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Flame/Spectrum

Editorial Reviews

All Music Guide - Alex Henderson
Not every album that Azymuth recorded is great; 1981's Telecommunication and 1990's Curumim, for example, are among its more uneven and inconsistent efforts. But when Azymuth soared, it really soared. More often than not, the 1980s were a productive time for the Brazilian combo. Two of the fine albums that Azymuth recorded during that decade were 1984's Flame and 1985's Spectrum, which, in 1999, Fantasy reissued back to back on this 72-minute CD. Flame is one of Azymuth's most essential albums, and Spectrum is also quite impressive. Hearing the albums back to back, one is reminded that Flame was an incredibly tough act to follow. But even though it is the more essential ...
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Editorial Reviews

All Music Guide - Alex Henderson
Not every album that Azymuth recorded is great; 1981's Telecommunication and 1990's Curumim, for example, are among its more uneven and inconsistent efforts. But when Azymuth soared, it really soared. More often than not, the 1980s were a productive time for the Brazilian combo. Two of the fine albums that Azymuth recorded during that decade were 1984's Flame and 1985's Spectrum, which, in 1999, Fantasy reissued back to back on this 72-minute CD. Flame is one of Azymuth's most essential albums, and Spectrum is also quite impressive. Hearing the albums back to back, one is reminded that Flame was an incredibly tough act to follow. But even though it is the more essential of the two, Spectrum is still excellent. This is one of those CDs that never leaves you feeling disappointed or dissatisfied. Spectrum excels on original material, which ranges from Flame's playfully funky "Right On" to Spectrum's laid-back "Universal Prisoner" -- and it excels on interpretations of Ivan Lins' "The Island," Antonio Carlos Jobim's "Song of the Jet" (or "Samba do Aviao" if you prefer the Portuguese title), and Marvin Gaye's "What's Going On." Some might be surprised that Azymuth would tackle an early-1970s soul anthem, but "What's Going On" actually lends itself quite nicely to a Brazilian jazz fusion makeover. And, besides, African-American soul and funk had a strong influence on many Brazilian artists in the 1970s, 1980s, and 1990s -- including Azymuth and singer Flora Purim (who is featured on Flame's caressing and sensuous "The Textile Factory"). If you only add a few Azymuth CDs to your collection, this Flame/Spectrum reissue should be among them.
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Product Details

  • Release Date: 4/27/1999
  • Label: Milestone
  • UPC: 025218478120
  • Catalog Number: 47081
  • Sales rank: 81,228

Tracks

Disc 1
  1. 1 The Prisoner (8:39)
  2. 2 Tamal Vista Boulevard (4:29)
  3. 3 Rapa Poeira (4:35)
  4. 4 The Textile Factory (5:40)
  5. 5 Flame (8:30)
  6. 6 Right On (4:05)
  7. 7 What's Going On (5:25)
  8. 8 Samba Do Avião (5:25)
  9. 9 Universal Prisoner (5:14)
  10. 10 Candomble (4:06)
  11. 11 All That Carnival (7:52)
  12. 12 The Island (2:32)
  13. 13 Areias (3:23)
  14. 14 Turma Do Samba (4:22)
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Album Credits

Performance Credits
Azymuth Primary Artist, Primary Artist
José Roberto Bertrami Percussion, Keyboards, Hammond Organ, Vocals, Spoons, Vocoder
Alex Malheiros Acoustic Guitar, Percussion, Electric Bass, Vocals
Ivan Conti Percussion, Drums, Vocals, Repique
Marcio Montarroyos Trumpet
Paulinho Olivera Flugelhorn
Flora Purim Vocals
Carlingo Da Mocidade Repique
Cidinho Mamao Tamborim
Ariovaldo Contesini Paulinho Percussion
Peninha Caixa, Tamborim
Tangerina Surdo, Tamborim
Ziznho Pandeiro, Tamborim
Sidinho Moreira Percussion
Technical Credits
Ivan Lins Composer
José Roberto Bertrami Producer
Alan Bergman Composer
Marilyn Bergman Composer
Vitor Farias Engineer
Stephen Hart Engineer
Danny Kopelson Engineer
Wanderley Loureiro Engineer
Vitor Martins Composer
Jose Bertami Composer
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