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More About This Textbook
Overview
Some of the earliest feature films were derived from classic literature. Even today, most of the movies we see are adaptations of one kind or another. People who have never read Jane Austen can see her characters on the screen; but filmgoers can also see material taken from theater, television, comic books, and every other medium.
The essays in this volume, most of which have never before been published, raise fundamental questions about cinema and adaptation: what is the nature of the "literary" and the "cinematic"? Why do so many of the
films described as adaptions seem to derive from canonical literature rather than from other sources? How do the different media affect the ways stories are told?
Film Adaptation offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term "adaptation" itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. James Naremore's introduction provides an accessible historical overview of the field and reveals the importance of adaptation study to the many different academic disciplines now attracted to the analysis of film as commodity, document, and cultural artifact.
(Contributors are André Bazin, Dudley Andrew, Robert B. Ray, Robert Stam, Richard Maltby, Guerric DeBona, O. M. B., Gilberto Perez, Michael Anderegg, Matthew Bernstein, Darlene J. Sadlier, Jonathan Rosenbaum, and Lesley Stern.)
Editorial Reviews
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"Naremore's provocative collection breaks new ground in both theoretical and practical studies. . . . The work of informed, thoughtful writers, virtually all the essays are useful reading; combined they convey the crucial, indeed central, importance of adaptation as a critical theoretical category in film studies. Recommended for all collections."Booknews
Most of these essays are newly published and raise issues such as the nature of the cinematic vs. the nature of the literary, just why there are so many adaptations, and the effects of the same story told in different mediums. Contributors include Andr<'e> Bazin, Dudley Andrew, Robert B. Ray, and Robert Stam on adaptation in theory; and Richard Maltby, Lesley Stern, and others on adaptation in practice. Topics/films include Welles's Shakespeare on film, , and , , and . Naremore is professor of communication and culture at Indiana University. Annotation c. Book News, Inc., Portland, OR (booknews.com)Product Details
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