Film Adaptation and Its Discontents: From Gone with the Wind to The Passion of the Christ [NOOK Book]

Overview

Most books on film adaptation?the relation between films and their literary sources?focus on a series of close one-to-one comparisons between specific films and canonical novels. This volume identifies and investigates a far wider array of problems posed by the process of adaptation.

Thomas Leitch considers how the creators of short silent films attempted to give them the weight of literature, what sorts of fidelity are possible in an adaptation of sacred scripture, what it ...

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Film Adaptation and Its Discontents: From Gone with the Wind to The Passion of the Christ

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Overview

Most books on film adaptation—the relation between films and their literary sources—focus on a series of close one-to-one comparisons between specific films and canonical novels. This volume identifies and investigates a far wider array of problems posed by the process of adaptation.

Thomas Leitch considers how the creators of short silent films attempted to give them the weight of literature, what sorts of fidelity are possible in an adaptation of sacred scripture, what it means for an adaptation to pose as an introduction to, rather than a transcription of, a literary classic, and why and how some films have sought impossibly close fidelity to their sources. Leitch's analysis moves beyond literary sources to consider why a small number of adapters have risen to the status of auteurs and how illustrated books, comic strips, video games, and true stories have been adapted to the screen.

"I would highly recommend Leitch's study, in particular for its diversity and complexity. The author demonstrates that he is familiar with a large and heterogeneous corpus, including canonical as well as popular or marginal films and texts, which adaptation studies can only benefit from."— Image & Narrative

"As a cogent summary and critique of film adaptation, this would be a good first book for newcomers to the subject... Highly recommended."— Choice

"This convincingly argued and eloquently presented volume is replete with an array of accessible examples that provide an illustrative stylistic lightness of touch... whilst resisting any potential dilution of the underlying radical and important thesis—a thesis which incontrovertibly advances and enhances our approach to adaptation studies on a number of highly original and insightful levels."— Journal of Adaptation in Film & Performance

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Editorial Reviews

Cercles
I highly recommend the book both to those new or well versed in adaptation studies as a thought-provoking look at the questions to be asked – and perhaps answered – in this domain of ever-increasing importance.

— Shannon Wells-Lassagne

The Jeffersonian
For those interested in the cinematic works their favorite books inspire,Thomas Leitch's Film Adaptation and Its Discontents should provide food for thought.

— Rebecca Oppenheimer

Choice

As a cogent summary and critique of film adaptation, this would be a good first book for newcomers to the subject... Highly recommended.

Image & Narrative
I would highly recommend Leitch's study, in particular for its diversity and complexity. The author demonstrates that he is familiar with a large and heterogeneous corpus, including canonical as well as popular or marginal films and texts, which adaptation studies can only benefit from.

— Thomas Van Parys

Film Quarterly
Film Adaptation and Its Discontents is a worthy and distinctive entrant into an already crowded field. Its strengths lie in the detailed and persuasively argued collective case histories... as well as its often penetrating and always illuminating discussions of specific problems.

— R. Barton Palmer

Journal of Adaptation in Film & Performance
This convincingly argued and eloquently presented volume is replete with an array of accessible examples that provide an illustrative stylistic lightness of touch... whilst resisting any potential dilution of the underlying radical and important thesis—a thesis which incontrovertibly advances and enhances our approach to adaptation studies on a number of highly original and insightful levels.

— Dr. Alison Forsyth

Image & Narrative - Thomas Van Parys

I would highly recommend Leitch's study, in particular for its diversity and complexity. The author demonstrates that he is familiar with a large and heterogeneous corpus, including canonical as well as popular or marginal films and texts, which adaptation studies can only benefit from.

Journal of Adaptation in Film & Performance - Dr. Alison Forsyth

This convincingly argued and eloquently presented volume is replete with an array of accessible examples that provide an illustrative stylistic lightness of touch... whilst resisting any potential dilution of the underlying radical and important thesis—a thesis which incontrovertibly advances and enhances our approach to adaptation studies on a number of highly original and insightful levels.

Film Quarterly - R. Barton Palmer

Film Adaptation and Its Discontents is a worthy and distinctive entrant into an already crowded field. Its strengths lie in the detailed and persuasively argued collective case histories... as well as its often penetrating and always illuminating discussions of specific problems.

The Jeffersonian - Rebecca Oppenheimer

For those interested in the cinematic works their favorite books inspire,Thomas Leitch's Film Adaptation and Its Discontents should provide food for thought.

Cercles - Shannon Wells-Lassagne

I highly recommend the book both to those new or well versed in adaptation studies as a thought-provoking look at the questions to be asked – and perhaps answered – in this domain of ever-increasing importance.

Choice

As a cogent summary and critique of film adaptation, this would be a good first book for newcomers to the subject... Highly recommended.

Read More Show Less

Product Details

  • ISBN-13: 9780801891878
  • Publisher: Johns Hopkins University Press
  • Publication date: 3/1/2009
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 372
  • File size: 3 MB

Meet the Author

Thomas Leitch is a professor of English at the University of Delaware.

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