- Shopping Bag ( 0 items )
The Great Writers
Melville, James, Dreiser, Faulkner, Hemingway, Steinbeck, McCullers
The Little-Known Masterpieces
Edith Wharton’s The Dilettante, Finley Peter Dunne’s Mr. Dooley on the Popularity of Fireman, Charles M. Flandrau’s A Dead Issue, James Reid Parker’s The Archimandrite's Niece
ON A stormy night, in the tempestuous times of the French Revolution, a young German was returning to his lodgings, at a late hour, across the old part of Paris. The lightning gleamed, and the loud claps of thunder rattled through the lofty narrow streets—but I should first tell you something about this young German.
Gottfried Wolfgang was a young man of good family. He had studied for some time at Gottingen, but being of a visionary and enthusiastic character, he had wandered into those wild and speculative doctrines which have so often bewildered German students. His secluded life, his intense application, and the singular nature of his studies, had an effect on both mind and body. His health was impaired; his imagination diseased. He had been indulging in fanciful speculations on spiritual essences, until, like Swedenborg, he had an ideal world of his own around him. He took up a notion, I do not know from what cause, that there was an evil influence hanging over him; an evil genius or spirit seeking to ensnare him and ensure his perdition. Such an idea working on his melancholy temperament produced the most gloomy effects. He became haggard and desponding. His friends discovered the mental malady preying upon him, and determined that the best cure was a change of scene; he was sent, therefore, to finish his studies amidst the splendors and gayeties of Paris.
Wolfgang arrived at Paris at the breaking out of the revolution. The popular delirium at first caught his enthusiastic mind, and he was captivated by the political and philosophical theories of the day: but the scenes of blood which followed shocked his sensitive nature, disgusted him with society and the world, and made him more than ever a recluse. He shut himself up in a solitary apartment in the Pays Latin, the quarter of students. There, in a gloomy street not far from the monastic walls of the Sorbonne, he pursued his favorite speculations. Sometimes he spent hours together in the great libraries of Paris, those catacombs of departed authors, rummaging among their hoards of dusty and obsolete works in quest of food for his unhealthy appetite. He was, in a manner, a literary ghoul, feeding in the charnel-house of decayed literature.
Wolfgang, though solitary and recluse, was of an ardent temperament, but for a time it operated merely upon his imagination. He was too shy and ignorant of the world to make any advances to the fair, but he was a passionate admirer of female beauty, and in his lonely chamber would often lose himself in reveries on forms and faces which he had seen, and his fancy would deck out images of loveliness far surpassing the reality.
While his mind was in this excited and sublimated state, a dream produced an extraordinary effect upon him. It was of a female face of transcendent beauty. So strong was the impression made, that he dreamt of it again and again. It haunted his thoughts by day, his slumbers by night; in fine, he became passionately enamoured of this shadow of a dream. This lasted so long that it became one of those fixed ideas which haunt the minds of melancholy men, and are at times mistaken for madness.
Such was Gottfried Wolfgang, and such his situation at the time I mentioned. He was returning home late one stormy night, through some of the old and gloomy streets of the Marais, the ancient part of Paris. The loud claps of thunder rattled among the high houses of the narrow streets. He came to the Place de Greve, the square, where public executions are performed. The lightning quivered about the pinnacles of the ancient Hotel de Ville, and shed flickering gleams over the open space in front. As Wolfgang was crossing the square, he shrank back with horror at finding himself close by the guillotine. It was the height of the reign of terror, when this dreadful instrument of death stood ever ready, and its scaffold was continually running with the blood of the virtuous and the brave. It had that very day been actively employed in the work of carnage, and there it stood in grim array, amidst a silent and sleeping city, waiting for fresh victims.
Wolfgang's heart sickened within him, and he was turning shuddering from the horrible engine, when he beheld a shadowy form, cowering as it were at the foot of the steps which led up to the scaffold. A succession of vivid flashes of lightning revealed it more distinctly. It was a female figure, dressed in black. She was seated on one of the lower steps of the scaffold, leaning forward, her face hid in her lap; and her long dishevelled tresses hanging to the ground, streaming with the rain which fell in torrents. Wolfgang paused. There was something awful in this solitary monument of woe. The female had the appearance of being above the common order. He knew the times to be full of vicissitude, and that many a fair head, which had once been pillowed on down, now wandered houseless. Perhaps this was some poor mourner whom the dreadful axe had rendered desolate, and who sat here heart-broken on the strand of existence, from which all that was dear to her had been launched into eternity.
He approached, and addressed her in the accents of sympathy. She raised her head and gazed wildly at him. What was his astonishment at beholding, by the bright glare of the lightning, the very face which had haunted him in his dreams. It was pale and disconsolate, but ravishingly beautiful.
Trembling with violent and conflicting emotions, Wolfgang again accosted her. He spoke something of her being exposed at such an hour of the night, and to the fury of such a storm, and offered to conduct her to her friends. She pointed to the guillotine with a gesture of dreadful signification.
"I have no friend on earth!" said she.
"But you have a home," said Wolfgang.
"Yes—in the grave!"
The heart of the student melted at the words.
"If a stranger dare make an offer," said he, "without danger of being misunderstood, I would offer my humble dwelling as a shelter; myself as a devoted friend. I am friendless myself in Paris, and a stranger in the land; but if my life could be of service, it is at your disposal, and should be sacrificed before harm or indignity should come to you."
There was an honest earnestness in the young man's manner that had its effect. His foreign accent, too, was in his favor; it showed him not to be a hackneyed inhabitant of Paris. Indeed, there is an eloquence in true enthusiasm that is not to be doubted. The homeless stranger confided herself implicitly to the protection of the student.
He supported her faltering steps across the Pont Neuf, and by the place where the statue of Henry the Fourth had been overthrown by the populace. The storm had abated, and the thunder rumbled at a distance. All Paris was quiet; that great volcano of human passion slumbered for a while, to gather fresh strength for the next day's eruption. The student conducted his charge through the ancient streets of the Pays Latin, and by the dusky walls of the Sorbonne, to the great dingy hotel which he inhabited. The old portress who admitted them stared with surprise at the unusual sight of the melancholy Wolfgang, with a female companion.
On entering his apartment, the student, for the first time, blushed at the scantiness and indifference of his dwelling. He had but one chamber—an old-fashioned saloon—heavily carved, and fantastically furnished with the remains of former magnificence, for it was one of those hotels in the quarter of the Luxembourg palace, which had once belonged to nobility. It was lumbered with books and papers, and all the usual apparatus of a student, and his bed stood in a recess at one end.
When lights were brought, and Wolfgang had a better opportunity of contemplating the stranger, he was more than ever intoxicated by her beauty. Her face was pale, but of a dazzling fairness, set off by a profusion of raven hair that hung clustering about it. Her eyes were large and brilliant, with a singular expression approaching almost to wildness. As far as her black dress permitted her shape to be seen, it was of perfect symmetry. Her whole appearance was highly striking, though she was dressed in the simplest style. The only thing approaching to an ornament which she wore, was a broad black band round her neck, clasped by diamonds.
The perplexity now commenced with the student how to dispose of the helpless being thus thrown upon his protection. He thought of abandoning his chamber to her, and seeking shelter for himself elsewhere. Still he was so fascinated by her charms, there seemed to be such a spell upon his thoughts and senses, that he could not tear himself from her presence. Her manner, too, was singular and unaccountable. She spoke no more of the guillotine. Her grief had abated. The attentions of the student had first won her confidence. and then, apparently, her heart. She was evidently an enthusiast like himself, and enthusiasts soon understand each other.
In the infatuation of the moment, Wolfgang avowed his passion for her. He told her the story of his mysterious dream, and how she had possessed his heart before he had even seen her. She was strangely affected by his recital, and acknowledged to have felt an impulse towards him equally unaccountable. It was the time for wild theory and wild actions. Old prejudices and superstitions were done away; everything was under the sway of the "Goddess of Reason." Among other rubbish of the old times, the forms and ceremonies of marriage began to be considered superfluous bonds for honorable minds. Social compacts were the vogue. Wolfgang was too much of a theorist not to be tainted by the liberal doctrines of the day.
"Why should we separate?" said he: "our hearts are united; in the eye of reason and honor we are as one. What need is there of sordid forms to bind high souls together?"
The stranger listened with emotion: she had evidently received illumination at the same school.
"You have no home nor family," continued he; "let me be everything to you, or rather let us be everything to one another. If form is necessary, form shall be observed—there is my hand. I pledge myself to you forever."
"Forever?" said the stranger, solemnly.
"Forever!" repeated Wolfgang.
The stranger clasped the hand extended to her: "Then I am yours," murmured she, and sank upon his bosom.
The next morning the student left his bride sleeping, and sallied forth at an early hour to seek more spacious apartments suitable to the change in his situation. When he returned, he found the stranger lying with her head hanging over the bed, and one arm thrown over it. He spoke to her, but received no reply. He advanced to awaken her from her uneasy posture. On taking her hand, it was cold—there was no pulsation—her face was pallid and ghastly. In a word, she was a corpse.
Horrified and frantic, he alarmed the house. A scene of confusion ensued. The police was summoned. As the officer of police entered the room, he started back on beholding the corpse.
"Great heaven!" cried he, "how did this woman come here?"
"Do you know anything about her?" said Wolfgang eagerly.
"Do I?" exclaimed the officer: "she was guillotined yesterday."
He stepped forward; undid the black collar round the neck of the corpse, and the head rolled on the floor!
The student burst into a frenzy. "The fiend! the fiend has gained possession of me!" shrieked he; "I am lost forever."
They tried to soothe him, but in vain. He was possessed with the frightful belief that an evil spirit had reanimated the dead body to ensnare him. He went distracted, and died in a mad-house.
Here the old gentleman with the haunted head finished his narrative.
"And is this really a fact?" said the inquisitive gentleman.
"A fact not to be doubted," replied the other. "I had it from the best authority. The student told it me himself. I saw him in a mad-house in Paris."
Young Goodman Brown by Nathaniel Hawthorne
YOUNG GOODMAN Brown came forth at sunset into the street at Salem village; but put his head back, after crossing the threshold, to exchange a parting kiss with his young wife. And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown.
"Dearest heart," whispered she, softly and rather sadly, when her lips were close to his ear, "prithee put off your journey until sunrise and sleep in your own bed to-night. A lone woman is troubled with such dreams and such thoughts that she's afeard of herself sometimes. Pray tarry with me this night, dear husband, of all nights in the year."
"My love and my Faith," replied young Goodman Brown, "of all nights in the year, this one night must I tarry away from thee. My journey, as thou callest it, forth and back again, must needs be done 'twixt now and sunrise. What, my sweet, pretty wife, dost thou doubt me already, and we but three months married?"
"Then God bless you!" said Faith, with the pink ribbons; "and may you find all well when you come back."
"Amen!" cried Goodman Brown. "Say thy prayers, dear Faith, and go to bed at dusk, and no harm will come to thee."
So they parted; and the young man pursued his way until, being about to turn the corner by the meeting-house, he looked back and saw the head of Faith still peeping after him with a melancholy air, in spite of her pink ribbons.
"Poor little Faith!" thought he, for his heart smote him. "What a wretch am I to leave her on such an errand! She talks of dreams, too. Methought as she spoke there was trouble in her face, as if a dream had warned her what work is to be done to-night. But no, no; 't would kill her to think it. Well, she's a blessed angel on earth; and after this one night I'll cling to her skirts and follow her to heaven."
With this excellent resolve for the future, Goodman Brown felt himself justified in making more haste on his present evil purpose. He had taken a dreary road, darkened by all the gloomiest trees of the forest, which barely stood aside to let the narrow path creep through, and closed immediately behind. It was all as lonely as could be; and there is this peculiarity in such a solitude, that the traveller knows not who may be concealed by the innumerable trunks and the thick boughs overhead; so that with lonely footsteps he may yet be passing through an unseen multitude.
|The Adventure of the German Student||1|
|Young Goodman Brown||6|
|Ms. Found in a Bottle||18|
|What was it?||34|
|The Outcasts of Poker Flat||50|
|The Damned Thing||61|
|The Two Faces||69|
|A New England Nun||82|
|The Courting of Sister Wisby||94|
|Masters of Arts||118|
|Mr. Dooley on the Popularity of Firemen||137|
|The Bride Comes to Yellow Sky||139|
|A Dead Issue||150|
|The Lost Phoebe||171|
|Father is Firm with his Ailments||186|
|Death in the Woods||191|
|To Build a Fire||203|
|The Use of Force||218|
|Old Folks' Christmas||222|
|Silent Snow, Secret Snow||232|
|By the Waters of Babylon||249|
|Soldiers of the Republic||261|
|Mr. Preble Gets Rid of his Wife||265|
|Cluney Mc Farrar's Hardtack||268|
|The Darkness of the Night||272|
|The Old People||281|
|Grapes for Monsieur Cape||298|
|A Man of the World||308|
|The Hour of Letdown||312|
|The Resting Place||316|
|The Touch of Nutmeg Makes it||328|
|Friend of the Family||349|
|There was a Young Lady of Perth||362|
|The Downfall of Fascism in Black Ankle County||371|
|The French Scarecrow||379|
|The Blue-Winged Teal||392|
|The Archimandrite's Niece||409|
|A Mother's Tale||415|
|The National Pastime||435|
|The Girls in Their Summer Dresses||449|
|The Death of Shorty||455|
|Grandma and the Hindu Monk||460|
|Madame Zilensky and the King of Finland||479|
|The Lucid Eye in Silver Town||487|
Posted August 27, 2004
Posted March 12, 2001
What a disappointing book. I hoped to gain a better knowledge of the American short story and ended up being bored. This is a standard average dull collection. The stories, even by those considered masters, such as Melville or Faulkner are poor choices. Part of the explanation of the deadness of the prose contained in it has to do with the bibliography of the authors in the back. According to that, John Steinbeck, Joseph Mitchell, Carson McCullers, and John Cheever are still alive. This anthology is hopelessly out of date and conservative. If you want a good cross section of American short stories, find it someplace else.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.