Field Guide to Covering Sports / Edition 2

by Joe Gisondi

Overview

Transform yourself from sports fan to professional sports journalist

Field Guide to Covering Sports, Second Edition goes beyond general guidance about sports writing, offering readers practical advice on covering 20 specific sports. From auto racing to wrestling, author Joe Gisondi gives tips on the seemingly straightforward—like where to stand on the sideline and how to identify a key player—along with the more specialized—such as figuring out shot selection in lacrosse and understanding a coxswain’s call for a harder stroke in rowing.

In the new Second Edition, readers also explore sports reporting across multimedia platforms, developing a foundational understanding for social media, mobile media, visual storytelling, writing for television and radio, and applying sabermetrics. Fully revised with new examples and updated information to give readers confidence in covering just about any game, match, meet, race, regatta or tournament, Field Guide to Covering Sports, Second Edition is the ideal go-to resource to have on hand when mastering the beat.

Product Details

ISBN-13:	9781506315683
Publisher:	SAGE Publications
Publication date:	08/24/2017
Edition description:	Second Edition
Pages:	416
Product dimensions:	6.40(w) x 7.90(h) x 0.70(d)

About the Author

Joe Gisondi covered sports and worked as a sports copy editor for more than 20 years at several newspapers in Florida, including the Fort Myers News-Press, Clearwater Sun, Florida Today and Orlando Sentinel. He started writing for a weekly sports publication in Coral Springs, Fla., at age 15. He’s been hooked on sports journalism ever since. He is now associate professor and faculty adviser to the Daily Eastern News at Eastern Illinois University where he teaches courses on newswriting, advanced editing, sports and the media, and sports writing.

Read an Excerpt

PREFACE:

Preface

This book is about children's play and development. To understand any human activity, such as play, it is necessary to explore that activity as it has evolved over time. We begin in Chapter 1 with a look at "Play's History: Ideas, Beliefs, and Activities." Indeed, play does have an epic history, dating back thousands of years. As we state in Chapter 1, play activities existed long before recorded history. As a result, we have both prerational knowledge of play, which has remained with us since before the onset of recorded history, and rational knowledge of play, those aspects of play that we have come to be aware of by means of scholarship.

Our earliest rational knowledge of Western play can be described in terms of three themes: agon, mimesis, and chaos. These themes continue to describe play across the centuries, although the relative weight of each is seen to vary over time. Agon, or conflict, appears in competitive games and has its present manifestation in sport. Mimesis, or imitative action, is associated with theater, role play, and creative forms of play. Chaos, or leaving things to the Fates, is reflected in games of chance. During the Enlightenment and Romance periods of history; during those eras, versions of mimesis were exalted, to call attention to humankind's creative spirit. It is during these times that particular attention from scholars begins to focus on children's play. Freedom and the human spirit were associated with play by educators such as Johan Pestalozzi and Friedrich Froebel. This belief has remained with us and forms a cornerstone for understanding children's play.

Thehistory of children's play developed a life of its own during the 19th century, with the scholarly research efforts of individuals such as G. Stanley Hall and John Dewey. Although these scholars reflected differing assumptions about play, their combined efforts, building on the work of earlier philosophers, kept play at the center of children's development.

Our history of prerational and rational experience with children's play serves as a basis for our current efforts to study play. Through the past century, research on children's play contributed to theories about play and its role in development. As we look at our efforts to make sense of play, we see a variety of rhetorics for play and a wider variety of theories to make sense of it. Chapter 2 introduces a number of theories that dominated play scholarship throughout the 20th century, as well as a number of emerging theories.

Chapter 2 also provides a model for deciding which theory may be most useful for professionals who are supporting play. Theory is placed in the model as a tool for assisting teachers to plan, observe, and assess children as they play. Values and beliefs about play must be articulated and aligned with relevant play theories. The model is supplemented by research on teacher beliefs as they relate to theory and practice.

History and theory are invaluable tools for understanding play and for seeking keys to practice. During the 20th century, additional tools emerged from research in several disciplines. Chapter 3 details the work of behavioral scientists who introduced during the 1960s the notion of plasticity of the human brain with particular reference to very young children. This set the stage for national attention to early development in playful contexts.

The relationship between development and children's play changes as the child matures. Theories of development are reflected in the nature of children's play, and some are more dominant than others in different stages of development. Adult roles in children's play vary as children grow, and characteristics of play evolve and diminish as the child matures. Thus, elements of development in children's play can be described as both continuous and discontinuous.

Three chapters address play and development. The first, Chapter 4, discusses the first 2 years of development. The preschool years are discussed in Chapter 5 and school-age children in Chapter 6.

Issues of culture and gender are addressed in Chapter 7. Because so many societies are multicultural at this time, there are always questions about the traditions, meanings, relationships, and communications that may vary with different groups of people. Building on earlier reviews by Schwartzman and Slaughter and Dombrowsky, we present research on the topics of continuities and discontinuities in children's play.

Implications for practice in child care center and school contexts naturally arise from discussions of play theory and research. Over recent decades, a number of approaches evolved addressing the integration of play into curriculum and the roles of teachers. In Chapter 8, we examine the dominant approaches, ranging from "hands-off play" to broadly and narrowly focused play intervention. Since all these approaches are drawn from serious examination of theory and research, practitioners may borrow relevant dimensions from more than one model. In a multiethnic, pluralistic society, the developmental needs of individuals and groups may not be appropriately met by a single approach. Play is not all that children need, but knowledge is constructed through play, and, through sensitive adult intervention, play and work become complementary activities.

The questions of how children with disabilities engage in play and what adaptations need to be made to adult roles and the environment to expand play are the important focus in Chapter 9. Researchers interested in the nature of play in children with disabilities have conducted studies comparing the play of children with specific disabilities with the play of peers who have typical development. The play of children with specific disabilities has also been studied to determine how changes in the environment and adaptations of toys can enhance play opportunities for children. Most significantly, modification of the outdoor environment has become a significant design challenge within the last two decades as play specialists have sought to make outdoor play more accessible to children with all types of disabilities.

The natural therapeutic qualities of play lend even greater emphasis to the importance of play for child development. As seen in Chapter 10, play therapy has its roots in the psychoanalytic tradition, but, over the years, theorists and practitioners modified the practical applications of this tradition to develop several approaches. The fundamental tenets of child-centered play therapy are rooted in the beliefs that children play out their phobias, feelings, and emotions and that play has natural healing powers. Play therapy is now successfully conducted with children of all age groups and in individual, family, clinical, school, hospital, and group contexts.

Since play is an important ingredient of both indoor and outdoor activities, Chapter 11 focuses on the creation of special, magical, creative outdoor play environments. This section is intended to counter the growing pattern of "cookie-cutter" (standardized) playgrounds in American child care centers, schools, and public parks by focusing on comprehensive environments featuring natural elements such as sand, water, tools, materials for construction, nature areas, and "special places." Fundamental to countering this trend is convincing adults that recess and outdoor play are essential to children's healthy development. Even the best outdoor play environments have little effect unless children have ample time to experience and create over extended periods of time.

The extensive analysis of child safety in public places, discussed in Chapter 12, is unique in child development texts, perhaps because of the prevailing view that accidents and injuries are inherent in growing up. Safety experts and a growing body of safety research conclude that accidents can be prevented, especially those that expose children to risks of permanent injury or death. We wish to make one point crystal clear: We do not advocate "dumbing down" playgrounds or play venues in an effort to make them "safe." Quite the contrary, play environments can be made safer than traditional settings while simultaneously expanding challenges and opportunities for physical development.

The discussion of play leadership in Chapter 13 promotes the concept that all adults who "supervise" children at play—parents, aides, teachers, youth workers—need certain skills. The term play leader is intended to apply to all such workers/players. The skills needed appear to be inherent or "natural" for many adults. For example, most parents play peek-a-boo with infants and toddlers, cuddle them, talk to them, and provide toys. But as the child matures and is passed from one caretaker to another, play leadership skills frequently take a back seat to didactic instruction, scheduling, and academic pursuits. Good play leaders respect children and play; they sense the "flow" of children's play recognize this as the release of ultimate creative impulses, and know this is the stuff from which learning and development are formed.

Acknowledgments

The authors wish to acknowledge and express appreciation to those who helped prepare this book. To John Sutterby Seunghwa Kim, Dottie Hirshman, Jim Therrell, and Shu-Fen Cheng for comments on chapter drafts; to Suzanne Winter and Rusty Keeler who assisted with photographs; to Laura Havelik who helped with computer foul-ups and various tasks; to our colleagues at other universities who provided valuable, extensive analyses and suggestions for improving the manuscript: Diane Karther, University of Akron; Lynn Lessie, Atlantic Community College (NJ); Linda L. Reiten, University of Wisconsin-Stout; Kevin Swick, University of South Carolina; Mary Ann Waldon, Texas Southern University, retired; and Stan Wollock, William Patterson University; and to the many students who contributed in countless ways. We would also like to thank the staff at Prentice Hall, who were always prompt, courteous, and skillful: Ann Davis, executive editor; Laura Larson, copyeditor; Pat Grogg, editorial assistant; and Carol Sykes, photo department manager.

Table of Contents

Foreword
Preface
Acknowledgments
PART I. GETTING STARTED
1. From Sports Fan to Sports Reporter
There’s No Cheering in the Press Box 3 5 6
Where Do You Start?
Clerking Is a Great Way to Learn
Reporting Is Essential in New Media Landscape
2. Writing Game Stories
Leads
Organization
Context and Analysis
Key Plays
Statistics
Quotations
Language
3. Getting the Most Out of an Interview
Journalism Is Not Stenography
Prepare
Watch
Ask
And Keep Asking
Sack the Clichéd Responses
4. Developing and Writing Features
Reporting Is Vital
Learn Storytelling Techniques
5. Developing Sports Columns
6. Blogging: Finding a Unique Perspective
Blogs Are Here to Stay
Carving a Niche
Tips for Blogging Sports
7. Using Advanced Statistical Metrics
Advanced Metrics Glossary
PART II. MULTIMEDIA
8. Social Media: Using Twitter as a Reporting Tool
9. Writing for Mobile Devices
Tips for Mobile
10. Visual Storytelling
Quick Tips for Improving Your Sports Photograph
11. Broadcasting Games on Radio
12. Writing for TV
PART III. COVERING A BEAT
Auto Racing
Baseball
Basketball
Bowling
Cross Country
Field Hockey
Football
Golf
Ice Hockey
Lacrosse
Rowing
Rugby
Soccer
Softball
Swimming & Diving
Tennis
Track and Field
Triathalons
Volleyball
Wrestling
PART IV. EXPLORING FURTHER
Primer A: Ethics: Sports Writers Can’t Act Like Fans
Primer B: Covering Fantasy Sports
Primer C: Covering a College Beat
Primer D: High School Sports
Primer E: Avoiding Clichés
Appendix: Assignment Desk
AP Style Sports Quizzes
Notes
Index
About the Author

Preface

PREFACE:

Preface

This book is about children's play and development. To understand any human activity, such as play, it is necessary to explore that activity as it has evolved over time. We begin in Chapter 1 with a look at "Play's History: Ideas, Beliefs, and Activities." Indeed, play does have an epic history, dating back thousands of years. As we state in Chapter 1, play activities existed long before recorded history. As a result, we have both prerational knowledge of play, which has remained with us since before the onset of recorded history, and rational knowledge of play, those aspects of play that we have come to be aware of by means of scholarship.

Our earliest rational knowledge of Western play can be described in terms of three themes: agon, mimesis, and chaos. These themes continue to describe play across the centuries, although the relative weight of each is seen to vary over time. Agon, or conflict, appears in competitive games and has its present manifestation in sport. Mimesis, or imitative action, is associated with theater, role play, and creative forms of play. Chaos, or leaving things to the Fates, is reflected in games of chance. During the Enlightenment and Romance periods of history; during those eras, versions of mimesis were exalted, to call attention to humankind's creative spirit. It is during these times that particular attention from scholars begins to focus on children's play. Freedom and the human spirit were associated with play by educators such as Johan Pestalozzi and Friedrich Froebel. This belief has remained with us and forms a cornerstone for understanding children's play.

Thehistory of children's play developed a life of its own during the 19th century, with the scholarly research efforts of individuals such as G. Stanley Hall and John Dewey. Although these scholars reflected differing assumptions about play, their combined efforts, building on the work of earlier philosophers, kept play at the center of children's development.

Our history of prerational and rational experience with children's play serves as a basis for our current efforts to study play. Through the past century, research on children's play contributed to theories about play and its role in development. As we look at our efforts to make sense of play, we see a variety of rhetorics for play and a wider variety of theories to make sense of it. Chapter 2 introduces a number of theories that dominated play scholarship throughout the 20th century, as well as a number of emerging theories.

Chapter 2 also provides a model for deciding which theory may be most useful for professionals who are supporting play. Theory is placed in the model as a tool for assisting teachers to plan, observe, and assess children as they play. Values and beliefs about play must be articulated and aligned with relevant play theories. The model is supplemented by research on teacher beliefs as they relate to theory and practice.

History and theory are invaluable tools for understanding play and for seeking keys to practice. During the 20th century, additional tools emerged from research in several disciplines. Chapter 3 details the work of behavioral scientists who introduced during the 1960s the notion of plasticity of the human brain with particular reference to very young children. This set the stage for national attention to early development in playful contexts.

The relationship between development and children's play changes as the child matures. Theories of development are reflected in the nature of children's play, and some are more dominant than others in different stages of development. Adult roles in children's play vary as children grow, and characteristics of play evolve and diminish as the child matures. Thus, elements of development in children's play can be described as both continuous and discontinuous.

Three chapters address play and development. The first, Chapter 4, discusses the first 2 years of development. The preschool years are discussed in Chapter 5 and school-age children in Chapter 6.

Issues of culture and gender are addressed in Chapter 7. Because so many societies are multicultural at this time, there are always questions about the traditions, meanings, relationships, and communications that may vary with different groups of people. Building on earlier reviews by Schwartzman and Slaughter and Dombrowsky, we present research on the topics of continuities and discontinuities in children's play.

Implications for practice in child care center and school contexts naturally arise from discussions of play theory and research. Over recent decades, a number of approaches evolved addressing the integration of play into curriculum and the roles of teachers. In Chapter 8, we examine the dominant approaches, ranging from "hands-off play" to broadly and narrowly focused play intervention. Since all these approaches are drawn from serious examination of theory and research, practitioners may borrow relevant dimensions from more than one model. In a multiethnic, pluralistic society, the developmental needs of individuals and groups may not be appropriately met by a single approach. Play is not all that children need, but knowledge is constructed through play, and, through sensitive adult intervention, play and work become complementary activities.

The questions of how children with disabilities engage in play and what adaptations need to be made to adult roles and the environment to expand play are the important focus in Chapter 9. Researchers interested in the nature of play in children with disabilities have conducted studies comparing the play of children with specific disabilities with the play of peers who have typical development. The play of children with specific disabilities has also been studied to determine how changes in the environment and adaptations of toys can enhance play opportunities for children. Most significantly, modification of the outdoor environment has become a significant design challenge within the last two decades as play specialists have sought to make outdoor play more accessible to children with all types of disabilities.

The natural therapeutic qualities of play lend even greater emphasis to the importance of play for child development. As seen in Chapter 10, play therapy has its roots in the psychoanalytic tradition, but, over the years, theorists and practitioners modified the practical applications of this tradition to develop several approaches. The fundamental tenets of child-centered play therapy are rooted in the beliefs that children play out their phobias, feelings, and emotions and that play has natural healing powers. Play therapy is now successfully conducted with children of all age groups and in individual, family, clinical, school, hospital, and group contexts.

Since play is an important ingredient of both indoor and outdoor activities, Chapter 11 focuses on the creation of special, magical, creative outdoor play environments. This section is intended to counter the growing pattern of "cookie-cutter" (standardized) playgrounds in American child care centers, schools, and public parks by focusing on comprehensive environments featuring natural elements such as sand, water, tools, materials for construction, nature areas, and "special places." Fundamental to countering this trend is convincing adults that recess and outdoor play are essential to children's healthy development. Even the best outdoor play environments have little effect unless children have ample time to experience and create over extended periods of time.

The extensive analysis of child safety in public places, discussed in Chapter 12, is unique in child development texts, perhaps because of the prevailing view that accidents and injuries are inherent in growing up. Safety experts and a growing body of safety research conclude that accidents can be prevented, especially those that expose children to risks of permanent injury or death. We wish to make one point crystal clear: We do not advocate "dumbing down" playgrounds or play venues in an effort to make them "safe." Quite the contrary, play environments can be made safer than traditional settings while simultaneously expanding challenges and opportunities for physical development.

The discussion of play leadership in Chapter 13 promotes the concept that all adults who "supervise" children at play—parents, aides, teachers, youth workers—need certain skills. The term play leader is intended to apply to all such workers/players. The skills needed appear to be inherent or "natural" for many adults. For example, most parents play peek-a-boo with infants and toddlers, cuddle them, talk to them, and provide toys. But as the child matures and is passed from one caretaker to another, play leadership skills frequently take a back seat to didactic instruction, scheduling, and academic pursuits. Good play leaders respect children and play; they sense the "flow" of children's play recognize this as the release of ultimate creative impulses, and know this is the stuff from which learning and development are formed.

Acknowledgments

The authors wish to acknowledge and express appreciation to those who helped prepare this book. To John Sutterby Seunghwa Kim, Dottie Hirshman, Jim Therrell, and Shu-Fen Cheng for comments on chapter drafts; to Suzanne Winter and Rusty Keeler who assisted with photographs; to Laura Havelik who helped with computer foul-ups and various tasks; to our colleagues at other universities who provided valuable, extensive analyses and suggestions for improving the manuscript: Diane Karther, University of Akron; Lynn Lessie, Atlantic Community College (NJ); Linda L. Reiten, University of Wisconsin-Stout; Kevin Swick, University of South Carolina; Mary Ann Waldon, Texas Southern University, retired; and Stan Wollock, William Patterson University; and to the many students who contributed in countless ways. We would also like to thank the staff at Prentice Hall, who were always prompt, courteous, and skillful: Ann Davis, executive editor; Laura Larson, copyeditor; Pat Grogg, editorial assistant; and Carol Sykes, photo department manager.