:	Bgp
UPC:	0029667526821

Tracks

1. Tupac Amaru
2. Carnavalito
3. Falsa Bahiana
4. El Dia Que Me Quieras
5. El Arriero
6. Bahia

Album Credits

Performance Credits

Gato Barbieri   Primary Artist,Sax (Tenor)
Joe Beck   Guitar,Guitar (Electric)
Gene Golden   Bongos,Congas
Lonnie Liston Smith   Piano,Piano (Electric)
Lenny White   Drums
Ron Carter   Bass,Bass (Electric)
Nana Vasconcelos   Congas,Berimbau

Technical Credits

Bob Thiele   Producer,Original Album Producer
Geoffrey Haslam   Mixing
Gato Barbieri   Composer
Gene Paul   Mixing
Haig Adishian   Design
Charles Stewart   Photography
Laurent Goddet   Liner Notes
Jean-Pierre Chalbos   Digital Remastering
Alfredo Le Pera   Composer
Michael Cuscuna   Liner Notes
Ary Barroso   Composer
Geraldo Pereira   Composer
Carlos Gardel   Composer
Atahualpa Yupanqui   Composer
Daniel Baumgarten   Reissue Supervisor