A Fine and Private Place

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This classic, mesmerizing tale from the author of
THE LAST UNICORN is a journey between the realms of the living
and the dead, and ...
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Overview

This classic, mesmerizing tale from the author of
THE LAST UNICORN is a journey between the realms of the living
and the dead, and the eternal power of love. Michael Morgan was
not ready to die, but his funeral was carried out just the
same. Trapped in the dark limbo between life and death as a
ghost, he searches for an escape. Instead, he discovers the
beautiful Laura...and a love stronger than the boundaries of
the grave and the spirit world.


Praise for Peter S. Beagle: * "Wit, charm, and a sense of
individuality." --New York Times Book Review * "It's a fully
rounded region, this other world of Peter Beagle's
imagination...an originality...that is wholly his own." --
Kirkus Reviews * "Both sepulchral and oddly
appealing...[Beagle's] ectoplasmic fable has a distinct, mossy
charm." --Time * "Delightful." --San Francisco Chronicle



Now available in a handsome trade paperback edition, this timeless classic of a romance between two ghosts who must fight to remain cognizant of what life and love once were--and still are--is a love story that transcends all love stories and a ghost story that transcends all ghost stories. Funny and heartwarming, it's perfect for young readers and adults alike.

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Editorial Reviews

ICCFA Magazine
One of the great fantasy novels of all time.
SF Reviews.net
Such compassion and grace that it ends up far more absorbing and moving than most novels.
From the Publisher

"I can't think of a better book to buy for someone you love this holiday season."
Omnivoracious.com

“One of literature’s most beautiful works about ghostly times and places...told with wit, charm, and a sense of individuality.”
New York Times Book Review

A Fine & Private Place is just as wonderful as I remembered it to be: beautifully written, the characters warmly drawn, the pages filled with conversations that run the gamut of the human condition.... It’s a great book in a lovely affordable package.”
Fantasy & Science Fiction

“Both sepulchral and oddly appealing.... [Beagle’s] ectoplasmic fable has a distinct mossy charm.”
TIME Magazine

“Delightful!”
San Francisco Chronicle

“A sweet, sad, and smart novel about life, death and love...a book that has endured for a reason.”
The Agony Column

“A wonderful work of literature...a gem of a novel.”
BookLoons

“Over a cold beverage and a hot bowl of chili, Peter Beagle recently told me how he came to write A Fine & Private Place. He was just nineteen years old at the time, the length of time that Mr. Rebeck spent in that cemetery. He was working as a counselor at a boys’ summer camp. Once the campers were settled for the night there wasn’t much for the counselors to do. Those who had sweethearts at the girls’ camp across the lake would borrow canoes and paddle across to see them. Peter had no such luck, he told me, so he warmed up his rattly little portable typewriter, cracked open a ream of paper, and starting writing a book. We are all incredibly lucky that Peter had no girlfriend that summer.”
—Dick Lupoff, SF Site

“An amazing read.... If fantastically developed characters trapped between love and death appeal to you, this is a nearly perfect book.”
Paperblog

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Product Details

  • ISBN-13: 9780345300812
  • Publisher: Random House Publishing Group
  • Publication date: 3/12/1982
  • Format: Mass Market Paperback

Meet the Author

Peter S. Beagle

Peter S. Beagle is the best-selling author of The Last Unicorn, which has sold a reported five million copies since its initial publication in 1968. His other novels include A Fine & Private Place, The Innkeeper’s Song, and Tamsin. His short fiction has been collected in four volumes by Tachyon Publications, including The Rhinoceros Who Quoted Nietzsche, The Line Between, We Never Talk About My Brother, and Sleight of Hand. He has won the Hugo, Nebula, Mythopoeic, and Grand Prix de l’Imaginaire awards as well as the World Fantasy Award for Lifetime Achievement.
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Read an Excerpt

A Fine & Private Place


By PETER S. BEAGLE

TACHYON PUBLICATIONS

Copyright © 1988 Peter S. Beagle
All right reserved.

ISBN: 978-1-892391-46-9


Chapter One

THE BALONEY WEIGHED THE RAVEN DOWN, and the shopkeeper almost caught him as he whisked out the delicatessen door. Frantically he beat his wings to gain altitude, looking like a small black electric fan. An updraft caught him and threw him into the sky. He circled twice, to get his bearings, and began to fly north.

Below, the shopkeeper stood with his hands on his hips, looking up at the diminishing cinder in the sky. Presently he shrugged and went back into his delicatessen. He was not without philosophy, this shopkeeper, and he knew that if a raven comes into your delicatessen and steals a whole baloney it is either an act of God or it isn't, and in either case there isn't very much you can do about it.

The raven flew lazily over New York, letting the early sun warm his feathers. A water truck waddled along Jerome Avenue, leaving the street dark and glittering behind it. A few taxicabs cruised around Fordham like well-fed sharks. Two couples came out of the subway and walked slowly, the girls leaning against the men. The raven flew on.

It had been a hot night, and the raven saw people waking on the roofs of the city. The gray rats that come out just before dawn were all back in their cellars because the cats were out, stepping along the curbs. The morning pigeons had scattered to the rooftops and window ledges when the cats came,which the raven thought was a pity. He could have done with a few less pigeons.

The usual early fog was over Yorkchester, and the raven dropped under it. Yorkchester had been built largely by an insurance company, and it looked like one pink brick building reflected in a hundred mirrors. The houses of Yorkchester were all fourteen stories tall, and they all had stucco sailors playing accordions over the front entrances. The rear entrances all had sailors playing mandolins. The sailors were all left-handed, and they had stucco pom-poms on their hats. There was a shopping center, and there were three movie theaters, and there was a small square park.

There was also a cemetery, and it was over this that the raven swooped. It was a very large cemetery, about half the size of Central Park, and thick with trees. It was laid out carefully, with winding streets named Fairview Avenue, and Central Avenue, and Oakland Avenue, and Larch Street, and Chestnut Street, and Elm Street. One street led to the Italian section of the cemetery, another to the German section, a third to the Polish, and so on, for the Yorkchester Cemetery was nonsectarian but nervous.

The raven had come in the back way, and so he flew down Central Avenue, holding the baloney in his claws. The stretch of more or less simple headstones gradually began to give way to Old Rugged Crosses; the crosses in turn gave way to angels, the angels to weeping angels, and these finally to mausoleums. They reared like icy watchdogs over the family plots and said, "Look! Something of importance has left the world," to one another. They were aggressively Greek, with white marble pillars and domed roofs. They might not have looked Greek to a Greek, but they looked Greek to Yorkchester.

One mausoleum was set away from the others by a short path. It was an old building, not as big as some of the others, nor as white. Its pillars were cracked and chipped at their bases, and the glass was gone from one of the barred grates over the front door. But the two heavy door rings were held in the mouths of two lions, and if you looked through the window in front you could see the stained-glass angel on the back wall.

The front door itself was open, and on the steps there sat a small man in slippers. He waved at the raven as the bird swept down, and said, "Good morning, good morning," as he landed in front of him. The raven dropped the baloney, and the small man reached forward eagerly and picked it up. "A whole baloney!" he said. "Thank you very much."

The raven was puffing for breath a little and he looked at the small man rather bitterly. "Corn flakes weren't good enough," he said hoarsely. "Bernard Baruch eats corn flakes, but you have to have baloney."

"Did you have trouble bringing it?" asked the small man, whose name was Jonathan Rebeck.

"Damn near ruptured myself." The raven grunted.

"Birds don't get ruptured," said Mr. Rebeck a little uncertainly.

"Hell of an ornithologist you'd make."

Mr. Rebeck began to eat the baloney. "Delicious," he said presently. "Very tender. Won't you have some?"

"Don't mind," said the raven. He accepted a piece of baloney from Mr. Rebeck's fingers.

"Is it nice out?" Mr. Rebeck asked after a moment.

"Nice," the raven said. "Blue sky, shining sun. The world stinks with summer."

Mr. Rebeck smiled a little. "Don't you like summer?"

The raven lifted his wings slightly. "Why should I? It's all right."

"I like summer," Mr. Rebeck said. He took a bite of his baloney and said with his mouth full, "It's the only season you can taste when you breathe."

"Jesus," the raven said. "Not so early in the morning. Incidentally, you better get rid of all those old paper bags. I can see them from outside."

"I'll drop them in the wastebasket in the men's room," Mr. Rebeck said.

"No you won't. I'll fly them out. People start wondering, you know. They see paper bags in a cemetery, they don't think the Girl Scouts are having a picnic. Besides, you hang around there too much. They're going to start remembering you."

"I like it," Mr. Rebeck said. "I'm very fond of that lavatory. I wash my clothes there." He locked his hands around his knees. "You know, people say the world is run by materialists and machines. It isn't, though. New York isn't, anyway. A city that would put a men's room in a cemetery is a city of poets." He liked the phrase. "A city of poets," he said again.

"It's for the children," the raven said. "The mothers bring the kids to see the graves of their great-uncles. The mothers cry and put flowers on the grave. The kids gotta go. Sooner or later. So they put in a big can. What else could they do?"

Mr. Rebeck laughed. "You never change," he said to the raven.

"How can I? You've changed, though. Nineteen years ago you'd have been sloppily thankful for a pretzel. Now you want me to bring you steaks. Give me another hunk of baloney."

Mr. Rebeck gave him one. "I still think you could do it. A small steak doesn't weigh so much."

"It does," said the raven, "when there's a cop hanging on one end of it. I damn near didn't get off the ground today. Besides, all the butchers on this last frontier of civilization know me now. I'm going to have to start raiding Washington Heights pretty soon. Another twenty years, if we live that long, I'll have to ferry it across from Jersey."

"You don't have to bring me food, you know," Mr. Rebeck said. He felt a little hurt, and oddly guilty. It was such a small raven, after all. "I can manage myself."

"Balls," said the raven. "You'd panic as soon as you got outside the gate. And the city's changed a lot in nineteen years."

"Pretty much?"

"Very damn much."

"Oh," said Mr. Rebeck. He put the rest of the baloney aside, wrapping it carefully. "Do you mind," he said hesitantly, "bringing me food? I mean, is it inconvenient?" He felt silly asking, but he did want to know.

The raven stared at him out of eyes like frozen gold. "Once a year," he said hoarsely. "Once a year you get worried. You start wondering how come the airborne Gristede's. You ask yourself, What's he getting out of it? You say, 'Nothing for nothing. Nobody does anybody any favors.'"

"That isn't so," Mr. Rebeck said. "That isn't so at all."

"Ha," said the raven. "All right. Your conscience starts to bother you. Your cold cuts don't taste right." He looked straight at Mr. Rebeck. "Of course it's a trouble. Of course it's inconvenient. You're damn right it's out of my way. Feel better? Any other questions?"

"Yes," said Mr. Rebeck. "Why do you do it, then?"

The raven made a dive at a hurrying caterpillar and missed. He spoke slowly, without looking at Mr. Rebeck. "There are people," he said, "who give, and there are people who take. There are people who create, people who destroy, and people who don't do anything and drive the other two kinds crazy. It's born in you, whether you give or take, and that's the way you are. Ravens bring things to people. We're like that. It's our nature. We don't like it. We'd much rather be eagles, or swans, or even one of those moronic robins, but we're ravens and there you are. Ravens don't feel right without somebody to bring things to, and when we do find somebody we realize what a silly business it was in the first place." He made a sound between a chuckle and a cough. "Ravens are pretty neurotic birds. We're closer to people than any other bird, and we're bound to them all our lives, but we don't have to like them. You think we brought Elijah food because we liked him? He was an old man with a dirty beard."

He fell silent, scratching aimlessly in the dust with his beak. Mr. Rebeck said nothing. Presently he reached out a tentative hand to smooth the raven's plumage.

"Don't do that," said the bird.

"I'm sorry."

"It makes me nervous."

"I'm sorry," Mr. Rebeck said again. He stared out over the neat family plots with their mossy headstones. "I hope some more people come soon," he said. "It gets lonesome in the summer."

"You wanted company," the bird said, "you should have joined the Y."

"I do have company, most of the time," Mr. Rebeck said. "But they forget so soon, and so easily. It's best when they've just arrived." He got up and leaned against a pillar. "Sometimes I think I'm dead," he said. The raven made a sputtering sound of derision. "I do. I forget things too. The sun shines in my eyes sometimes and I don't even notice it. Once I sat with an old man, and we tried to remember how pistachio nuts tasted, and neither of us could."

"I'll bring you some," the raven said. "There's a candy store near Tremont that sells them. It's a bookie joint too."

"That would be nice," Mr. Rebeck said. He turned to look at the stained-glass angel.

"They accept me more easily now," he said with his back to the raven. "They used to be dreadfully frightened. Now we sit and talk and play games, and I think, Maybe now, maybe this time, maybe really. Then I ask them, and they say no."

"They'd know," the raven said.

"Yes," Mr. Rebeck said, turning back, "but if life is the only distinction between the living and the dead - I don't think I'm alive. Not really."

"You're alive," the raven said. "You hide behind gravestones, but it follows you. You ran away from it nineteen years ago, and it follows you like a skip-tracer." He cackled softly. "Life must love you very much."

"I don't want to be loved," Mr. Rebeck cried. "It's a burden on me."

"Well, that's your affair," the raven said. "I got my own problems." His black wings beat in a small thunder. "I gotta get moving. Let's have the bags and stuff."

Mr. Rebeck went into the mausoleum and came out a few moments later with five empty paper bags and an empty milk container. The raven took the bags in his claws and waved aside the container. "I'll pick that up later. Carry it now and I'll have to walk home." He sprang into the air and flapped slowly away over Central Avenue.

"Good-bye," Mr. Rebeck called after him.

"See you," the raven croaked and disappeared behind a huge elm. Mr. Rebeck stretched himself, sat down again on the steps, and watched the sun climb. He felt a bit disconcerted. Usually, the raven brought him food twice a day, they exchanged some backchat, and that was that. Sometimes they didn't even talk. I don't know that bird at all, he thought, and it's been all these years. I know ghosts better than I know that small bird. He drew his knees up to his chin and thought about that. It was a new thought, and Mr. Rebeck treasured new thoughts. He hadn't had too many lately, and he knew it was his fault. The cemetery wasn't conducive to new thoughts; the environment wasn't right. It was a place for counting over the old, stored thoughts, stroking them lovingly and carefully, as if they were fine glassware, wondering if they could be thought any other way, and knowing deeply and securely that this way was the best. So he examined the new thought closely but gingerly, stood close to it to get the details and then away from it for perspective; he stretched it, thinned it, patted it into different shapes, gradually molding it to fit the contours of his mind.

A rush of wings made him look up. The raven was circling ten or fifteen feet above him, calling to him. "Forget something?" Mr. Rebeck called up to him.

"Saw something on the way out," the bird said. "There's a funeral procession coming in the front gate - not a very big one, but it's coming this way. You better either hide in a hurry or change your pants, either one. They may think you're a reception committee."

"Oh, my goodness!" Mr. Rebeck exclaimed. He sprang to his feet. "Thank you, thank you very much. Can't afford to get careless. Thank you for telling me."

"Don't I always?" the raven said wearily. He flew away again with easy, powerful wing strokes. And Mr. Rebeck hurried inside the mausoleum, closed the door, and lay down on the floor, listening to his heart beat in the sudden darkness.

(Continues...)



Excerpted from A Fine & Private Place by PETER S. BEAGLE Copyright © 1988 by Peter S. Beagle . Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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  • Anonymous

    Posted December 27, 1999

    Not a happy story really

    But a tender, beautiful and sweet tale all the same. The bits of humor it contains are very dark, and the entire book has a sad feeling to it. It is, however, the only sad book I have ever read that I have truly liked. Different concepts of love, life, death, and the hereafter are explored in ways I never thought possible. Naturally I won't give away the ending, but don't expect it to fit in with any of your previous conceptions of what a happy or sad ending is or should be. Read this book.

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  • Anonymous

    Posted February 22, 2011

    No text was provided for this review.

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