Firearms & the Fortress

Karl Marx's so-called theory of historical materialism has been one of the most influential social and political ideas in human history, but what if it missed something crucial? Science – even in the loose sense in which it applies to sociology – is never complete, and occasionally, a new insight may reveal the need for a thoroughgoing revision. Firearms & the Fortress argues that the means of production – the most basic 'level' in Marx's schema – can only be predicated on the basis of something even more fundamental: 'the means of securitisation.' Along the way, we get an overview of recent critical theory and an attempt to map out a road to a better world. 

 

James Ward is the author of 21st Century Philosophy (2012) and A New Theory of Justice and Other Essays (2013). His 1998 Master's dissertation explored the relation between the eternal and the temporal in Søren Kierkegaard's 'authorship', while his 2001 doctoral thesis focused on Karl Marx's critique of Max Stirner in The German Ideology.  Whilst working towards his MA, he won joint first prize (along with Martha Nussbaum and Lars Gårding) in a philosophical dialogues competition organised by the Humanities Research Centre at Oxford University and the Royal Dramatic Theatre in Stockholm, on the topic of Kierkegaard's concept of 'Repetition'. The piece was subsequently performed in Stockholm before an invited audience, and published in Comparative Criticism (vol. 20, Cambridge University Press, 1998).

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Firearms & the Fortress

Karl Marx's so-called theory of historical materialism has been one of the most influential social and political ideas in human history, but what if it missed something crucial? Science – even in the loose sense in which it applies to sociology – is never complete, and occasionally, a new insight may reveal the need for a thoroughgoing revision. Firearms & the Fortress argues that the means of production – the most basic 'level' in Marx's schema – can only be predicated on the basis of something even more fundamental: 'the means of securitisation.' Along the way, we get an overview of recent critical theory and an attempt to map out a road to a better world. 

 

James Ward is the author of 21st Century Philosophy (2012) and A New Theory of Justice and Other Essays (2013). His 1998 Master's dissertation explored the relation between the eternal and the temporal in Søren Kierkegaard's 'authorship', while his 2001 doctoral thesis focused on Karl Marx's critique of Max Stirner in The German Ideology.  Whilst working towards his MA, he won joint first prize (along with Martha Nussbaum and Lars Gårding) in a philosophical dialogues competition organised by the Humanities Research Centre at Oxford University and the Royal Dramatic Theatre in Stockholm, on the topic of Kierkegaard's concept of 'Repetition'. The piece was subsequently performed in Stockholm before an invited audience, and published in Comparative Criticism (vol. 20, Cambridge University Press, 1998).

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Firearms & the Fortress

Firearms & the Fortress

by James Ward
Firearms & the Fortress

Firearms & the Fortress

by James Ward

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Overview

Karl Marx's so-called theory of historical materialism has been one of the most influential social and political ideas in human history, but what if it missed something crucial? Science – even in the loose sense in which it applies to sociology – is never complete, and occasionally, a new insight may reveal the need for a thoroughgoing revision. Firearms & the Fortress argues that the means of production – the most basic 'level' in Marx's schema – can only be predicated on the basis of something even more fundamental: 'the means of securitisation.' Along the way, we get an overview of recent critical theory and an attempt to map out a road to a better world. 

 

James Ward is the author of 21st Century Philosophy (2012) and A New Theory of Justice and Other Essays (2013). His 1998 Master's dissertation explored the relation between the eternal and the temporal in Søren Kierkegaard's 'authorship', while his 2001 doctoral thesis focused on Karl Marx's critique of Max Stirner in The German Ideology.  Whilst working towards his MA, he won joint first prize (along with Martha Nussbaum and Lars Gårding) in a philosophical dialogues competition organised by the Humanities Research Centre at Oxford University and the Royal Dramatic Theatre in Stockholm, on the topic of Kierkegaard's concept of 'Repetition'. The piece was subsequently performed in Stockholm before an invited audience, and published in Comparative Criticism (vol. 20, Cambridge University Press, 1998).


Product Details

BN ID: 2940181783843
Publisher: Cool Millennium
Publication date: 06/12/2025
Sold by: Draft2Digital
Format: eBook
File size: 412 KB

About the Author

James Ward is the author of the Tales of MI7 series, as well as two volumes of poetry, a couple of philosophical works, some general fiction and a collection of ghost stories. His awards include the Oxford University Humanities Research Centre Philosophical Dialogues Prize, The Eire Writer’s Club Short Story Award, and the ‘Staffroom Monologue’ Award. His stories and essays have appeared in Falmer, Dark Tales and Comparative Criticism. He has an MA and a DPhil, both in Philosophy from Sussex University. He currently works as a secondary school teacher, and lives in East Sussex.

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