Firebird (Mercedes Lackey's Fairy Tale Series #1)

Firebird (Mercedes Lackey's Fairy Tale Series #1)

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by Mercedes Lackey

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In Mercedes Lackey's Firebird, Ilya, son of a Russian prince, is largely ignored by his father and tormented by his larger, older brothers. His only friends are three old people: a priest, a magician, and a woman who toils in the palace dairy. From them Ilya learns faith, a smattering of magic, and the power of love--all of which he will need desperately


In Mercedes Lackey's Firebird, Ilya, son of a Russian prince, is largely ignored by his father and tormented by his larger, older brothers. His only friends are three old people: a priest, a magician, and a woman who toils in the palace dairy. From them Ilya learns faith, a smattering of magic, and the power of love--all of which he will need desperately, for his life is about to be turned upside-down.

The prince's magnificent cherry orchard is visited at midnight by the legendary Firebird, whose wings are made of flame. Ilya's brothers' attempts to capture the magical creature fail. When Ilya tries to catch the Firebird, he sees her as a beautiful woman and earns a magical gift: the speech of animals.

Banished, the young man journeys through a fantastical Russia full of magical mazes, enchanted creatures, and untold dangers. As happens in the best fairy tales, Ilya falls in love with an enchanted princess, but to win her freedom will be no easy task.

Editorial Reviews

From the Publisher

“A charming fairy tale.” —Locus

“Vivid and colorful. A well-told tale.” —Booklist

“Will delight Lackey's fans. Fast-paced.” —Library Journal

“A must buy.” —VOYA

“Filled with earthy wit and magic.” —Publishers Weekly

VOYA - Marsha Valance
In Firebird, Lackey has written a classic quest/coming-of-age fantasy set in medieval Russia, deep in the untracked forests far from civilization. Ilya, fifth of Boyar Ivan's eight legitimate sons, is a thinker, unlike his brothers, who despise him for not spending all his time fighting and hunting. Instead, Ilya learns from three wise oldsters: Mother Galina, the herbwoman who runs the palace dairy; Father Mikhail, the boyar's despised chaplain, brought to the estate by Ilya's dead mother; and Vasily, the shaman who advised Boyar Ivan's father. With their help, and the help of the bannik (a brownie-like hearth spirit who lives in the sauna) and his ancestral ghosts, Ilya escapes the plots of his murderous brothers and sets out in search of the magical Firebird who has been stealing fruit from his father's orchard. Because he touched her feather, Ilya can understand animal speech. The palace dogs and his beloved horse aid in his departure, and when the horse is gored by a wild boar, Ilya weaves a protective magic bracelet from his tail. Lacky has drawn on folklore for many of her motifs, and well-read readers will recognize the dead horse's protection, the companion fox Ivan recruits on the road, and finally, the wicked magician's palace where Ilya discovers the imprisoned princesses. Lackey's strength, however, lies in her details and in her well-constructed plot: Ilya survives the dangers of the magician's palace, as he did his father's, by feigning idiocy. He defeats the magician not only with logic, but also with the help of the fox and the Firebird. And having experienced true love and friendship, he is able to escape marriage to one of the princesses and depart the wizard's palace with the Firebird. Lackey brings medieval Russia alive for us: the vast, dark, menacing forests; the many spirits (benevolent banniks and cruel leshys); the boyar's palace (the dairy where cheesemaking and milking keep the maids' hands soft; the gloomy crypt beneath the chapel, where ancestral ghosts keep Ilya company as he recovers from his brothers' beatings; the sauna, kept clean and welcoming for the attentive bannik); and the palace of the wicked magician, where Ilya toils as a gardener's drudge. The internal magic we encounter is consistent and cohesive; the characters are well drawn and engaging (such as Sergei the rabbit-monster, and aspiring artist); and the reader is involved with Ilya throughout his hero-journey. This fantasy is a must-buy for any collection where YAs enjoy good fantasy. VOYA Codes: 5Q 4P S (Hard to imagine it being any better written, Broad general YA appeal, Senior High-defined as grades 10 to 12).

Product Details

Tom Doherty Associates
Publication date:
Mercedes Lackey's Fairy Tale Series , #1
Edition description:
Sales rank:
Product dimensions:
5.50(w) x 8.50(h) x 0.78(d)

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Read an Excerpt


By Mercedes Lackey

Tom Doherty Associates

Copyright © 1996 Mercedes Lackey
All rights reserved.
ISBN: 978-0-7653-1719-3


ANOTHER SLIVER of silvery-pale wood joined the tiny pile at Ilya Ivanovitch's feet, and the rough shape in his hand became a little more foxlike. The wood rasped against the sword calluses on his palm as Ilya narrowed his focus to the lumpy head, turning the carving this way and that, frowning at it, oblivious to everything else. Sun-rays baked through the linen tunic on his back with the fever-heat of high summer; the sharp, resinous scent of the block of wood in his hands tickled his nostrils. Under that scent lay others: the green musk of herbs crushed under his feet, the sweet and heady fragrance of wild roses somewhere nearby, the tannin-rich breath of the forest all around him, the all-too-earthy scent of horse-dung. Birds vied with insects to fill his ears, but could not overwhelm the gentle rustling of the leaves as a fitful breeze floated by. Last year's leaves crunched and rattled under the hooves of one of his father's horses as it nosed through the grass between the trees, looking for something more succulent than the tough strands of a full summer's growth.

The horses had just been moved into the forest for fall grazing. They were fat and spoiled from a spring and summer of good clover and tasty grasses, but they might need that fat come the winter.

He set the sharp edge of his smallest knife against the wood; this would be a tricky cut, for the ear was one of the hardest bits to carve. He wanted it thin, so that the light would glow through it if he held it up to the sun.

Slowly, carefully, he shaved and shaped the nubbin of wood; with every sliver, it took on more delicacy, more life. His brows furrowed as he squinted, and he lost track of scent, sound, even the heat on his back. His world became the bit of wood and the blade that was sculpting it. From white wood, imperceptibly the blunted triangle transmuted to a thin sliver of white flesh and fur. In a moment, he would finish with it and move on to the other car—


Out of nowhere, a hand descended to thump him on the back, hard enough to knock the wind out of him. His arms jerked, and the blow sent him flying off his seat toward the ground. Helplessly, he watched as the knife soared off in one direction, the carving in another. Steel honed to astonishing sharpness glinted in the sun as it turned, end over end, moving with dreamlike slowness. Then time caught up with him again, and he landed on his knees in the grass, his chest tight as his lungs realized there was no air in them.

He struggled for a moment to catch his breath, his ribs aching, throat straining. Finally, after an eternity, a breath came, filling his lungs with welcome harshness. He took another; another—got himself under control. No point in getting angry, for that would only give his brother another excuse for boorish behavior.

"Hello, Pietor," Ilya said with resignation as soon as he could speak. He remained where he was and turned his head, but not with any haste, to look up at his older brother.

Pietor grinned whitely down at him, very pleased with himself, and shook his blond hair out of his eyes. "So, little brother, I find you at secrets. And what witchcraft were you up to, out here all alone in the forest? Consorting with the leshii?"

Ilya sighed. Every time he went off somewhere by himself, one or more of his brothers was convinced that Ilya was up to no good. Probably because every time one of Ilya's brothers went off alone, he was up to no good.

"No witchcraft," Ilya replied. "You don't believe in the forest spirits any more than Father does, I'm hardly alone with the horses all around, and it's not what I would call forest." Ilya rose slowly, dusted the grass off his knees, and looked for his knife and the carving where he thought he'd seen them land. The former he found quickly enough, and he thanked his stars that it was undamaged. It had taken a lot of work to get the blade that sharp, and he had not been looking forward to the hours he might have to spend smoothing a nick out of it. His luck couldn't hold, however, and he already anticipated that the carving would be ruined. He had a visceral memory of the blade biting savagely into the wood before both knife and carving flew off.

When Ilya picked the bit of wood up out of the grass, he saw with a sinking of spirit that his gloomy expectation was correct. The ear that had taken him so long to shape had sheared off under his blade, leaving a ragged stump behind.

"Are you contradicting me, little brother?" Pietor's grin turned malicious, and the ominous tone of his voice warned of a drubbing to come. But at this moment and place, Ilya wasn't terribly worried about the implied threat.

For one thing, Pietor was alone, and none of his brothers had been able to succeed in beating him alone, not for the last year or more. Two or more together, now, that was a different tale altogether, and Ilya would have to find a way to distract Pietor long enough so that he would forget the so-called "insult" so that he didn't manage to gather allies.

Pietor wasn't very bright, and he didn't have a terribly long attention span; however, it wouldn't take much to distract him. It always took Pietor a while to organize himself enough to collect a group to beat Ilya up, and during that time he was vulnerable to interference. With any luck, by the time Pietor got back to the palace to rouse one or more of the others, he would have forgotten why he had gone looking for them in the first place.

"What you wish, brother." Ilya shrugged and tossed the ruined carving out into the forest, sheathing his knife so casually that not even Pietor could take it as an insult. A dun marc grazing nearby looked up at the motion as the bit of ruined wood sailed past her nose, snorted, and went back to single-minded munching. "You'll make up your own mind about what I said no matter what I tell you. So it doesn't matter what I say now, does it?"

Pietor's white-blond brows furrowed together and his vacant blue eyes grew even vaguer as he tried to puzzle through that. Finally he gave up. "You think you're clever, smarter than all of us, don't you?" he challenged. "Too clever by half!"

Enough of this nonsense. I'm not in the mood. "I don't have to think anything, I only have to listen to you and I know what the answer is," Ilya replied, narrowing his own eyes and staring right at his brother with a challenge of his own. "What do you want, anyway? Why did you come sneaking out here, following me around like a thief or a gypsy? Do you covet my knife, or were you hoping I had somehow found a treasure you could steal?"

The abrupt change of subject and the unexpected challenge left Pietor floundering for a moment. "I—ah—" The young man backed up a step as he attempted to handle two thoughts at the same time and failed utterly. He stared into Ilya's face, and Ilya had to choke down the urge to say anything more. Pietor was thoroughly confused and briefly intimidated. Best leave well enough alone.

"Never mind." Ilya stalked off, startling two more horses into a brief canter before they settled again. He left Pietor standing dumbfounded in his wake, mouth hanging open stupidly.

Not that it's an unusual expression for dear Pietor, he thought savagely. A whole afternoon's work ruined in a heartbeat by that oaf! Ilya'd hoped to have the carving finished by supper as a surprise for Mother Galina; he was glad now that he hadn't promised her anything, as he often did when he planned to carve her something. The worst of it is, I think he knew exactly what he was doing. He might not be bright, but he's cunning. He probably saw me out in the forest- pasture and realized how caught up I was in what I was doing; saw his chance to sneak up and play me another rotten trick. That was altogether like Pietor. He was never happier than when he got a chance to spoil something of Ilya's as well as add another to Ilya's ongoing collection of bruises.

The day was still sunny and beautiful, but a dark cloud hung about Ilya's soul. He hated going back to Mother Galina empty-handed, even if he hadn't promised her anything; in his own heart, the promise had been made.

But a splash of pink in a patch of sun caught his eye, promising help with his predicament, and he made a brief detour toward the tangle of thorny branches. Roses! Of course! A bouquet won't last as long as a carving, but with any luck, it'll last long enough for me to carve her another little beast.

With great care for the thorns and one ear cocked for Pietor's approach, Ilya cut several branches bearing three or more of the flat-petaled pink blooms with their centers of molten gold. The soft petals trembled as he stripped blood-hued thorns from the fibrous green stems with the aid of his knife. It had always seemed appropriate to him, given the number of times the sturdy barbs had bitten into his flesh, that the thorns of the wild rose looked as if they had already tasted blood. When he had what he considered to be a sufficiently large bouquet in light of his failure to produce a carving, he resumed his journey back to the palace, home of his father the tsar and all of his brawling brothers.

Tsar! He's only a boyar, but he has to call himself a tsar to prove he's stronger and more important than his neighbors. Then what do his neighbors do? They call themselves tsars! Tsar Ivan actually ruled a little more land than most of the other neighboring "tsars." Part of it he had acquired by marriage, part by warring with his neighbors, both of which had been successful pursuits. All three of his wives had gotten substantial marriage-portions of land and beasts settled upon them by way of a dowry. Ilya's mother, the middle wife, had been the least successful in regard to land, having brought with her more horses than hectares, and Tsar Ivan still coupled Ekaterina's name with a certain degree of failure. She had failed him in two ways: She had borne him only one son before dying, and had brought him only a fraction of her own father's holdings.

Not that Father needed any more sons! Ilya thought sourly. He's quite surfeited with such blessings as it is!

As Ilya neared the palace, the sounds of a normal afternoon among Tsar Ivan's offspring met him long before the palace itself was in sight. Shouts of pain and triumph shook the leaves—the birds had long since scattered—and the clangor of metal on wood, wood on wood, and metal on metal punctuated the din. Arms practice or outright quarreling—it didn't much matter which was going on, they would sound the same, and none of Ilya's brothers ever held back in either.

When the tsar's numerous offspring and probable by-blows weren't battling one another, they were either preparing to battle a neighbor or, more rarely, drinking and carousing. Ivan encouraged them in all three pursuits; battle with a neighbor would probably add more land to his kingdom, while brawling and drinking were both activities that were hazardous in and of themselves. Tsar Ivan was in the peculiar position of having had all of his sons survive infancy and childhood, including the ones whose mothers had not survived the births. Ilya and Sasha had both survived the travail of their arrival and the scramble for a suitable wet-nurse afterward, even though both their mothers had been cooling in their coffins before a nurse could be located among the serfs and servants. While this strange circumstance of a plurality of male offspring was gratifying to Tsar Ivan's pride and implied certain things about his virility, it also created a difficult situation. Obviously only one son could inherit, but which should it be?

In most families there would be no question but that it would be the oldest; however, Ivan was a law unto himself. His steadfast unbelief in the spirits of forest, hearth, and field was no more than a reflection of his contrary nature. He had thus far declined to make a pronouncement that would render his choice official, leaving all the sons in a perpetual state of servile uncertainty.

Ilya suspected that he knew why. Father doesn't trust us. Not any of us. That fact was clear to anyone who had a reasonably acute mind. Tsar Ivan never went anywhere without his bodyguards, not even to bed, and the way he eyed his numerous offspring left no doubt in Ilya's heart that Ivan anticipated attempts by his loving sons to murder him as a matter of course. He was not about to shorten his own lifespan by giving one of them a real and tangible reason to want him out of the way.

I don't know why. He didn't have to murder Grandfather to inherit. But maybe he sees us as a wolf pack. One wolf is not necessarily dangerous, or even two—but a pack can kill your horse in its traces and have you before you've run more than a few steps.

So Tsar Ivan encouraged fighting among his sons for more reasons than one. He obviously wanted the kingdom to go to the heir that was the strongest; battling one another kept his offspring in outstanding physical shape for real warfare. And in addition, well, if one of them managed to kill one of his siblings, there would be one son less to make attempts to take the crown by force. Ivan had no intention of actually doing away with any of his dangerous offspring, for that would be murder—

Ah, but if one of us happens to eliminate another, it's hardly his problem, is it?

Ilya took a circuitous route through the trees around in back of the palace, by way of the kitchen-garden and the nearby pigsties. There wasn't much left in the garden by this time of year and the ground lay fallow, waiting for the seeds for next year's planting; what remained green was mostly the tops of carrots, turnips, onions, and beets in neat rows, ready for harvest before the earth froze. The rest had already been harvested and eaten, put into storage, or preserved; the earth had been turned under after a liberal application of pig- manure.

The pigs themselves were happily wallowing in mud in their sturdy sties, blissfully unaware that the date of their demise could not be far off. Once the nuts fell, they would be herded into the forest to gorge themselves and put on more weight, and that would be the end of their carefree existence. The first hard freeze would signal butchering-time, and both porkers and cattle would become future meals, safely preserved to provision the long winters. Ilya both anticipated and dreaded that freeze. Butchering the animals and feasting after would keep his brothers too busy to think of trouble, but the boredom of the long winters only gave them more time and opportunity to make his life miserable.

Ah well, worry about that when the snows lock us in. Maybe the wolves will eat Pietor this year when he goes out in his sled, and that will leave me one less idiot to contend with. Of course, they'd probably eat the horses first, unless Pietor was out with Alexi or Yuri, and one of them got thrown to the wolves so that the other could escape.

He entertained this pleasant thought while he walked down the dusty path to the kitchen. The heavy wooden door leading into the kitchen stood wide open, and no wonder: Heat from the bread-ovens came blasting out to meet Ilya, and the servants working inside were half-naked, bodies, arms, and faces streaming sweat. Ilya stood in the doorway for a moment, taken aback by the sight; the only light came from the ovens themselves, a red glow that brought to mind the fires of the Infernal Pit. It bathed the glistening faces and limbs of the laboring servants, bent over their tasks at the three huge wooden tables like so many dwarfish spirits in bondage, or tormented souls paying the price of their sins. For a moment, the kitchen appeared as haunted and unchancy as the bathhouse, which had its own resident spirit, the bannik, a creature known to kill those who offended it.

Quickly Ilya crossed himself to avert any inadvertent curses brought on by that thought, and backed hastily out of the doorway. Mother Galina wouldn't be in there; the place was hot enough to make an ox faint. So if she wasn't in the kitchen, she was probably in the dairy, overseeing the results of the afternoon milking.


Excerpted from Firebird by Mercedes Lackey. Copyright © 1996 Mercedes Lackey. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Mercedes Lackey is the author of the bestselling Valdemar series, the Obsidian Trilogy (The Outstretched Shadow, To Light a Candle, and When Darkness Falls), the Enduring Flame trilogy (The Phoenix Unchained, The Phoenix Endangered, and The Phoenix Transformed), and the Tales of the Five Hundred Kingdoms. She has written many other books, including Trio of Sorcery, Phoenix and Ashes, Sacred Ground, The Fairy Godmother, and Alta. Lackey is the co-author, with Andre Norton, of the Halfblood Chronicles, including Elvenborn. Mercedes Lackey was born in Chicago and graduated from Purdue University. She has worked as an artist's model, a computer programmer, and for American Airlines, and has written lyrics and recorded more than fifty songs. She lives in Oklahoma.

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Firebird (Mercedes Lackey's Fairy Tale Series #1) 4.2 out of 5 based on 0 ratings. 42 reviews.
Guest More than 1 year ago
The Firebird is a book based on the classic Russian fairy tale of the same name. Ivan is a self-styled tsar who has many strong, trained, warrior sons, but none of them are very bright. Except for Ilya, the middle son. He is much smarter than his brothers so they naturally assume that he is a sorcerer and use every opportunity provided to beat him to a pulp and just generally make his life miserable. When someone steals Ivan's prize cherries, he sends his sons one by one into the orchard to discover who the thief is. Ilya knows who the thief is because he spied on the orchard and saw her. It was the Firebird. As a reward for not telling Ivan who was stealing his cherries, she gives him the gift of speaking to animals. As his older brothers fail to discover the thief, they become convinced that Ilya is the thief and give him the worst beating of his life. Ilya now fears for his life and can think of no other plan to save himself than to pretend that the beating addled his wits and turned him into a fool. However, not even his pretense protects him as his brothers continue to play cruel jokes - such as tying him to his horse and setting the dogs on him during a hunt. Using his newly acquired skill to communicate with his horse and the dogs chasing him, he is able to get away. However, when his horse is killed, he is lost out in the forest in the middle of winter with no supplies. A kindly ex-employee of his grandfather takes him in for a time and then Ilya becomes restless and follows the feeling of magic back into the woods. There he comes upon a giant maze which leads to an evil sorcerer's castle. After catching one glimpse of the 12 beautiful maidens that the sorcerer keeps captive, he falls in love with the lovely Tatiana. He decides to do whatever it takes to free her and to kill the evil sorcerer. But, with evil demons, a dragon, and other impossible tasks, can Ilya accomplish what so many other heroes could not? I gave this book 3 stars because there was such slow story development that I almost set it aside. I usually finish books in a day or 2 and this one took me a week and a half to plow through. The characters were likeable enough and the story was fine, but Mercedes Lackey spent well over half of the book just setting up the story. The first part of the book just dragged by as the author described Ilyas terrible life and the horrible things that his family did to him. She weakly explained that Ilya didn't dare leave because he couldn't survive out in the forest alone long enough to get anywhere else where he could survive. But, if Ilya's home life was actually as bad as it was potrayed, Ilya definitely had enough backbone to leave - long before the whole cherry tree incident. By the time Ilya actually does leave his father's land, there isn't a whole lot of time left for the real action in the book. The reader is going along at a nice slow pace and then suddenly is raced through to the ending where everything changes and nothing ends quite the way it was set up to. The ending was quite abrupt and left the reader hanging, too. If this book was a duology or a trilogy, then it would be understandable that Lackey spent so long setting up the story line and left the reader hanging at the end, but, as far as I am aware, it is a standalone novel. Perhaps Mercedes Lackey was planning on writing another novel to follow this one and it never happened?
Cid More than 1 year ago
I lived in Russia for a while. Needless to say, I adore the old Russian fairytales. Firebird touches on several of these and is done so with a literary magic that is really quite awesome. I will say that the back blurb above is a bit misleading; the things happen, but not quite how the back blurb leads you to believe. The language of Firebird is a little archaic, not so much that it's hard to read, but it is told in a more formal style that lends its self to the type of story being told. Casual readers would probably be put off by that. The Setting - is as far as I can tell probably some part of old southern Rus, now Russia. It is during that time when people embraced both their traditional faiths and the Orthodox Christianity that was taking root. It is a feudal society where the tsar owns almost everyone. Lackey has a way of communicating the setting for a place that makes it feel magical. The opening paragraphs describe a beautiful day to such a point that it feels real. The Characters - didn't feel quite as alive to me. That said, they stick very near what I know to be traditional Russian style. The main character, Ilya, is not an innocent prince, pure of heart and intention. He's a young man who is much better than his brothers, but still just a man. I liked the characters, my favorites were not the main characters by far, but I still appreciated them. I didn't really sympathize with them. The Plot - was the crown jewel of the story. Russian fairytales to me have always been fascinating. I love them. I also love how Lackey pays as much attention to the in between sections of time as she does to the action times. A lot happens within the pages of Firebird. It's a magical story that made me smile. I might not hand it to younger readers, but older ones will like the tale.
Anonymous More than 1 year ago
I've loved this book for years, and was very happy to find it in a Nook book.
Guest More than 1 year ago
I recommend the book, Firebird, to any one who likes fantasy and adult fairy tales. This breathtaking fantasy is adapted from a classic Russian tale. Ilya is a young man who is frequently ganged up on by his seven brothers. Because Ilya surpasses them in intelligence and liveliness, they are jealous of him, and beat him. Ilya¡¦s father, Ivan, is a tsar who distrusts everyone, even his sons, and is greedy. One day, while trying to discover the thief of Ivan¡¦s precious cherries, Ilya sees the firebird, a half bird half maiden. But because he saw her without her permission, he is plagues with bad luck, and encounters boars, is forced to pretend to be a simple-minded fool, getting lost in a forest, and more. Ilya has to prove his intelligence and worth to save the 12 most beautiful women in the world, with help from animals and the firebird herself. The surprise ending gave me a pleasant shock, and this book is truly a traditional story turned into a dazzling and astonishing legend.
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Anonymous More than 1 year ago
I grew up in a family of Russian descent, & i always loved this story. I heartily approve of her changing the end of the tale, though. Remember, this is a Russian tale! They looove depressing endings. The author gives the ending that it should've had. Thank you for that!
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twOH More than 1 year ago
If you like fairy tales you will enjoy this story. A lot happens to keep you reading.
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