The Fine Art of Repetition: Essays in the Philosophy of Music

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Overview

Peter Kivy is the author of many books on the philosophy of art and, in particular, the aesthetics of music. This collection of essays spans a period of some thirty years and focuses on a richly diverse set of issues: the biological origin of music, the role of music in the liberal education, the nature of the musical work and its performance, the aesthetics of opera, the emotions of music, and the very nature of music itself. Some of these subjects are viewed as part of the history of ideas, others as current problems in the philosophy of art.

A particular feature of the volume is that Kivy avoids the use of musical notation so that no technical knowledge at all is required to appreciate his work. Thus, the essays will prove enjoyable and insightful not just to professionals in the philosophy of art and musicologists, or to musicians themselves, but also to any motivated general reader with a deep interest in music.

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Editorial Reviews

From the Publisher
"...it is precisely the breadth of this display that recommends The Fine Art of Repetition as among the handful of most important books in recent years on the philosophy of music....The pleasure of reading this variety of Kivy lies not just in the refined wit and eloquence of the formulations he offers but in attending to his pleasure and astonishment at how even the most minute or seemingly mundane questions regarding the nature of music and musical experience lead--it seems inevitably--to some of the most central and constitutive features of human life....The Fine Art of Repetition will be read with profit and pleasure by students and experts alike in music theory and aesthetics." Thomas Huhn, Canadian Philosophical Review

"Peter Kivy's The Fine Art of Repetition: Essays in the Philosophy of Music is a tour, in effect, of his thinking on music over the past thirty years. Those familiar with his earlier work will revisit some of his most important articles as well as the central themes that have made his work in the philosophy of music so distinctive. Those not previously versed in Kivy's work will find this an excellent introduction." Kathleen Marie Higgins, The Journal of Aesthetics and Art Criticism

"Peter Kivy is the leading authority in the philosophy of music as practiced in the Anglo-American or 'non-speculative' tradition in philosophy. He is, to a large extent, responsible for rejuvenating, over the last 20 years, the discipline of music aesthetics through his many papers and books on the topis." Douglas Dempster, Music Theory On-Line

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Product Details

  • ISBN-13: 9780521435987
  • Publisher: Cambridge University Press
  • Publication date: 2/28/1993
  • Edition description: New Edition
  • Pages: 373
  • Product dimensions: 5.98 (w) x 8.98 (h) x 0.87 (d)

Table of Contents

Preface
Introduction 1
Prelude: Music and Us
I Music and the liberal education 11
Work and Performance
II Platonism in music: A kind of defense 35
III Platonism in music: Another kind of defense 59
IV Orchestrating Platonism 75
V Live performances and dead composers: On the ethics of musical interpretation 95
VI On the concept of the "historically authentic" performance 117
The World of Opera
VII Opera talk: A philosophical "phantasie" 137
VIII How did Mozart do it?: Living conditions in the world of opera 160
IX How did Mozart do it?: Replies to some critics 178
Music and the History of Ideas
X Mozart and monotheism: An essay in spurious aesthetics 189
XI Child Mozart as an aesthetic symbol 200
XII Charles Darwin on music 214
Music and Emotion
XIII Mattheson as philosopher of art 229
XIV Kant and the Affektenlehre: What he said, and what I wish he had said 250
XV Something I've always wanted to know about Hanslick 265
XVI What was Hanslick denying? 276
XVII A new music criticism? 296
Music Alone
XVIII The fine art of repetition 327
XIX Is music an art? 360
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