Fired!: Tales of the Canned, Canceled, Downsized, and Dismissed

Fired!: Tales of the Canned, Canceled, Downsized, and Dismissed

by Annabelle Gurwitch

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If you've ever been fired, you're in good company. That's what actress and writer Annabelle Gurwitch discovered when she was fired by her idol Woody Allen, who added, "You look retarded." In confiding her tale of woe to others, she realized there is a world of people out there with similar laugh-out-loud experiences. How did Bob Saget learn he was being phased out

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If you've ever been fired, you're in good company. That's what actress and writer Annabelle Gurwitch discovered when she was fired by her idol Woody Allen, who added, "You look retarded." In confiding her tale of woe to others, she realized there is a world of people out there with similar laugh-out-loud experiences. How did Bob Saget learn he was being phased out of his job on The Morning Program? "One day I showed up and my hosting chair was gone!"

A collection of anecdotes from people who've all gotten the ax, the boot, or been canned at some point in their lives, Fired! boasts an all-star cast from Tim Allen to Jeff Garlin and features contributions from people all over the country. Uproariously funny and refreshingly true, this book proves it's not the bounce that counts, it's the bounce back.

Editorial Reviews

From the Publisher
"Trump may have popularized the phrase 'You're fired,' but he certainly hasn't made it any easier to hear. [Gurwitch] is making the saying a little more tolerable."
Jane magazine

"A hilarious new book. It's very cathartic and funny!"
— Peter Rothberg, The Nation

"It reads like sweet revenge."
The Onion

"A merry compendium of failure...Gurwitch gets the last laugh."
— Greg Beato, The Washington Post

"Sometimes the best revenge is losing well."
The New York Times

"Been canned lately? Take solace from others who've been there in Fired!"
New York Post, #1 on the Hot List

Publishers Weekly
Gurwitch's popular Web site ( entices people to turn in their best tales of their worst firings; the cream of that crop is gathered in this star-studded collection of misery. The book is divided into chapters with titles like "The Job So Terrible You Can Only Hope to Be Fired" and "The Time You Deserved to Be Fired," but mostly it's just tales of horrible things happening to funny people. Gurwitch's own piece-in which she's canned from her role in a play written and directed by an officious Woody Allen, who told her "You look retarded"-is par for the course, with its droll humor and dash of celebrity. Comedians Bill Maher, D.L. Hughley, Bob Saget and Andy Borowitz all get in their zingers, while Illeana Douglas composes a poem that ranges from getting fired as a coat check girl ("How is it/possible to be fired hanging coats?/I have arms. I know what coats are") to high farce with borderline psychotic filmmakers. The few noncelebrities invited to share their woes are generally less funny, though they tend to be more unpredictable, such as the ex-White House chef who provides a nice recipe for seared scallops. (Mar. 7) Copyright 2005 Reed Business Information.
Soundview Executive Book Summaries
Axed, canned, dismissed or given the boot, all firings go better with a sense of humor. Actress and writer Annabelle Gurwitch has compiled her own stories (fired by Woody Allen) and those of many other Hollywood talents such as Tim Allen, Bill Maher and Harry Shearer to show how getting fired might be the best thing that ever happened to you. These humorous perspectives on being fired include “the firing you didn’t see coming” and “the time getting fired leads you to something better.” Copyright © 2006 Soundview Executive Book Summaries

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Chapter One: The Job So Terrible You Can Only Hope to Be Fired

Work is the province of cattle.

— Dorothy Parker

I do not like work, even when someone else does it.

— Mark Twain

I have only been fired once. I was let go from an office job where the boss told me that he was firing me because he wanted someone to work for him who, when he said, "Jump!" would say, "How high?" Ironically, the job was in the offices of the multiple sclerosis society, where the majority of our clients scooted around in motorized wheelchairs.

— Rainn Wilson, actor

That's a Fact

Andy Borowitz

I did a number of things in the '80s I'm not proud of. On more than one occasion I shouted out the phrase, "Everybody Wang Chung tonight." But there's one thing I did that was so heinous, I've never told anyone about it. In 1984 I wrote for the TV show The Facts of Life.

I'm sure everyone remembers the cultural phenomenon that was The Facts of Life. But for those of you who somehow missed it, The Facts of Life was a coming-of-age saga about four teenage girls at an exclusive boarding school in Peekskill, New York. There was Blair, the sarcastic beautiful one; Natalie, the sarcastic chubby one; Jo, the sarcastic tomboy; and Tootie, the sarcastic sistah. Watching over all of them was their mentor, Edna Garrett, also known as Mrs. Garrett or, when the girls were in full Fonzie mode, Mrs. G.

Oh, and here's one more piece of Facts of Life trivia: It was the worst television show ever produced. Now, given how monumentally it sucked, you may wonder, why did I agree to work on it? Well, quite simply, for the money. You see, I was the sarcastic whore on The Facts of Life. But you have to give me a break: I was just out of college, I was broke, I didn't have a car. I had to take the bus, which in L.A. is tantamount to eating out of a Dumpster.

I remember my first day on the show, going in to pitch stories to the producers. These were two middle-aged women charged with the responsibility of making sure The Facts of Life did not lose its edge. And the show was at a critical point: It was moving from the safe confines of the boarding school to a whole new setting, a gourmet cheese shop cleverly named Edna's Edibles. It was a move fraught with risk. There was no margin for error. And that was the hornets' nest I was stepping into.

As I sat down in the producers' office, I noticed that they each had coffee mugs with the Facts of Life logo on them. I was like, "Cool mugs, where'd you get them?" "Mrs. Garrett gave them to us," one of them explained. It turns out that Charlotte Rae, the actress who played Mrs. Garrett, liked to reward the writers by giving them Facts of Life logo mugs, and the better job you did, the more mugs you got. Now, you want to talk about an incentive!

I started pitching my story, entitled "Gamma Gamma or Bust," in which Blair, the sarcastic beautiful one, pulls out all the stops to get into the Gamma Gamma sorority. The producers took it in, chewed it over, and then one of them finally spoke. "It's an interesting story, Andy," she said. "But what's the 'fact'?"

"Say what?" I said.

"The 'fact,' " she said. "Every Facts of Life story has a fact, a moral lesson, if you will, a deeper truth that the audience can take away with them."

Suddenly the room started to spin. I realized: They don't know the show sucks. They think they're doing Molière here. And I'm a comedian, I don't really do moral lessons, so I just started spinning my wheels...A stitch in time saves nine? Neither a borrower nor a lender be? Finally, with their help, we agreed that the fact of my story would be "Be yourself."

I started to write the script and I thought to myself, I'm going to try something that's never been tried before on The Facts of Life: I'm going to write funny things for the girls to say. I finished it up, handed it in, and didn't hear anything back from the producers for a week. Finally I went up to one of them and said, "Did you get a chance to look at my script?"

"Well, we did, Andy," she said, "and quite frankly, we were disappointed in it."

"What was wrong with it?" I said.

"Well, you didn't get Tootie at all."

I asked her what she meant.

"The way you wrote Tootie, she sounds exactly like Natalie."

I said, "Well, maybe that's because they're both, you know, kind of sarcastic characters."

"They're not sarcastic," she said, genuinely offended.

"Natalie is wisecracking and Tootie is sassy. The way you've written them, you can't tell them apart."

And I was like, "Well, the audience will be able to tell them apart because one's fat and one's black." But I didn't say that. Instead I said, "Well, I'll try to fix it in the next draft."

"That's all right, Andy," she said. "We'll take it from here."

All of a sudden I felt something I hadn't felt since I started working there: I cared. I wanted to prove that I could write The Facts of Life. I wanted to prove that I "got" Tootie.

Well, as the season wore on, it became clear that the decision to move the show to a cheese shop was an unmitigated disaster. The girls were gaining weight at an alarming pace. To counteract this, the producers removed the muffins and cookies from the snack table and replaced them with carrots, celery, and lettuce. It was like we were being catered by Farmer McGregor. The girls noticed, and they were pissed.

At this point I was given one last chance to prove myself. The producers no longer trusted me to write a script on my own, so they teamed me up with their two pet writers, a team of eager-to-please suck-ups known only as the Two Jims. Our assignment: to write a fantasy sequence set twenty-five years in the future, when Jo, the sarcastic tomboy, would be Jo, a sarcastic high-powered businesswoman.

Now, I thought to myself, finally I'm being given a chance to play to my strengths. No facts, no moral lessons, just unbridled wackiness. So, with the Two Jims' agreement, we wrote a scene in which Jo, inhabiting a futuristic world much like the Jetsons did, attempts a leveraged buyout of Spacely Sprockets.

The producers never told me what they thought of the scene, but the Two Jims later told me that they had been called into the producers' office. "We're very disappointed in the Jo fantasy scene," the producers told them. "But we don't blame you — because we know Andy was in the room when it was written." I couldn't believe it — I had become a cancer on The Facts of Life!

Needless to say, I wasn't asked back for a second season, which means I totally missed the arrival of the young George Clooney, who played a sarcastic handyman. But as I cleaned out my office on the last day of work, I noticed a gift box on the desk. I opened it and inside were two Facts of Life mugs. Could it be that Mrs. Garrett, in her infinite wisdom, had seen something in me that no one else had? I was so excited, I picked them up and ran into the Two Jims' office — and saw that each of them had received ten mugs.

As I look back on that year, I ask myself, Is there any moral lesson, any deeper truth that we can take away from this?

I think it's this: The only thing worse than being a whore is being a whore and totally sucking at it. And that, my friends, is a fact.

After being fired from The Facts of Life, Andy Borowitz was "fired up," as often happens in Hollywood, and created the series that launched Will Smith's acting career, The Fresh Prince of Bel-Air. He currently writes for The New Yorker, The New York Times, and CNN, and is the creator of the very popular Web site and series of books The Borowitz Report.

Fired Fact

Increased risk of heart attack faced by employer firing an employee in the week after wielding the ax: 100 percent.

Copyright © 2006 by Annabelle Gurwitch

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