First Band on the Moon [Bonus Track]

Editorial Reviews

All Music Guide - Dave Sleger
At the behest of Mountain Railroad Records, this is Snopek's second foray into "commercial, radio-ready" music. To the band's credit, their notion of mainstream music was still several notches above what radio was looking for. In retrospect, Sigmund Snopek's progressive and esoteric rock background served him well in preparation for this transformation of sorts. His backing band most of whom performed with him earlier in his career made the adjustment smoothly as well. Unlike most progressive bands that felt the need to dramatically alter their sound by the end of the '70s, Snopek didn't appear as contrived and awkward as other more notable prog-rockers cum pop stars. ...
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Editorial Reviews

All Music Guide - Dave Sleger
At the behest of Mountain Railroad Records, this is Snopek's second foray into "commercial, radio-ready" music. To the band's credit, their notion of mainstream music was still several notches above what radio was looking for. In retrospect, Sigmund Snopek's progressive and esoteric rock background served him well in preparation for this transformation of sorts. His backing band most of whom performed with him earlier in his career made the adjustment smoothly as well. Unlike most progressive bands that felt the need to dramatically alter their sound by the end of the '70s, Snopek didn't appear as contrived and awkward as other more notable prog-rockers cum pop stars. Sigmund Snopek's underlying progressive keyboards are still the foundation to these tracks, but the solid and authoritative guitar playing of Byron Wiemann and the steady rhythm of bassist James Gorton and drummer Mike Lucas give this album character and distinction amongst the countless displaced '70s prog artists. While prog tendencies appear in subtle ways on most tracks, Snopek ventures into several directions on this record. "Dr. Alles" is a quirky new wave piece à la Talking Heads and the jangle rock of "Avenue Motion" predates the style later trumpeted by R.E.M., Marshall Crenshaw, and others. "Let's Take a Trip" is an offbeat island groove number recalling 10cc, and "Armpit Shuffle" is a silly number in which Snopek reminds the listener that perhaps this new musical direction isn't exactly to his liking or, more likely, that this is only rock & roll, so lighten up a bit. Granted, neither this album nor its predecessor, Thinking out Loud, made the splash in music circles that was hoped for, but in hindsight both albums stand the test of time extremely well, and unlike other similarly positioned bands of that time, neither album is an embarrassment forever haunting the band. Musea's 2002 reissue includes an additional track, the soundscape "Solalex," which was previously released as the B-side to Snopek's single "If You Love Me Kill Yourself."
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Product Details

  • Release Date: 2/4/2003
  • Label: Musea Records France
  • EAN: 3426300044174
  • Catalog Number: 4417
  • Sales rank: 289,112

Album Credits

Performance Credits
Sigmund Snopek III Primary Artist, Synthesizer, Flute, Keyboards, Vocals
Betsy Kaske Vocals
Jim Gorton Bass, Vocals
Ann Lobotzke Harp
Mike Lucas Percussion, Drums
Byron Wiemann III Guitar, Vocals
Keith DeBolt Vocals
Technical Credits
Andy Waterman Engineer
Hermie Dressel Executive Producer
Ray Schultz Back Cover
Ken Butts Art Direction, Cover Design
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