Floaters [NOOK Book]

Overview

The world-famous America’s Cup regatta has come to San Diego, bringing with it sailors, schemers, spies, saboteurs, and the “cuppies” who love them. Along with them is a gorgeous opportunist named Blaze who unwittingly triggers a pair of murders on the eve of the biggest sailing race of them all. A veteran of twenty years of police work and two failed marriages, Mick Fortney’s life consists of piloting his police patrol boat in Mission Bay and boozing in harbor side saloons. But a “floater” in the bay sends Mick ...
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Floaters

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Overview

The world-famous America’s Cup regatta has come to San Diego, bringing with it sailors, schemers, spies, saboteurs, and the “cuppies” who love them. Along with them is a gorgeous opportunist named Blaze who unwittingly triggers a pair of murders on the eve of the biggest sailing race of them all. A veteran of twenty years of police work and two failed marriages, Mick Fortney’s life consists of piloting his police patrol boat in Mission Bay and boozing in harbor side saloons. But a “floater” in the bay sends Mick into the world of the superrich and an elite sport shot through with corruption—a world where this water cop is totally out of his element. “Classic Wambaugh, a wildly satirical look at the sport of millionaires, yacht racing, and the obsession of enthusiasts with winning a silver trophy called The America’s Cup” said the Associated Press.

Days are anything but typical for harbor cops Fortney and Leeds when the America's Cup regattas come to town and San Diego swarms with sailors, schemers, spies, and saboteurs. It's a woman named Blaze who sets off a bizarre criminal trail that would be hilarious if it didn't wind up just as nasty as it gets, with a pair of murders right on the eve of the biggest sailing race of all. Ads in USA Today. Online promo. HC: Bantam. (Fiction--General)

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Wrote PW, "the police work is, as always, authentic" in this thriller involving the America's Cup regatta. (Apr.)
Library Journal
In Wambaugh's (The Golden Orange, Morrow, 1992) latest, San Diego cops investigate murder during the America's Cup.
Kirkus Reviews
Fun-loving cop-novelist Wambaugh (Finnegan's Week, 1993, etc.) centers his latest San Diego police procedural around the international America's Cup regatta off Mission Bay and, as ever, comes up with a taut tale larded with raunchy dialogue.

Two stories intertwine to give Wambaugh plenty of rope for a sailboat suspenser set mostly on dry land. First come the adventures of redheaded Blaze Duvall, a call-girl masseuse who gets involved with snobby bachelor Ambrose Lutterworth Jr., a 63-year-old client who happens to be the Keeper of the Cup—now likely to go to the Australian sailing team, which clearly has the faster boats. Mother-haunted Ambrose loves the very costly Cup as if it were the Holy Grail and lures Blaze into helping him keep it: His plan is to wreck the swifter of the Aussie's two boats while it's in dry dock. Meanwhile, Blaze's speedballing buddy, street hooker Dawn Coyote, flees her pimp, Oliver Mantleberry, but not fast enough to avoid Oliver's knifeblade. When Dawn dies on Blaze's front walk and Blaze disappears, horny vice cop Letch Boggs and aging homicide detective Anne Zorn team up to nab the elusive Oliver. Mission Bay water cops Mick Fortney and his sidekick Leeds are seemingly meant to carry this tale, and they do come upon two bodies in the water (floaters), but their work on water or land has almost nothing to do with the plot's outcome—nor do they. Instead, these nonstop jokesters hang about bars where the Aussies blow off stress with booze and boasting. The author's descriptive powers get full play at last when the climax moves aboard a fabulous pleasure yacht.

No dimming of Wambaugh's storytelling skills or flow of smut. But his cop raunch, while amusing, has begun to pale.

From the Publisher
Praise for Joseph Wambaugh's Finnegan's Week:

"A master storyteller...Wambaugh dazzles." — Digby Diehl, Playboy

"Funny, exciting, and ultimately touching." —Chicago Tribune

"One of the best novels Joseph Wambaugh has written...Wambaugh is in rare form." —San Francisco Chronicle

"Wambaugh is at the top of his form here...raunchy and often hilarious." —Publishers Weekly (starred review)

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Product Details

  • ISBN-13: 9781453234181
  • Publisher: MysteriousPress.com/Open Road
  • Publication date: 11/29/2011
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 296
  • Sales rank: 126,432
  • File size: 2 MB

Meet the Author

The son of a policeman, Joseph Wambaugh (b. 1937) began his writing career while a member of the Los Angeles Police Department. He joined the LAPD in 1960 after three years in the Marine Corps, and rose to the rank of detective sergeant before retiring in 1974. His first novel, The New Centurions (1971), was a quick success, drawing praise for its realistic action and intelligent characterization, and was adapted into a feature film starring George C. Scott. He followed it up with The Blue Knight (1972), which was adapted into a mini-series starring William Holden and Lee Remick. Since then Wambaugh has continued writing about the LAPD. He has been credited with a realistic portrayal of police officers, showing them not as superheroes but as men struggling with a difficult job, a depiction taken mainstream by television’s Police Story, which Wambaugh helped create in the mid-1970s. In addition to novels, Wambaugh has written nonfiction, winning a special Edgar Award for 1974’s The Onion Field, an account of the longest criminal trial in California history. His most recent work is the novel Hollywood Moon (2010).
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Read an Excerpt

Ambrose Lutterworth didn't have to go hunting for Blaze Duvall. She showed up on his doorstep at 7:10 P.M., dressed not in the tailored look he preferred for their encounters and not in the sexy sailboat- casual she'd affected for her cuppie appearances. Blaze was wearing a green, hip- belted leather miniskirt, a shortsleeved, black turtleneck and low-heeled Gucci boots.

For once she was dressed the way she wanted to dress rather than being costumed for men who, in one way or another, were all just clients.

Ambrose pecked her on the cheek and said, "My, you look...different."

"Not your style, I know. But I felt like wearing it."

"No! I mean, you look beautiful. You always look beautiful."

"I'll wear a longer skirt for our dinner date," Blaze reassured him.

"No, you look wonderful. Really."

"Do you have the drug?"

"Yes, let's sit down for a minute."

Ambrose led the way into the living room, where he and Blaze sat side by side on the old sofa. Two bundles wrapped in notebook paper were on the coffee table. He opened one of them carefully and showed her the powder.

"It took me a while to mash the tablets," he said. "If you empty one of these into his drink...By the way, what does he drink?"

"Beer. What else would those guys drink?"

"Okay, one of these will do it. You said he's a very big man?"

"Very."

"I've done some discreet checking with my pharmacist and my late mother's doctor. I think a gram of this will guarantee that even a big man won't be ready to run machinery the next day."

"What is it?"

"Phenobarbital."

"We don't wanna kill him."

"It won't killhim, but he'll have the mother of all hangovers."

"But he'll be okay, right?"

"Do I look like a murderer?"

Blaze hesitated, then said, "No, you don't look anything at all like any murderer I've seen lately."

"Actually it's a little more than a gram," Ambrose said. "I crushed eleven of the hundred-milligram tablets."

"What's in the other paper?"

"Same thing. Just in case something goes wrong with the first one. But, for God's sake, don't give him both!"

"Don't worry."

"And you have no fears about Simon Cooke?"

"None at all. I owe him."

"You didn't have to...do anything with him, did you?"

"Don't be silly, Ambrose. Can you imagine me in bed with someone like that?"

"No, of course not."

"Okay, I guess I'm ready."

"I'll have the money tomorrow afternoon. Twenty- five thousand. You know, I'm surprised Simon didn't make a demand of good faith. Didn't he ever ask for some money up front to prove our reliability?"

"I wouldn't have given him any front money. I don't trust him that much. But don't worry. I told you, I own him."

"You could own a lot of men, Blaze," Ambrose said.

"Wait up tonight, darling," Blaze said. "I'll phone you with a detailed report as soon as I get back to my hotel."

"Hotel?"

"Oh, didn't I tell you? Termites. Thirteen hundred bucks a month and I have to cope with termites. We've all had to move out for two days while they fumigate."

"Which hotel are you in?"

"That darling little place on Shelter Island. I selected it so I could be close to the sailor hangouts." Then she added, "And close to you. I like being close to you, Ambrose."

He was touched. He smiled and kissed her lightly, not wanting to smudge her lipstick. But he couldn't resist just touching her lips with the tip of his tongue. Blaze Duvall even tasted young.

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Customer Reviews

Average Rating 3.5
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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted July 8, 2004

    Read It and Leave It

    Floaters is not a bad novel, nor is it a memorable one. The plot is entertaining but far from original (you know, like a rerun of Miami Vice.) The best part is the ending. Wambaugh is one of the few authors who can actually write a plausible ending. It's the kind of book to bring on vacation or for a long airplane ride. That way if you happen to leave it on the beach or in seat B3, mourning the loss will only be temporary.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 15, 2008

    another solid entry

    Another solid entry for Joseph Wambaugh. His dialogue remains top notch and the story has a good ending. Not his best, but still an entertaining read.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 24, 2012

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