Five Men in a Hut: Singles 1998-2004

Editorial Reviews

All Music Guide - Sean Westergaard
Five Men in a Hut is basically the final roundup for Gomez's Hut/Virgin years, but it's a positive boon for fans, especially in the U.S. In the U.K., each Gomez album had at least a few associated singles, but they never got the same treatment stateside. Since each album had a certain specific "sound" to it, one can see how some of these songs wouldn't have fit with the album they were recorded with, but the B-sides were hardly throwaways. In fact, the B-sides were often excellent and allowed the band to try different things and stretch out a bit. Abandoned Shopping Trolley Hotline gathered a few of these tracks, but more than half of Five Men in a Hut is comprised of ...
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Editorial Reviews

All Music Guide - Sean Westergaard
Five Men in a Hut is basically the final roundup for Gomez's Hut/Virgin years, but it's a positive boon for fans, especially in the U.S. In the U.K., each Gomez album had at least a few associated singles, but they never got the same treatment stateside. Since each album had a certain specific "sound" to it, one can see how some of these songs wouldn't have fit with the album they were recorded with, but the B-sides were hardly throwaways. In fact, the B-sides were often excellent and allowed the band to try different things and stretch out a bit. Abandoned Shopping Trolley Hotline gathered a few of these tracks, but more than half of Five Men in a Hut is comprised of B-sides and two previously unreleased tunes so ultimately all the A's and B's of many of these singles are now readily available. Each disc of this set is packed with music; it would have been difficult to include much more. Highlights include the country-ish "Tanglin'," "Best in Town," and the hilarious "Dire Tribe." There's a wonderful cover of Charley Patton's "Mississippi Boll Weevil Blues" and they put a horn section to good use on "Chicken Bones." "Air Hostess Song" borders on electronica, as does the vocodered "ZYX." Since each album was different from the others, it's really interesting to hear all the different Gomez sounds together on the same album. This would make an excellent introduction to the band, but it's at least as exciting for the longtime fan if not more so since more than half of this material has been difficult if not impossible to track down. Ultimately, excluding the alternate mixes of album tracks and live cuts that weren't included here, there are only seven remaining songs that exist only on singles. Songs like "Who's Gonna Go to the Bar," the epic, sprawling "Gomez in a Bucket," and the vinyl-only "Wham Bam" will apparently remain unavailable, but Abandoned Shopping Trolley Hotline and Five Men in a Hut together will satisfy all but the most rabid Gomez collector. Five Men in a Hut is a great summation of this fantastic band's early years.
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Product Details

  • Release Date: 10/17/2006
  • Label: Virgin Records Us
  • UPC: 094637206126
  • Catalog Number: 72061
  • Sales rank: 189,801

Tracks

Disc 1
  1. 1 Whippin' Piccadilly (3:20)
  2. 2 Best in the Town (3:52)
  3. 3 Catch Me Up (3:40)
  4. 4 Ping One Down (3:21)
  5. 5 Tanglin' (2:54)
  6. 6 Bring It On (3:56)
  7. 7 Champagne for Monkeys (3:38)
  8. 8 Zyx (3:16)
  9. 9 Step Inside (6:18)
  10. 10 Blind (4:20)
  11. 11 Pop Juice (4:23)
  12. 12 78 Stone Wobble (4:21)
  13. 13 Royalty (3:22)
  14. 14 Old School Shirt (3:31)
  15. 15 Air-Hostess Song (5:08)
  16. 16 Sweet Virginia (6:02)
  17. 17 Mississippi Boweevil Blues (4:29)
  18. 18 Old China (5:11)
Disc 2
  1. 1 Rhythm and Blues Alibi (4:18)
  2. 2 Silhouettes (4:34)
  3. 3 Silence (2:54)
  4. 4 Butterfly (3:49)
  5. 5 Get Myself Arrested (4:04)
  6. 6 Dire Tribe (4:04)
  7. 7 We Haven't Turned Around (6:30)
  8. 8 So (3:11)
  9. 9 Shot Shot (2:26)
  10. 10 Chicken Bones (3:01)
  11. 11 Flight (3:32)
  12. 12 Pick Up the Pieces (5:27)
  13. 13 Big Man (3:41)
  14. 14 Sound of Sound (3:45)
  15. 15 Pussyfootin' (3:54)
  16. 16 Coltrane (3:23)
  17. 17 M57 (5:43)
  18. 18 Diskoloadout (3:04)
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Album Credits

Performance Credits
Gomez Primary Artist
Tony "Gad" Robinson Trumpet, Valve Trombone, Brass
Ken Nelson Guitar
Dajon Everett Percussion, Celeste, Drums
Steve Fellows Guitar
Tony Looby Alto Saxophone
Naomi Radom Violin
Nick Wales Viola
Susie Wright Saxophone
Wil Malone Conductor
Technical Credits
Charley Patton Composer
David Boyd Liner Notes
Tony "Gad" Robinson Digital Editing
Bob Ludwig Mastering
Ken Nelson Engineer, Audio Production
Gomez Producer, Engineer
Frank Arkwright Mastering
Paul Hicks Engineer
Claire Lewis Programming, Engineer
Ben Ottewell Composer
Tom Gray Composer
Paul Blackburn Composer
Olly Peacock Composer
Ian Ball Composer
Scott Minshall Artwork
Naomi Radom String Arrangements
Wil Malone String Arrangements
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