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| Lettuce | Primary Artist |
| Cochemea Gastelum | Flute, Baritone Saxophone, Tenor Saxophone |
| Ryan Zoidis | Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Group Member |
| Neal Evans | Keyboards, Group Member |
| Eric Krasno | Guitar, Group Member |
| Adam Deitch | Drums, Group Member |
| Rashawn Ross | Trumpet, Group Member |
| Erik "Baby Jesus" Coomes | Bass, Group Member |
| Adam Shmeans Smirnoff | Guitar, Group Member |
| Nigel Hall | Keyboards, Vocals |
| Charles "Dawg" Haynes | Percussion |
| Brian "BT" Thomas | Trombone |
| John Davis | Engineer, Mastering |
| Scott Hull | Mastering |
| Gary Waldman | Management |
| Ryan Zoidis | Composer |
| Eric Krasno | Composer |
| Adam Deitch | Composer |
| Erik "Baby Jesus" Coomes | Composer |
| Adam Shmeans Smirnoff | Composer |
| Joshua Knight | Booking |
| Charley Robinson | Artwork |
Editorial Reviews
All Music Guide - Hal Horowitz
Only three studio releases in a career that stretches back nearly 20 years doesn't indicate a band with a lot of initiative. But Brooklyn's Lettuce collective aren't a full-time project and seem to have saved their energy and creativity for this terrific, longish 70-minute set. It's firmly in their tradition of old-school funk, but here they have tightened and expanded their approach, recording an album that shifts from one highlight to the next without stylistically repeating themselves, an anomaly in the genre. From the grinding hard rock, horn-enhanced riff of the appropriately named "The Crusher," to the reggae and dub effects on the opening title track, the hard ...