Fever Ray

by Fever Ray

Overview

At first, it's a little difficult to determine where the Knife ends and Fever Ray begins. On paper, it's clear -- the Knife is the project of Karin Dreijer and their brother Olof, while Fever Ray is Karin with co-producers Christoffer Berg, Van Rivers, and the Subliminal Kid -- but the differences aren't as distinct when listening to Fever Ray the first few times. Initially, the album's dark, frosty atmosphere feels like a continuation of the Knife's brilliant Silent Shout, and the oddly bouncy rhythms on songs like "Triangle Walks" and "Coconut" recall the duo's tropical-yet-frozen Nordic/Caribbean fusion. Eventually, though, Fever Ray reveals itself as far darker and more intimate than anything by the Knife. The Knife's spooky impulses are usually tempered by vivid pop instincts that Fever Ray replaces with a consistently eerie mood, particularly on "Concrete Walls," which feels like an even grimmer cousin of Silent Shout's "From Off to On." However, Fever Ray's mix of confessional lyrics and chilly, blatantly synthetic, and often harsh sounds makes this album as successful an electronic singer/songwriter album as Bjoerk's Homogenic. These are some of the most alluring and disturbing songs Dreijer has been involved in making. The excellent album opener, "If I Had a Heart," explores possibly inhuman need with a churning, almost subliminal synth and murky bass driving Dreijer's pitch-shifted vocals (which sound more like a different part of their psyche than a different character in the song); when Dreijer's untreated voice comes in, keening "Will I ever ever reach the floor?" they sound even more frail and desperate by comparison. The rest of Fever Ray follows suit, offering fragile portraits and sketches that walk the fine line between intimate and insular. Dreijer further expands on the storytelling skills they developed on Silent Shout: the characters in their songs feel even more resonant and unique, especially on "When I Grow Up," which is as fascinatingly fragmented as a child's train of thought, skipping from sentiments like "I'm very good with plants" to "I've never liked that sad look by someone who wants to be loved by you." Dreijer also has an eye for unusual details, as on "Seven"'s "November smoke/And your toes go numb." It all comes together on the haunting "Now's the Only Time I Know," where the low end of Dreijer's voice sounds especially vulnerable and the lyrics fill in just enough to be tantalizing. At times, Fever Ray threatens to become a little too mysterious, but it never sounds less than intriguing, from the layers of claps and castanets that make up the beat on "I'm Not Done" to "Keep the Streets Empty for Me"'s almost imperceptible guitars. With almost tangible textures and a striking mood of isolation and singularity, Fever Ray is a truly strange but riveting album. ~ Heather Phares

Product Details

Release Date:	03/24/2009
Label:	Mute
UPC:	0724596940822

Tracks

1. If I Had a Heart
2. When I Grow Up
3. Dry and Dusty
4. Seven
5. Triangle Walks
6. Concrete Walls
7. Now's the Only Time I Know
8. I'm Not Done
9. Keep the Streets Empty for Me
10. Coconut

Album Credits

Performance Credits

Fever Ray   Primary Artist,Vocals,Lead Vocals
Cecilia Nordlund   Vocals
Hampus Lundgren   Double Bass

Technical Credits

Cecilia Nordlund   Composer,Lyricist
Fever Ray   Mixing,Composer,Engineer,Lyricist,Producer
Martin DeThurah   Video
Vashti Bunyan   Composer
Andreas Nilsson   Video
The Subliminal Kid   Mixing,Engineer,Producer,Recording
Henrik Jonsson   Mastering,Mastering Engineer
Anita Lane   Composer
Blixa Bargeld   Composer
Karin Dreijer   Composer
Van Rivers   Mixing,Engineer,Producer,Recording
Johan Renck   Video
Christoffer Berg   Mixing,Engineer,Producer
Mikel Cee Karlsson   Video,Video Director
Christopher Berg   Mixing