Five Moral Pieces [NOOK Book]


Embracing the web of multiculturalism that has become a fact of contemporary life from New York to New Delhi, Eco argues that we are more connected to people of other traditions and customs than ever before, making tolerance the ultimate value in today's world. What good does war do in a world where the flow of goods, services, and information is unstoppable and the enemy is always behind the lines?
In the most personal of the essays, Eco recalls experiencing liberation from ...
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Five Moral Pieces

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Embracing the web of multiculturalism that has become a fact of contemporary life from New York to New Delhi, Eco argues that we are more connected to people of other traditions and customs than ever before, making tolerance the ultimate value in today's world. What good does war do in a world where the flow of goods, services, and information is unstoppable and the enemy is always behind the lines?
In the most personal of the essays, Eco recalls experiencing liberation from fascism in Italy as a boy, and examines the various historical forms of fascism, always with an eye toward such ugly manifestations today. And finally, in an intensely personal open letter to an Italian cardinal, Eco reflects on a question underlying all the reflections in the book--what does it mean to be moral or ethical when one doesn't believe in God?
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Editorial Reviews

From Barnes & Noble
Acclaimed writer Umberto Eco weighs in with his take on the issues of the day, including mass violence, multiculturalism, television, nationalism, and practical ethics. In a deeply personal piece, Eco recalls how he was able to escape from fascism in Italy as a boy and goes on to take a look at the various ways in which fascism has manifested itself over the years. Five Moral Pieces presents the great Eco at his most thoughtful and insightful.
Publishers Weekly
Most famous for his complex, erudite novels, semiotician and literary theorist Eco (Foucault's Pendulum, etc.) devotes these occasional essays primarily to the quest for tolerance in an intolerant world and to the intellectual responsibility of individuals to confront difficult moral problems directly. Eco observes, for example, that war contradicts "the very reasons for which it is waged" in a world where telecommunications technology and constant migration render traditional rationalizations for war (e.g., the defense of borders) obsolete. In the end, he argues, war cannot be defended, for, in addition to its manifold evils, it is a wasteful enterprise, squandering lives and resources. In another essay, Eco contends that ethical principles can indeed be articulated apart from any grounding in religious faith, though a natural ethic and a religious ethic may share common ground. Examining the reporting techniques of several Italian newspapers, he asserts that they share a moral responsibility to inform rather than to titillate with gossip and advertising. In the collection's most eloquent essay, Eco sketches the universal elements of fascism (such as "the cult of tradition" and a "suspicion of intellectual life"), emphasizing that such elements persist even today and can appear in the most innocent guises. Finally, he reveals the complex bond linking migration, with the resulting impact of one culture on another, and intolerance, concluding that the only solution is to teach tolerance from birth. Eco's fans will enjoy his perspective on these issues, but aside from his worthy reflections on fascism, these pieces neither ask new questions nor reach startling conclusions; some are evenquite simplistic (e.g., "War is a waste"). (Nov.) Copyright 2001 Cahners Business Information.
Library Journal
The author of three best-selling, ingeniously plotted novels and several collections of sharp and witty essays (most recently Kant and the Platypus), Eco here presents five pieces on the fragility of ethical principles in postmodern culture. The essays, which originated as lectures, were either prompted by a crisis (the Gulf War, the trial of a Nazi criminal, the rise of ultra-conservatives in Europe) or an invitation to weigh in on public debates on postmodern ethics, the implosion of journalistic standards in our age of infotainment, or the perils and promise of migration for this millennium. Eco did not iron out the marks left by these occasions, and the remaining traces of spoken language nicely offset his conceptually rigorous engagement with weighty issues. A discussion of the possibilities for a nonfoundational ethics is trenchant, convincing, and highly rewarding for serious readers. Confessional moments about his coming-of-age in fascist Italy, however, are slightly flat, like set pieces in often-told tales. In its entirety, this slim volume is cogently argued and periodically sparkles with the kind of wit and insight that readers have come to expect from one of Italy's brightest minds. Recommended for larger public libraries, academic libraries, and special collections. Ulrich Baer, NYU Copyright 2001 Cahners Business Information.
Kirkus Reviews
"Occasional pieces," all dating from the 1990s, that include essays, speeches, and revised correspondence from the erudite novelist-philosopher-semiotician Eco (Kant and the Platypus, 1999, etc.). Eco speculates (in "When the Other Appears on the Scene" and "Migration, Tolerance, and the Intolerable") that the bases of moral actions that not specifically grounded in religious belief arise from an acknowledgement of "the importance of the other." The former piece is quite closely reasoned, but the latter (which meanders between assessing the influence of "migrant" populations on settled societies and condemning the "Eurocentric" nature of what might be called millennial chic) is rather less focused. Elsewhere, Eco considers the relationship of the "intellectual community" to the (arguably now obsolete) phenomenon of military conflict, concluding (in "Reflections on War") that "It is an intellectual duty to proclaim the inconceivability of war." In "On the Press," he analyzes the impact of instantaneous communication and "the dynamic of provocation" (especially as perfected by television interviewers). And in "Ur-Fascism," which offers a series of keen discriminations between Mussolini's fascism and Hitler's Nazism, he makes a convincing case for using the former word generically, as "a synechdoche . . . for different totalitarian movements"-while simultaneously sketching in an illuminating piecemeal memoir of growing up in Italy during WWII. Most persuasive when (as here) most personal, Eco attempts in these brief arguments to create a convincing impression of a conscientious intellectual earnestly addressing contemporary social and moral crises as a means of understanding "what we oughtto do, what we ought not to do, and what we must not do at any cost." A helpful and intermittently revealing (if scarcely essential) gloss on both Eco's unusual fiction and his knotty philosophical and semantic studies.
From the Publisher

"Instead of that tone of constipated envy we associate with criticism,
Eco's essays read like letters from a friend, trying to share something he loves with someone he likes."—San Francisco Review of Books

"One of the most influential thinkers of our time."—Los Angeles Times

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Product Details

  • ISBN-13: 9780547564050
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 10/1/2002
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 128
  • Sales rank: 1,182,876
  • File size: 91 KB

Meet the Author

Umberto Eco
UMBERTO ECO is the author of five novels and numerous essay collections, including The Name of the Rose, The Prague Cemetery, and Inventing the Enemy. He received Italy's highest literary award, the Premio Strega, was named a Chevalier de la Légion d'Honneur by the French government, and is an honorary member of the American Academy of Arts and Letters.


Back in the 1970s, long before the cyberpunk era or the Internet boom, an Italian academic was dissecting the elements of codes, information exchange and mass communication. Umberto Eco, chair of semiotics at the University of Bologna, developed a widely influential theory that continues to inform studies in linguistics, philosophy, anthropology, cultural studies and critical theory.

Most readers, however, had never heard of him before the 1980 publication of The Name of the Rose, a mystery novel set in medieval Italy. Dense with historical and literary allusions, the book was a surprise international hit, selling millions of copies in dozens of languages. Its popularity got an additional boost when it was made into a Hollywood movie starring Sean Connery. Eco followed his first bestseller with another, Foucault's Pendulum, an intellectual thriller that interweaves semiotic theory with a twisty tale of occult texts and world conspiracy.

Since then, Eco has shifted topics and genres with protean agility, producing fiction, academic texts, criticism, humor columns and children's books. As a culture critic, his interests encompass everything from comic books to computer operating systems, and he punctures avant-garde elitism and mass-media vacuity with equal glee.

More recently, Eco has ventured into a new field: ethics. Belief or Nonbelief? is a thoughtful exchange of letters on religion and ethics between Eco and Carlo Maria Martini, the Roman Catholic cardinal of Milan; Five Moral Pieces is a timely exploration of the concept of justice in an increasingly borderless world.

Eco also continues to write books on language, literature and semiotics for both popular and academic audiences. His efforts have netted him a pile of honorary degrees, the French Legion of Honor, and a place among the most widely read and discussed thinkers of our time.

Good To Know

Eco is a professor of semiotics at the University of Bologna, though in 2002 he was at Oxford University as a visiting lecturer. He has also taught at several top universities in the U.S., including Columbia, Harvard, Yale, and Northwestern.

Pressured by his father to become a lawyer, Eco studied law at the University of Turn before abandoning that course (against his father's wishes) and pursuing medieval philosophy and literature.

His studies led naturally to the setting of The Name of the Rose in the medieval period. The original tentative title was Murder in the Abbey.

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    1. Hometown:
      Bologna, Italy
    1. Date of Birth:
      January 5, 1932
    2. Place of Birth:
      Alessandria, Italy
    1. Education:
      Ph.D., University of Turin, 1954

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted January 18, 2002

    Good for me

    As a student and also a person interested in the history of politics and war, I recomend people to read this book. It is a hard book to read when you are just 17 years old like me, and also when english is not your firts language.

    0 out of 1 people found this review helpful.

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