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| Lee Morgan | Primary Artist |
| Herbie Hancock | Piano |
| Barry Harris | Piano |
| Bennie Maupin | Tenor Saxophone |
| Hank Mobley | Tenor Saxophone |
| Wayne Shorter | Tenor Saxophone |
| Cedar Walton | Piano |
| Bob Cranshaw | Bass |
| Larry Ridley | Bass |
| McCoy Tyner | Tenor Saxophone |
| Harold Mabern | Piano |
| Jackie McLean | Alto Saxophone |
| Reggie Workman | Bass |
| Lee Morgan | Composer |
| Duke Pearson | Composer |
| Rudy Van Gelder | Engineer |
| Francis Wolff | Producer |
| Kurt Lundvall | Mastering |
| Cem Kurosman | Liner Notes |
Editorial Reviews
All Music Guide - Michael G. Nastos
Here's a perfect example of a recording that holds great merit for the most part, but is flawed. A CD of Lee Morgan's work from the Blue Note label in the '60s should last longer than a mere 42 minutes on CD, and should definitely be packed to the brim with his very finest music. Half of the six tracks are among his best: "The Sidewinder," "Ceora," and "Speedball." The other three, while very good in their own right, are not essential, though a version of Duke Pearson's "Sweet Honey Bee" is one deserving more acclaim in his repertoire. There are other seminal, at-length, greatest-hits packages available by the legendary hard bop jazz trumpeter and his high level ...