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Although Casey never met him, she held an oblique hope that someday her father might acknowledge her. She watched from afar as the illustrious Dr. Cornelius Unger became a celebrated psychologist and teacher. Through it all, she clung to the illusive dream that someday he might ...
Although Casey never met him, she held an oblique hope that someday her father might acknowledge her. She watched from afar as the illustrious Dr. Cornelius Unger became a celebrated psychologist and teacher. Through it all, she clung to the illusive dream that someday he might take notice of her -- and now it is too late.
It comes as a shock when she learns that he has left her his beautiful townhouse in Boston's exclusive Beacon Hill. Sensing that her father had an ulterior motive in leaving her the house, Casey searches the house and finds the first part of what could be a novel, a journal, or a case study for one of her father's clients. The manuscript tells the harrowing story of a young woman named Jenny who was sexually abused by her father and emotionally abused by her mother. When her mother was murdered, her father was sent to prison. After only six years in jail, he is about to be released, and Jenny knows she has to escape. Her way out appears in the form of a man named Pete who shows up on his motorcycle and offers to whisk her away.
Convinced the story is true, Casey sets out to find the rest of the pages and help Jenny. With the discovery of each additional segment, she learns more about Jenny, about herself, and about Cornelius Unger. The manuscript, when fully assembled, proves to be the key to understanding not only her father's past but also that of the man Casey has come to love.
The memorial service was held in a dark stone church on Boston's Marlboro Street, not far from where Cornelius Unger had lived and worked. It took place on a sunny Wednesday in June, three weeks after the man's death, just as he had instructed. Whatever had occurred before then had been private and small. Casey Ellis had not been invited.
She sat four rows from the back of the church, and a more genteel audience she couldn't imagine. There was no sniffling, no whispering, no sighs or moans or wails. Sorrow was not a factor here. This was a professional gathering, a crowd of men and women wearing the neutral shades of those who would rather see than be seen. These were researchers and therapists, present today because Connie Unger had been an eminent leader in their field for more than forty years. The packed house attested as much to the man's longevity as to his brilliance.
Casey would have bet on the fact that of the several hundred gathered here, she was the only one with an emotional stake, and she included his wife in the count. It was well known that the renowned Dr. Unger kept his spouse in a lovely home on the North Shore, where she did her own thing, while he lived alone in Boston and visited her on the occasional weekend. Connie liked private time. He disliked social gatherings. He had colleagues, not friends, and if he had family in the form of sisters, brothers, nieces, nephews, or cousins, no one knew of them. He had never had children with his wife.
Casey was his daughter by a woman he had never married, a woman to whom he had never said more than a dozen words after their single night together. Since no onehere knew about that night or about Casey, to them she was just one more face in the crowd.
On the other hand, she knew quite a few people here, though not thanks to her father. He had never acknowledged her, had never reached out, offered help, opened a door. There had never been child support. Casey's mother hadn't asked for it, and by the time Casey learned the name of her father, she was so heavily into teenage defiance that she wouldn't have approached the man if her life had depended on it.
Elements of that defiance remained. Casey was pleased to sit near the back of the church, just one more colleague taking a long lunch hour. She was pleased to think that her presence here was more than the man deserved. She was pleased to think that she would leave the church and never look back.
Focusing on these things was easier than acknowledging the loss. She had never formally met Cornelius Unger, but as long as he was alive, so too was the hope that one day he would seek her out. With his death, that hope was gone.
Did you ever try to approach him yourself? her friend Brianna had asked. Did you ever try to confront him? Did you ever send him a letter, an e-mail, a gift?
The answer was no on all scores. Pride played a part, as did anger, as did loyalty to her mother. And then there was hero worship. Typical of love-hate relationships, in addition to being her nemesis, Cornelius Unger had been her role model for nearly as long as she had known his name. At sixteen she had been curious, but curiosity quickly turned to drive. He taught at Harvard; she had applied there and been rejected. Should she have approached him and told him she had failed on that score?
She subsequently got her degrees from Tufts and Boston College. The latter was a master's in social work -- not quite the Ph.D. Cornelius had, but she counseled clients as he did, and now she even had an offer to teach. She didn't know if she would take it, but that was another issue. She loved counseling. She imagined her father had, too, if his dedication meant anything. Over the years she had read virtually everything he had written, attended every open lecture he gave, clipped every review of his work. He saw therapy as a scavenger hunt, with clues hidden in the various "rooms" of one's life. He advocated talk therapy to ferret them out -- an irony, since by all reports the man couldn't carry on a social conversation for beans -- but he knew the right questions to ask.
That was what therapy was about, he lectured -- asking the right questions. Listening, then asking questions that pointed the patient in the right direction so that he could find the answer for himself.
Casey was quite good at that, judging from the growth of her practice. The people she knew here today were her own colleagues. She had studied with them, shared office space, attended workshops, and consulted with them. They respected her as a counselor, enough to make their referrals a significant source of her clientele. These colleagues were oblivious to any connection between her and the deceased.
The warmth of June remained outside on the steps of the church. Inside, the sun's rays were reduced to muted shards of color cast from the stained glass high atop the stone, and the air was comfortably cool, smelling of history as relics of the Revolutionary War did. Casey loved that smell. It gave her the sense of history that her life lacked.
She took comfort in that as one speaker after another filed to the front of the church, but they said nothing Casey didn't already know. Professionally, Connie Unger had been loved. His taciturnity was alternately viewed as shyness or pensiveness, his refusal to attend department parties as a sweet, social awkwardness. At some point in his career, people had taken to protecting him. Casey had often wondered whether his lack of a personal life helped that along. In the absence of friends, his colleagues felt responsible for him.
The service ended and people began to file out of the church; like Casey, they were headed back to work. She smiled at one friend, hitched her chin at another, paused briefly on the front steps to talk with the man who had been her thesis adviser, returned a hug when a passing colleague leaned in. Then she stopped again, this time at the behest of one of her partners.
There were five partners in the group. John Borella was the only psychiatrist. Of the other four, two were Ph.D. therapists. Casey and one other had their master's in social work.
"We have to meet later," the psychiatrist said.
Casey wasn't concerned by the urgency in his voice. John was a chronic alarmist. "My day is tight," she warned.
That gave her pause. Stuart Bell was one of the Ph.D. therapists. More important, he paid the office bills.
"What do you mean, 'gone'?" she asked cautiously.
"Gone," John repeated, speaking lower now. "His wife called me a little while ago. She came home from work last night to an empty house -- empty drawers, empty closets, empty bank book. I checked his office. Same thing."
Casey was startled. "His files?"
Her startled reaction grew to appalled. "Our bank account?"
"Aeyyyy." She felt a touch of panic. "Okay. We'll talk later."
"He has the rent money."
"Seven months' worth."
"Yes." Casey had given Stuart a check for her share on the first of each of those seven months. They had learned the week before that the rent hadn't been paid for any of those months. When confronted, Stuart had claimed it was a simple oversight, lost in the mounds of paperwork that had taken over so much of their time -- and they understood, because they all knew how that went. He had promised to pay it in full.
"It's due next week," John reminded Casey now.
They would have to come up with the money. The alternative was eviction. But Casey couldn't discuss eviction now. She couldn't even think about it with Cornelius Unger watching and listening. "This isn't the time or the place, John. Let's talk later."
"Excuse me?" said a slim, gray-haired gentleman in a navy suit who had come down the steps of the church as the crowd thinned. "Miss Ellis?"
As John moved on, Casey turned to the newcomer.
"I'm Paul Winnig," he said. "I was Dr. Unger's lawyer. I'm the executor of his estate. Could we talk for a minute?"
She would have asked what the executor of Dr. Unger's estate wanted with her, if the lawyer's eyes hadn't answered the question. Yes, he did know who she was.
Surprised by that awareness and quickly unsettled, she managed, "Uh, of course. Whenever."
"Now would be good."
"Now?" She glanced at her watch and felt a trace of annoyance. She didn't know whether her father kept clients waiting. She did not. "I have an appointment in thirty minutes."
"This will only take five," the lawyer said. With a light hand at her elbow, he gently guided her down the steps and onto a narrow stone path that led around the side of the church.
Casey's heart was beating hard. Before she could even begin to wonder what he had to say, or what she felt about his saying anything at all, the path opened into a small courtyard out of sight of the street. Releasing her elbow, the lawyer gestured her to a wrought-iron bench. When they were both seated, he said, "Dr. Unger left instructions that you should be contacted as soon as the memorial service was done."
"I don't know why," Casey remarked, having recovered a bit of composure. "He had no interest in me at all."
"I believe you're wrong," the lawyer chided. He pulled an envelope from the pocket of his suit jacket. It was a small manila thing the size of an index card, with a clasp at the top.
Casey stared at the envelope.
The lawyer held it up to show her the front. "It has your name on it."
So it did -- "Cassandra Ellis," written in the same shaky scrawl she had seen dozens of times in margin notes on the graphs and charts that Connie Unger projected onto screens during lectures.
Cassandra Ellis. Her name, written by her father. It was a first.
Her heart began to rap against her ribs. Her eyes returned to the lawyer's. Apprehensive, not quite knowing what she wanted to find in the envelope but fearing that whatever it was, it wouldn't be there, she gingerly reached out. The envelope was lumpy.
"There's a key inside," Paul Winnig explained. "Dr. Unger left you his townhouse."
Casey frowned, pulled in her chin, regarded the lawyer with doubt. When he nodded, she dropped her eyes to the envelope. Carefully, she unfolded the clasp, raised the small flap, and looked inside. She tipped out a key, then pulled out a piece of paper that had been folded over many times to fit. In the seconds it took to unfold it -- several seconds longer than it might have taken had her hands been steadier -- her fantasy flared. In those seconds, she imagined a warm little note. It didn't have to be long. It could be as simple as, You are my daughter, Casey. I've watched you all these years. You've made me proud.
There was in fact writing on the paper, but the message was succinct. She saw the address of the townhouse. She saw an alarm code. She saw a short list of names beside words like "plumber," "painter," and "electrician." The names of the gardener and the maid had asterisks beside them.
"Dr. Unger would like the gardener and maid retained," the lawyer explained. "In the end it's your choice, but he felt that both were good and that they loved the house as much as he did."
Casey was stunned. There was absolutely nothing of a personal nature on the paper. "He loved the house?" she echoed, hurt, and met the lawyer's gaze. "A house is a thing. Did he ever love people?"
Paul Winnig smiled sadly. "In his way."
"What way was that?"
"Absently?" Casey charged, torn in that instant, of half a mind to ball up the paper and toss it away. She was angry that her father hadn't said something to her in life, angry that the note contained nothing she longed to read. "What if I don't want his townhouse?"
"If you don't want it, sell it. It's worth three million. That's your legacy, Ms. Ellis."
Casey didn't doubt the value of the house. It sat in a coveted spot in Leeds Court, itself a coveted spot on Beacon Hill. She had been past it many times. In not one of those passes, though, had the idea that she might one day own it ever crossed her mind.
"Have you ever been inside?" the lawyer asked.
"It's a beautiful place."
"I already have a place."
"You could sell that one."
"And take on a larger mortgage?"
"There's no mortgage here. Dr. Unger owned the townhouse outright."
And he was giving it to Casey? A three-million-dollar home that was all paid for? There had to be a catch. "Upkeep, then -- heat, air-conditioning. And taxes -- property taxes alone are probably twice my yearly mortgage payments."
"There's a trust fund for taxes. And for the household help. There's also parking, two spaces in back with private access, two on the Court itself, all paid for. As for heat and the rest, he had the confidence that you could handle those yourself."
She certainly could -- or could have, if Stuart Bell hadn't absconded with seven months' rent. "Why?"
"Why is he doing this? Why such a lavish gift after nothing all these years?"
"I don't know the answer to that."
"Does his wife know that he's given me this?"
"And she doesn't object?"
"No. She was never part of the townhouse. She made out very well in his will without it."
"How long has she known about me?"
Casey felt a stab of bitterness. "And she couldn't call me herself to tell me about his death? I had to read it in the paper. That didn't feel good."
"Did he order her not to contact me?"
The lawyer sighed, seeming to weary a bit. "I don't know that. Your father was a complicated man. I don't think any of us knew who he was inside. Ruth -- his wife -- came as close as anyone did, but you know how they lived."
Casey did. She didn't know whether she felt worse for her own mother, who had lost Connie Unger before she ever had him, or for Connie's wife, who once had had him but lost him.
"Seems to me," Casey declared, "that the man was no bargain."
"Maybe not," the lawyer replied and rose. "In any event, the house is yours. Everything's been transferred to your name. I'll have a courier deliver the papers to you tomorrow. I'd suggest you put them in a vault."
Casey remained seated. "I don't have a vault."
"I do. Would you like me to hold them for you?"
Winnig pulled a business card from his pocket. "Here's where I am."
Casey took the card. "What about his...things? Are they all there?"
"Personal things, yes. He arranged for Emmett Walsh to take over his practice, so the computer, client files, and Rolodex have all gone to him."
A distant little bubble burst. From time to time, it had held a dream. As the dream went, one day Connie would come to respect her as a professional, enough to refer clients to her. Even make her his protégée. Even invite her to share his practice, making it a father-daughter group.
The disappointment was brief. The dream, after all, had never received an ounce of encouragement. "Ah," she managed. Still, she didn't rise.
"You look pale," the lawyer said. "Are you all right?"
She nodded. "Just a little startled."
He smiled. "Run over and take a look inside the place. It has a certain charm."
Casey couldn't go that day. She saw clients straight through until eight, at which time she pushed the issue of the townhouse farther back in her mind and joined her partners in the conference room. Cornelius Unger, the epitome of decorum, would have cringed at the scene that ensued. The mood was adversarial from the start. The group had often had internal differences, but those differences were now magnified by crisis.
"Where is Stuart?"
"How the hell do I know. I've made a dozen calls."
"We need the police."
"Pu-leeze. This is private. He's a friend."
"Your friend. From way back."
"What were we thinking, letting him handle the funds?"
"He did it because none of us wanted to do it."
"He's always been perfectly rational, which is more than I can say for some therapists," remarked Renée, Casey's fellow MSW.
"Excuse me," John said, bristling. "I take offense at that."
"It was a joke."
"I don't think so. You and Casey don't always understand that without us, you'd have no validity."
Casey took offense at that. "We would have validity."
"And a more pleasant work environment," added Renée.
"Go, then," John dared. "That'll be less office space we have to rent."
"What landlord's going to rent us space?"
"Hey, we didn't default on anything," argued the adolescent specialist, Marlene Quinn, needing to absolve herself for being the one closest to the thief. "Stuart signed the lease. His name was the only name there. He's the only one in default."
"He has our money."
"How do we get it back?"
"I don't want to move."
"Can we come up with the money ourselves?"
"Casey worried about money?" John mocked. "You're such a softie, you counsel clients for free."
"What I do," Casey argued, "has nothing to do with being a softie and everything to do with needing to give closure, whether insurance agrees or not. Have I ever been late shelling up money for rent?"
"No," Renée answered, "and neither have I. Eviction is unthinkable. I have patients to see."
"Clients," John corrected. "I see patients. You see clients."
"None of us will see anyone if we're evicted," Casey put in. "And this landlord does evict tenants. Remember what he did to the lawyers on the third floor?"
Marlene said, "They landed on their feet, actually got a much better deal in another building."
"Why do we have to be right in Copley Square? If we're willing to move four blocks over, we'd get a better buy."
"I'm not working in the South End," declared John.
"How can Stuart have wiped out the account?" Casey asked in disbelief.
"He had the authority to do it. The bank didn't have cause to question it."
"Why, then? Is he in debt? Does he gamble? Is his marriage a wreck?"
Renée picked up where Casey left off. "And none of us saw it coming? Insight is our business."
"Well, hell, we're not mind readers," Marlene argued. "We can't be insightful until we've worked with a client enough to break down walls of denial and distrust."
Casey didn't see the analogy to Stuart. "That's not it."
"Yes, it is."
"No," she insisted, forsaking formal theory for good old common sense. "We're human. Stuart served a purpose here, so we saw what we wanted to see."
"Well, that gets us nowhere," said Renée. "We need money fast. How are we going to get it?"
The meeting ended without a resolution. Exhausted, Casey left the office and headed out of Copley Square. She took long strides, breathed deep from the belly, yoga-style, as she went down Boylston Street to Massachusetts Avenue. Turning left, then right, she cut through side streets until she reached the Fenway with its row of brownstones overlooking a ribbon of water and trees.
The yoga breathing helped only marginally. Her tears had long since exhausted themselves, but as many times as she came here to visit, she couldn't be calm. This was not where she wanted to be, here, seeing her mother. If she could change one thing in her life, this was it.
Up five stone steps, she let herself in. With a short wave to the receptionist, she trotted on up two more flights of stairs. She leveled off at the third floor and greeted the nurse on duty. "Hi, Ann. How's she doing?"
Ann Holmes was a motherly type whose calmness suggested she had come to terms with caring for those with severe brain injuries. Caroline Ellis had been in her charge for three years.
Ann waggled a hand. "Not a great day. She had a couple of little seizures this morning. Dr. Jinsji called you, didn't he?"
"Yes, but the message said the Valium helped." The message had also said that the doctor was concerned with the increasing frequency of the seizures, but Casey was more encouraged than concerned. She chose to believe that after so many months of vegetation, seizures were a sign that Caroline was starting to wake up.
"She did get past them," the nurse said. "She's sleeping now."
"I'll be quiet then," Casey whispered.
Going on down the hall to her mother's room, she slipped inside. The room was lit only faintly by the city lights, though Casey could have found her way without. Aside from the few pieces of medical equipment needed for feeding and hydration, the room wasn't big enough to hold more than a bed, a pair of easy chairs, and a dresser, and since Casey had brought and placed the chairs and dresser herself, she knew where each was. She had also visited Caroline Ellis several times a week for each of the three years since the accident. After so many hours here, walking these floors, staring at these walls, touching this furniture, Casey knew every inch of the space.
In the shadows, she crossed unerringly to the bed and kissed her mother's forehead. Caroline smelled newly bathed. She always did, which was one of the reasons Casey kept her here. Well beyond the fresh flowers placed on the bureau each week, care was given to quality-of-life issues such as personal hygiene, though -- like the flowers -- that often mattered more to the families of patients than to the patients themselves. This was particularly true for Casey. The Caroline she'd known had mucked out stalls for the animals she owned, yet the only smell Casey had ever associated with her was the light, fresh one of the eucalyptus cream she used. Casey kept a supply of it here, and the nurses applied it liberally. They couldn't prove that it helped Caroline any, but it certainly calmed Casey.
Sitting by Caroline's hip, she took her mother's stiff hand from the sheet, gently unbent her wrist and uncurled her fingers, and pressed them to her own throat. Caroline's eyes were closed. Though she wasn't aware of doing so, her body still followed the circadian sleep and wake cycles.
"Hi, Mom. It's late. I know you're sleeping, but I had to stop by."
"Bad day?" Caroline asked.
"I don't know 'bad.' 'Odd' is more like it. Connie left me the townhouse."
"Left me the townhouse."
"The Beacon Hill townhouse?"
The question evoked a memory. Casey was suddenly sixteen again, just back from an afternoon in Boston. "Beacon Hill?" Caroline had echoed when, in a rebellious little snit, Casey had slung the word at her. Beacon Hill was a landmark that offered many things, but mention of it in the Ellis home brought one thought: Connie Unger. "Did you go to see him?" Caroline had asked. Casey denied it, but her mother was predictably hurt. "He has not been there for you, Casey. He has not been there for either of us, and we've done just fine."
Back then, there had been anger and hurt. What Casey imagined from Caroline now had more to do with bewilderment.
"Why would he leave you the townhouse?"
"Maybe he didn't know what else to do with it."
Caroline didn't respond immediately. Casey knew that she was thinking of the best way to handle the situation. Finally, tactfully, she asked, "How do you feel about it?"
"I don't know. I only found out about it this afternoon."
Casey didn't mention the memorial service. She wasn't sure Caroline would understand why she had gone, didn't want Caroline to think that she had been looking for anything from Connie. Caroline had always been the perfect mother, secure in every regard except that having to do with Casey's father. Given her present situation and the fact that her life savings had been decimated by medical costs, she would feel threatened by so lucrative a bequest from Connie.
Eager to change the subject, Casey opened her mouth to tell Caroline about the office crisis. Before a word had come out, though, she thought twice. Crises came and went. She didn't need to burden Caroline with the latest. Caroline's energies were better spent on recovering.
So she sat quietly for a while, alternately working those rigid fingers into a semblance of flexibility and warming them against her neck. When Caroline was sleeping comfortably, she gently tucked the hand under the sheet and kissed her mother's cheek.
"A townhouse means nothing. You're what counts. You're all the family I have, Mom. Get better for me?"
In the darkness, she studied her mother's face. After a minute, she slipped silently from the room.
Leaving the Fenway with a deep ache inside, she walked ten minutes in the direction of the river to the small one-bedroom Back Bay condo that she had bought two years before and was still wondering if she could afford. The issue would be moot if she moved to Providence to teach, but she wasn't up for grappling with that decision tonight. By the time she had gone through the mail and heated a Lean Cuisine, she was wiped out. With a client due at eight the next morning, she went to bed.
She didn't get to Beacon Hill on Thursday, because when she wasn't seeing clients she was rehashing the Stuart thing with Renée, Marlene, and John. Stuart's wife claimed she had no idea where he was, and the bank claimed that there had never at any point been seven months' rent in the partnership account. No amount of back-and-forth in their own conference room was productive. The four of them were getting nowhere but under each other's skin.
"Didn't you look at the bank statement?" Marlene asked John.
"Me? Why me? It was Stuart's job."
"But you're the psychiatrist. You're the senior person. You were the one who wanted this office."
"Excuse me? I wanted Government Center, not Copley Square."
"How are we going to come up with another twenty-eight thousand?" Casey asked.
"Try thirty-eight. Our landlord tacked on interest, plus he wants the next two months up front."
"We could take out a loan."
"I can't afford another loan."
"Well, then, what's your suggestion?"
"Move somewhere smaller."
"How? We still need four offices, a conference room, and space for a bookkeeper."
"The bookkeeper can work at home."
"Which is an invitation for her to steal from us, too?"
Casey left the office at six, so tightly wound that she headed for the Y. She needed yoga far more than she needed to go to Beacon Hill, and when the class was done, she was too relaxed to think of Connie Unger. Desperate for pampering, she treated herself to dinner with two friends from the class, and by the time they had laughed their way through a bottle of Merlot, it was too late to go anywhere but to bed, and there but briefly. She was on the road by six Friday morning, heading for a workshop in Amherst.
It was evening before she returned to her car. When she accessed her messages during the drive home, voice mail from her partners expressed more of the same quibbling, and suddenly she was tired of it. Relocating to Rhode Island to teach would certainly be an escape from the mess.
She didn't answer their calls. The pettiness embarrassed her -- and that, even before she considered what Cornelius Unger would have said about such a discordant group. She had failed again, he would say. He had never been robbed by a partner.
Of course, he had always practiced alone. And Casey could do that. She probably would if she took the teaching job, because she would only see clients for a few hours a week, and then from space within the university. She certainly couldn't see herself giving up therapy entirely. She loved doing clinical work.
But moving to Providence raised another issue. She didn't know if she wanted to be that far from her mother -- which was an irony of the greatest order. Casey had grown up in Providence; Caroline had lived there right up until the accident. During all the time in between, Casey had been desperate for the distance. Caroline was the epitome of home and hearth, everything Casey was not. The closer they lived to each other, the more obvious this became. Casey's career notwithstanding, Caroline was a hard act to follow.
Giving proof to that now, Casey returned home and rather than cleaning out her refrigerator, sorting through the pile of mail growing like mold on the kitchen counter, or even reading a book, she watched reruns of Buffy the Vampire Slayer until she fell asleep on the sofa. She got up at midnight and went to bed, but didn't sleep well. If she wasn't fixating on that ugly word "concern," used by the doctor again that day, she was thinking about the teaching position, which was past the point of needing an answer, or the office situation, which was starting to stink, or the fact that she was thirty-four and without roots. Then she thought of the Beacon Hill townhouse that she had so unexpectedly inherited, and a silent nagging began.
She was avoiding the place. She didn't need an esteemed colleague to tell her that. She was making a statement to this dead father of hers that she resented being acknowledged only when he died and that she didn't need his three-million-dollar townhouse. She was keeping him waiting. It was as simple -- and as childish -- as that.
Saturday morning, she awoke feeling brave. She wanted to think she was also in grown-up mode, though she feared that was asking too much. Defying the conventional wisdom that said she was going to an upper-crust part of Boston and ought to dress the part out of respect for her father if nothing else, she left her face utterly naked, put on skimpy running shorts and a cropped singlet, and pulled the length of her strawberry-blond hair through the hole in the back of her rattiest baseball cap. After lacing on well-worn running shoes and grabbing her darkest, trendiest wraparound sunglasses, she set off for Beacon Hill. She had barely gone two blocks when, chagrined, she jogged into a
U-turn and ran back home for the forgotten key. Tucking it, her cell phone, and a water bottle into a slim fanny pack, she set off again.
It was a gorgeous morning. At barely nine o'clock, there were nearly as many runners as cars. She ran at a comfortable pace down Commonwealth Avenue under the shade of aged maples and oaks that dominated the center mall. After jogging in place at a red light on Arlington Street, she entered the Public Garden. Indulging herself, she circled the pond, passing swan boats that were just coming to life, parents pushing babies in prams, other children running ahead to toss pebbles into the water. Each plunk brought a crowd of ducks that dispersed as soon as the ducks realized the pebbles weren't peanuts.
When the circle was complete, she continued on to the intersection of Beacon and Charles. On a whim -- a final defiant one, a last-ditch effort to thumb her nose at the spirit of Connie -- she took the time to run down the whole of Charles Street. Making a right at the end, she ran up Cambridge Street, huffed up Joy Street, and turned onto Pinckney for the downhill trot.
She had always liked Pinckney Street. It had the same brick and brownstone row houses as the rest of the Hill, with the occasional wood frame house tossed in for added charm. It had the same long, narrow alleyways that were brick-paved and walled, the same window boxes filled with flowers, the same shapely grillwork at windows and doors.
By the time she was a good way down the hill, though, her legs had suddenly had enough. From Pinckney, she turned left onto West Cedar, then left again into Leeds Court.
The road was cobblestone. It stayed narrow only long enough to clear the walls of the abutting West Cedar homes, then split into an oval around a center grove of hemlocks and pines.
Breathless and sweaty, Casey jogged past parked cars, glancing at her inheritance with each casual turn. Sandwiched in with its neighbors, the townhouse faced west from the Court's deepest point. Built of wine-colored brick, now ivy-clad, it rose four stories above a subbasement level. The first two stories had tall windows and glossy black shutters; the third-floor windows were gabled; the fourth floor was smaller, a cupola.
Casey had always been intrigued by that fourth floor, such a sweet thing perched atop the gables. She had always imagined it to be a charming little hideaway -- and she still did. But her eye didn't linger there for long. There was so much more to see.
Window boxes on the first and second floors were vibrant with pink flowers. A waist-high iron fence enclosed a tiny front yard, each side of which had ground cover of little blue flowers surrounding a tree in white bloom. Dogwood, Casey guessed -- but only guessed. She wasn't a tree person, or
Reading Group Guide for Flirting With Pete
1) What was your experience reading a novel that has such a unique format? How did the story within a story — Jenny's story — affect the pacing and the structure of Casey's story? How might the story have been different had it been told in a linear narrative, or from one point of view?
2) "But what do I do with the anger, if there's no one left to blame?" This quote comes from Joyce, one of Casey's patients. But how might it inform our reading of Casey herself? Why does Casey seem so incapable of letting go of the anger that she feels for her father? Although she is a therapist, does she sometimes seem unaware of her own emotions and motivations? What is it about the house in Beacon Hill that seems to finally break through her wall of anger?
3) On page 130, as Casey talks of one of her client's "Imposter complex", she says, "So, here she is, solidly in the black, doing better each year, and still feels like those restaurants are a deck of cards on the verge of collapse. Her parents see her that way. It's been ingrained in her." To what extent do characters in this story seem unable to break free of their past?
4) Parental judgment and familial conflict certainly play a key role in Fliritng With Pete — there isn't a single character who isn't in some way damaged by the way that he or she was raised, although the experiences and the damage varies. In what ways do the childhood experiences of the characters shape the adults they grow into? What character traits can be traced back to their childhood?
5) Casey feels a great connection with Meg by the end of the story. Do they share similarities beyonddysfunctional, unsatisfying relationships with their fathers? Do you think they have both come to terms with those relationships by the end? Has one more than the other?
6) What do you make of the scenes where Casey imagines in-depth conversations with her mother? Do you consider it strange that a normal, sane person — and beyond that, a therapist — would do this? What do you think this says about Casey's relationship with her mother? How might Casey's inability to let her mother go be emblematic of larger issues? Are there similarities between Casey's imagined conversations with her mother and Jenny's imagined relationship with Pete?
7) What is the significance of Casey's career, besides the fact that she is in some ways emulating her father? In what ways do the therapists in this novel seem to use their work to cover up, or push away their own intense emotions? Is this a trait that Casey and her father share?
8) "She wanted to tease him, wanted to feel power in teasing to counter the lack of power she felt when it came to her parents. She wanted the male-female thing. His presence added pleasure to the garden, an Adam to her Eve." How does Casey look at men? How is the "male-female thing" something that can give power in this story? Does Casey seem capable of having romantic relationships with men or with other people in her life that do not involve power games? What seems to be her most meaningful relationship? Does it change by the end?
9) In what ways does setting propel this story? How do the backdrop of the city of Boston and the serene Maine landscape act as characters in and of themselves? What about the distinction between the busy streets of Boston and the calm, personal space of the garden? What role does the garden play in Casey' journey of self-discovery? How does Jordan, as the keeper of the garden, tie into that?
10) What was your reading of the character of Pete? Casey sums him up in the following quote, found on page 366: "Jenny Clyde was delusional. She was so desperate for love that she conjured him up. He was her savior. He gave her the courage to leave Darden, leave Little Falls, leave life." But what else might Pete represent? Is it possible to read Pete as the physical embodiment of something that was actually in Jenny herself, or something that she wanted to be — the free spirited, independent traveler, who stands up to anyone?
11) What do you think the central theme of this story might be? Is this a novel that focuses mostly on the challenges that people face while trying to come to terms with the past? Are there other themes that seem more important: learning to live outside of your parents shadow, the challenges of living past abuse?
12) In Flirting With Pete, the people of Little Falls greet the idea of difference or abnormality with discomfort and often-downright hatred. Why do they seem so threatened by what they don't understand and what they can't control? Is the intolerance found in Little Falls found elsewhere in this novel? Do other characters besides the folks from Maine demonstrate this kind of inflexibility? Who do you consider to be the most tolerant person in this story?
13) Did you, by the end of the novel, have a firm grasp on who Connie Unger was? Do you think Casey does? Is he the central focus of this story by the end?
14) Where do you see Casey in ten years? Is she a famous psychologist, too? What does her life with Jordan look like? Has she changed as a person, has she perhaps grown more whole?
Barbara Delinsky has written many bestselling novels over the past two decades, including Looking for Peyton Place, The Summer I Dared, Flirting with Pete, An Accidental Woman, The Woman Next Door, The Vineyard, Lake News, Coast Road, Three Wishes, A Woman's Place, and For My Daughters. She is also the author of a nonfiction book, Uplift: Secrets from the Sisterhood of Breast Cancer Survivors, available from Washington Square Press. Published in twenty-five languages worldwide, her books regularly appear on the bestseller lists of The New York Times, USA Today, The Wall Street Journal, The Washington Post, and Publishers Weekly. Delinsky is a lifelong New Englander who loves communicating with her readers. She can be reached at P.O. Box 812894, Wellesley, MA 02482-0026, or visit her website: www.barbaradelinsky.com.
2. "But what do I do with the anger, if there's no one left to blame?" This quote comes from Joyce, one of Casey's patients. But how might it inform our reading of Casey herself? Why does Casey seem so incapable of letting go of the anger that she feels for her father? Although she is a therapist, does she sometimes seem unaware of her own emotions and motivations? What is it about the house in Beacon Hill that seems to finally break through her wall of anger?
3. On page 130, as Casey talks of one of her client's "Imposter complex", she says, "So, here she is, solidly in the black, doing better each year, and still feels like those restaurants are a deck of cards on the verge of collapse. Her parents see her that way. It's been ingrained in her." To what extent do characters in this story seem unable to break free of their past?
4. Parental judgment and familial conflict certainly play a key role in Fliritng With Pete -- there isn't a single character who isn't in some way damaged by the way that he or she was raised, although the experiences and the damage varies. In what ways do the childhood experiences of the characters shape the adults they grow into? What character traits can be traced back to their childhood?
5. Casey feels a great connection with Meg by the end of the story. Do they share similarities beyond dysfunctional, unsatisfying relationships with their fathers? Do you think they have both come to terms with those relationships by the end? Has one more than the other?
6. What do you make of the scenes where Casey imagines in-depth conversations with her mother? Do you consider it strange that a normal, sane person -- and beyond that, a therapist -- would do this? What do you think this says about Casey's relationship with her mother? How might Casey's inability to let her mother go be emblematic of larger issues? Are there similarities between Casey's imagined conversations with her mother and Jenny's imagined relationship with Pete?
7. What is the significance of Casey's career, besides the fact that she is in some ways emulating her father? In what ways do the therapists in this novel seem to use their work to cover up, or push away their own intense emotions? Is this a trait that Casey and her father share?
8. "She wanted to tease him, wanted to feel power in teasing to counter the lack of power she felt when it came to her parents. She wanted the male-female thing. His presence added pleasure to the garden, an Adam to her Eve." How does Casey look at men? How is the "male-female thing" something that can give power in this story? Does Casey seem capable of having romantic relationships with men or with other people in her life that do not involve power games? What seems to be her most meaningful relationship? Does it change by the end?
9. In what ways does setting propel this story? How do the backdrop of the city of Boston and the serene Maine landscape act as characters in and of themselves? What about the distinction between the busy streets of Boston and the calm, personal space of the garden? What role does the garden play in Casey' journey of self-discovery? How does Jordan, as the keeper of the garden, tie into that?
10. What was your reading of the character of Pete? Casey sums him up in the following quote, found on page 366: "Jenny Clyde was delusional. She was so desperate for love that she conjured him up. He was her savior. He gave her the courage to leave Darden, leave Little Falls, leave life." But what else might Pete represent? Is it possible to read Pete as the physical embodiment of something that was actually in Jenny herself, or something that she wanted to be -- the free spirited, independent traveler, who stands up to anyone?
11. What do you think the central theme of this story might be? Is this a novel that focuses mostly on the challenges that people face while trying to come to terms with the past? Are there other themes that seem more important: learning to live outside of your parents shadow, the challenges of living past abuse?
12. In Flirting With Pete, the people of Little Falls greet the idea of difference or abnormality with discomfort and often-downright hatred. Why do they seem so threatened by what they don't understand and what they can't control? Is the intolerance found in Little Falls found elsewhere in this novel? Do other characters besides the folks from Maine demonstrate this kind of inflexibility? Who do you consider to be the most tolerant person in this story?
13. Did you, by the end of the novel, have a firm grasp on who Connie Unger was? Do you think Casey does? Is he the central focus of this story by the end?
14. Where do you see Casey in ten years? Is she a famous psychologist, too? What does her life with Jordan look like? Has she changed as a person, has she perhaps grown more whole?
Posted January 5, 2013
I loved this book, I have several books on my Nook by Barbara Delinsky, What I enjoy about her books most is she writes women who are not in their twenties. But women I can assoiate with.
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Posted February 28, 2014
Posted November 12, 2012
This was the first Barbara Delinsky book I read and I was expecting something like Danielle Steel or Maeve Binchy, but they could never caught me surprise. I remember gasping when the story was revealed.
You should also read Sundowners by Lesley Lokko.
Posted April 21, 2008
I really enjoyed this book. Some parts moved a little slowly - but I was so curious to get more info on the mysterious manuscript, who it was written for, and if the people were real or fictious that I kept reading and reading. I was totally captured by Pete's charm and Jenny's determination to find happiness. The way BD tied everything together in the end was brilliant.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 7, 2008
Posted November 16, 2006
What do you get when you have a psychologist, a deputy, a gardener, a maid, a sexually and emotionally abused girl a mother in a comatose state, a father you never knew that just died, a townhouse given to you by this father and a manuscript that you believe to be true? You get a wonderful and intriguing story that is hard to stop listening to. Casey Ellis is the psychologist and she has inherited her father¿s townhouse worth $3 million. With her mother in a coma from a tragic accident, Casey tries to come to terms with her life. Finding a manuscript among her father¿s papers, Casey believes the story to be true and begins a search to discover if she is right. The townhouse comes with a gardener, Jordan, and a maid, Meg, both of which her father¿s will asks her to keep on. Jordan keeps the garden alive with blooms and also triggers a bloom in Casey¿s heart. Meg is a wonderful cook and fills Casey¿s body with good food. Between them, they ground Casey and help her settle in the townhouse. Ms Delinsky writes with twists and turns that keep you wanting to listen to more. Just when you think you have things figured out, Barbara throws another idea in. This keeps your interest high and the story alive. The tragedies she writes of are all too true in today¿s society which makes them all the more real and alive. The reader, Linda Emond, is easy to listen to. She doesn¿t use a really deep voice to represent the men in the story, yet you know who is talking. The female voices are easier to tell who is talking as she gives them more distinctive inflections which would be easier as she is female herself. I highly recommend picking up a copy of FLIRTING WITH PETE and settle in for a good evening of listening enjoyment.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted April 21, 2006
I didn't find it that predictable, it was a good mystery. Exciting and interesting as I pieced the clues together. I found the mystery exciting and unique. I couldn't put this book down! Barbara Delinsky did an excellent job weaving the tales of these 2 wonderful characters together. I was enthralled and quite pleased. I truly enjoyed the storyline and the characters, and I absolutley LOVED the ending. GREAT READ!Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 3, 2006
My mom actually checked this book out, but in a moment of desperation, I picked it up. As soon as I did, I couldn't put it down. While the mystery was pretty easy to figure out, the twists and turns this book doles out will keep you guessing up until the last page. The ending's a charm, too!Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted July 2, 2005
I would probbaly give this book 4.5 stars if I could. This is my second Delinsky book and I was far more impressed with this one. It was such a complex story with so many elements to it. I liked how it was two stories in one: Casey's and Jenny's. Delinsky keeps the reader hooked wondering how everything will fit together. The ending is very satisfying. Don't miss this one!Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 15, 2005
This book looked very interesting to me, but fell slightly short. I liked the ending, but some of the book could have been left out as it tends to repeat itself, ie too much garden, nothing happened much in the garden. One good thing that the book was not written in the first person. If you are sleepy, don't try to read this book, it jumps around alot and is hard to follow if you are tired. Like I said, the author pulled it together at the ending but it was a long time comingWas this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 1, 2005
Very slow start but gets good. Can be annoying when switching back and forth between Jenny and Casey. I wish she focused more on Casey and Jordan and less time with the diary. I felt that once the book was really good it ended. However it was a good read and I felt satisfied when I finished it. I even cried a little in the end!! I plan to read more of her books.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 28, 2004
A wonderful gripping story. Couldn't put it down. Jenny shows great courage under strife and yet we see her shadows and pain. Casey is a wonderful character as well and shows strength in her own pursuit to face the hard truths of growing up, uncovering those things that are just below the surface in our lives.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted July 6, 2004
THIS BOOK SPENT TOO MUCH TIME DESCRIBING THE GARDEN AND THE FLOWERS AND TOO MUCH TIME DEVELOPING THE MAIN CHARACTER IT DIDNT FOCUS ON THE SUPPORTING ROLES. IT WAS BORING UNTIL PAGE 450. THE CHARACTER JENNY CLYDE WAS KIND OF ANNOYING.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted July 6, 2004
This was my first book by Barbara Delinsky and I fell in love with the writing style. I quickly got hooked to the characters and the plot that I couldn't put the book down for days. Definately a great beach read!Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted July 17, 2004
I needed a book that was easy to get through, held my interest, and wasn't like every paperback I've read. This was perfect. I loved the weaving of this tale.Would recommend this to friends.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted May 20, 2004
What a nice twist.. a great change of pace for Barbara Delinsky's amazing talent. The story within a story that allows us to care deeply for two troubled, yet strong women. Fans of Barbara Delinsky will fall deeper in love with her abilities and her strong female characters... while new readers will discover what it is that the rest of us enjoy so well. The ending is a little quick, but it wraps up the book quite nicely, I believe.
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Posted May 13, 2004
Posted January 8, 2004
I was given this book as a gift and at first the subject seemed rather intriguing given that I am in a similar situation, but I didn't find the mystery all that mysterious as I figured out everything within the first few chapters. It was also annoying that the characters kept slipping and slidding through doors and into chairs (why not just enter a room or sit in a chair?). As a passionate romance, the story isn't bad and some of the scenes with Jordan I couldn't help but read a few times. Otherwise I didn't find the characters very realistic or compelling, and the ending was just a bit to long and tedious for my taste.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted July 3, 2003