Flyover Lives: A Memoir


“Smart . . . perceptive . . . Flyover Lives is a memoir of the Midwest sure to charm readers.
—Maureen Corrigan, NPR

From the New York Times bestselling author of Le Divorce, a dazzling meditation on the mysteries of the “wispy but material” family ghosts who shape us

Growing up in the small river town of Moline, Illinois, Diane Johnson always dreamed of floating down the Mississippi ...

See more details below
$18.79 price
(Save 30%)$26.95 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Hardcover)
  • All (57) from $1.99   
  • New (14) from $3.24   
  • Used (43) from $1.99   
Flyover Lives: A Memoir

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK 7.0
  • Samsung Galaxy Tab 4 NOOK 10.1
  • NOOK HD Tablet
  • NOOK HD+ Tablet
  • NOOK eReaders
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$9.99 price


“Smart . . . perceptive . . . Flyover Lives is a memoir of the Midwest sure to charm readers.
—Maureen Corrigan, NPR

From the New York Times bestselling author of Le Divorce, a dazzling meditation on the mysteries of the “wispy but material” family ghosts who shape us

Growing up in the small river town of Moline, Illinois, Diane Johnson always dreamed of floating down the Mississippi and off to see the world. Years later, at home in France, a French friend teases her: “Indifference to history—that’s why you Americans seem so naïve and don’t really know where you’re from.”

The j’accuse stayed with Johnson. Were Americans indifferent to history? Her own family seemed always to have been in the Midwest. Surely they had got there from somewhere? In digging around, she discovers letters and memoirs written by generations of stalwart pioneer ancestors that testify to more complex times than the derisive nickname “The Flyover” gives the region credit for.

With the acuity and sympathy that her novels are known for, she captures the magnetic pull of home against our lust for escape and self-invention. This spellbinding memoir will appeal to fans of Bill Bryson, Patricia Hampl, and Annie Dillard.

Read More Show Less

Editorial Reviews

Publishers Weekly
Award-winning novelist and essayist (L’Affair) Johnson explores her Midwestern roots and family history in this charming and candid memoir. Using letters written by her pioneer ancestors, the author delves into family stories while examining the lure she always felt to leave her comfortable home in Moline, Ill. “A pleasant place, surrounded by cornfields, I had always longed to get out of.” Johnson eventually got her wish, expanding her cultural horizons by living in California, London, and France. Johnson fills her chronological narrative with glimpses into the lives of her the 18th-century ancestors—lives filled with departures for the New World, religious revelations, and the painting, quilting, knitting, crocheting, and canning skills that preoccupied her female ancestor’s lives and were common activities for both her mother and aunts. Johnson’s tale tips into contemporary times with recollections of her family’s love for bucolic self-reliance, played out in their summer home; her Protestant upbringing; and her experiences in New York while a guest editor at Mademoiselle alongside Sylvia Plath. Johnson lightly touches on her two marriages and her writing career. An enjoyable peek into how America shaped one celebrated author’s consciousness. (Jan.)
Library Journal
Johnson hardly has to whip out her writing credentials, having been a two-time finalist for both the Pulitzer Prize and the National Book Award in essay, biography, and fiction. Long a resident of France, she was surprised when a friend there said of Americans, "You don't really know where you're from." Inspired, Johnson dug up a rich lode of information about her intrepid pioneer ancestors in and around small-town Moline, IL—hence the "flyover" in the title. Many readers will identify, and more will enjoy.
Kirkus Reviews
A European's challenge inspires a family history. Essayist, novelist and biographer Johnson (Lulu in Marrakech, 2008, etc.) became interested in her ancestors when a French friend remarked that Americans care so little about their pasts. Taking the criticism as a kind of dare, the author set out to unearth her origins in the Midwest, dismissively called "the Flyover." Growing up in Moline, Ill., in the 1940s, she admits, was uneventful. Her father was a school principal, her mother an art teacher; her extended family abounded in aunts, uncles and cousins. However, no one cared about the family's old-world roots. "We were Default Americans, plump, mild, and Protestant," writes Johnson, "people whose ancestors had come ashore God knew when and had lost interest in keeping track of the details…." Details, though, are what Johnson was after, and she found a treasure in a diary written in 1876 by her great-great-grandmother Catharine Perkins Martin. The diary, along with earlier letters and deeds, informs Johnson's narrative of her family's 18th- and 19th-century experiences. Catharine, newly married to a physician, settled in Illinois in 1826. Her life was hard; within five years, she had three daughters. In 1831, scarlet fever swept through the country, and within two weeks, all three were dead. Out of five more children, only one daughter survived; she married a man who fought in the Civil War. Johnson complements Catharine's memoir with her own recollections: summers at the family's cabin; afternoons at the movies; teachers' encouragement of her writing talent; a stint at Mademoiselle alongside Sylvia Plath, who "wore a merry face and a perfect pageboy bob"; marriages, motherhood, career. Some brief chapters seem like hastily recorded impressions, and a few are a bit shapeless. Nevertheless, Johnson, twice nominated for a Pulitzer Prize and National Book Award, is a felicitous writer, cheerfully alert to irony and absurdity. The unfailing deftness of the prose makes this book a pleasure.
From the Publisher
“[A] vivid . . . quest for roots. Johnson strikes an elegiac note in her cullings of family and national history . . . splendid.”
The New York Times Book Review
“Smart and engaging . . . [A] singularly agreeable and appealing book.”
The Washington Post
“Smart . . . perceptive . . . Flyover Lives is a memoir of the Midwest sure to charm readers.”
—Maureen Corrigan, NPR

“Delightful . . . compelling and entertaining. . . . [Johnson's] storytelling brings [the] past vividly to life.”
Chicago Tribune
“Lovely writing . . . [It’s an] absolute pleasure [to be] in the company of a skilled writer who so eloquently examines the people and geography that shaped her.”
—Boston Globe

“Johnson seeks to understand how [her family] history has shaped her character, and . . . her cheerful pragmatism and unsparing work ethic do seem tied to the can-do spirit of her ancestors.”
The New Yorker

—San Francisco Chronicle

“Adeptly structured, incisive, funny, and charming . . . Keenly observed.”

The Barnes & Noble Review

Over the years, as I read Diane Johnson's witty, ironical comedies of manners about Californians in Paris, it never occurred to me that she and I might have anything in common in our origins and influences. I now discover from her curious little memoir, Flyover Lives, that like me, Johnson was born and grew up in a midwestern town on the Mississippi River and, what's more, got her first taste of what I call life from a Carnegie Library. By life I mean that painted by Alexandre Dumas, Raphael Sabatini, Nordhoff and Hall, and Captain Maryatt. Here, I see, was another ambitious girl who had no time for Louisa May Alcott, having set her sights on a career of swashbuckling adventure on the high seas. After that, however, our early paths have diverged.

Flyover Lives starts and finishes in fine style with the beginning and end of a wicked vignette set in Provence, where Johnson and her husband found themselves members of an exceedingly rivalrous house party whose members knew their own ancestors like their own bank accounts. Johnson says the episode alerted her to how little she knew of her family, and it also reminds us how far this sophisticated writer has come from the "sweetness, stolidity, and commonsense" of her origins.

Diane Johnson was born in Moline, Illinois, home of John Deere's steel plow factory and its later incarnations and expansions. (It is also the gravesite of Frank Dickens, one of the great novelist's unlucky sons.) Her parents were midwesterners with French and English forebears who arrived in America in the eighteenth century and whose descendants eventually moved west. "We were," she writes, "default Americans, plump, mild and Protestant."

Two of Johnson's female ancestors left memoirs, and it is from these and from a scattering of letters, deeds, and photographs that she attempts to recover her forebears from the shadows of the past, eking out the scant evidence of personality with general historical detail. The longest of the memoirs is that of one Catharine Ann Martin, née Perkins, written around the time of the nation's centennial. She was born in 1800, in a crude cabin in Vermont, and the story she tells of her life is filled with the sort of details that make one glad one wasn't born yet. Her father died in agony from "canser," the remedy of bathing him "in Pork brine with a flannel cloth three quarters of an hour three nights going" having failed to cure him. Catharine taught school and appears to have been filled with the spirit of uplift in her late teens, working up improving little essays, two instances of which are here: "Refinement" and "Novel Reading." ("What is more detrimental to the happiness of young people than novel reading? It is like a worm at the root of a tender plant, it raises and sinks the mind to extremes, which is unpleasant to the possessor and troublesome to others whose nerves are not so peculiarly fine.") Catharine migrated to the Midwest in 1927, after she married, though achieving that state was more arduous than usual, as her husband-to-be had a habit of disappearing, leaving Catharine wondering if she was engaged at all.

Aside from Catharine, it is a little hard to get a real sense of what these eighteenth- and nineteenth-century people were really like; there simply isn't that much personal material from which to draw. The result is a series of glimpses of past predicaments, of living conditions, disease, early death, religious anxiety, and the extraordinary amount of time women spent simply waiting: waiting to get married, waiting for someone to bring the doctor, waiting for things to improve.

As Johnson tries to piece together the fabric of these distant lives — prerequisites, after all, of her own — she feels uneasy about how little she knows about them: "The questions they raise for us are abiding." She also feels guilty about how many gaps there are in her understanding and appreciation of her older relatives, the adults of her childhood. This surely is how each generation feels about the previous one, and she expresses it well. Writing of her favorite uncle, a man who had been exceptionally kind to her, she says, "In some way I felt I didn't take good enough care of him, of any of them, and now they are all dead. Then, I had excuses — I was not old enough, or I was too busy with my little children — but sins of omission are always hardest to bear; we can have more rationalizations about the sins we commit on purpose."

The last section of the book, "Modern Days," begins with a reminiscence of a youth spent in a vanished world of quilting, pickling, Sunday visiting, and summers in an amenity-free cabin, a smaller world in scope and larger in family. "I was a child rich in uncles," she tells us and wonders, "Do people have uncles anymore? Were uncles, nowadays represented as pedophiles and sadists, just another regretted part of the world of genial relatives and unquestioned commitments, a boon not to be recovered?"

Johnson's father, a high school principal — and she, herself — hoped she would become an airline stewardess after college, but alas (as it seemed), she never achieved the five-foot-four-inch required height. Her first exposure to the literary world came with spending a month in New York as a "guest editor" at Mademoiselle with a number of other young women, among them Sylvia Plath (who subsequently put the episode into The Bell Jar). The experience was intimidating for Johnson, a "provincial nineteen-year-old who found it scary in New York, especially the gravelly voiced women editors, who smoked and looked at the world through narrowed eyes, so unlike the moms of Moline, though they too smoked like fiends."

Instead of embracing the literary life, Johnson, not yet twenty, got married, moved to California, worked at a despised library job supporting her husband through medical school, and gave birth to four children in six years — all the while trying to write. Then followed divorce, removal to London with the children (and intimations of a married lover left behind), return to California, and on to writing screenplays (including for The Shining), essays, and novels. She treats us to some anecdotes about directors she's known: Mike Nichols, Francis Ford Coppola, and Stanley Kubrick among them. And somewhere along the line she acquired another husband. Though this is a somewhat distant memoir, thanks to the spottiness of records left from the past and Johnson's own reticence about really personal matters, it is an engaging one and filled with feeling for an America that is gone forever.

Katherine A. Powers reviews books widely and has been a finalist for the Nona Balakian Citation for Excellence in Reviewing from the National Book Critics Circle. She is the editor of Suitable Accommodations: An Autobiographical Story of Family Life: The Letters of J. F. Powers, 1942–1963.

Reviewer: Katherine A. Powers

Read More Show Less

Product Details

  • ISBN-13: 9780670016402
  • Publisher: Penguin Publishing Group
  • Publication date: 1/16/2014
  • Pages: 288
  • Sales rank: 964,635
  • Product dimensions: 6.70 (w) x 10.20 (h) x 1.40 (d)

Meet the Author

Diane Johnson

Diane Johnson is an American-born novelist and essayist. A two-time finalist for both the Pulitzer Prize and the National Book Award in three different genres—essay, biography, and fiction—she is the author of a dozen novels, including Le Divorce, Le Mariage, and L’Affaire. Here she returns to the mode of her classic biography, Lesser Lives. She is a frequent contributor to The New York Review of Books and splits her time between San Francisco and Paris.

Good To Know

In our exclusive interview, Johnson shared some fun facts about herself:

"I worked for the UCLA library for a few months when I was 19 -- otherwise I never had a job until I became a professor, and I know people debate whether that is a job -- perhaps it's a privilege or a scam. So I'm not sure I've ever had a real job. My writing comes from life and from books, as everyone's does, and from my head. I try to nourish my head with art and wandering...."

"I am rather domestic and like to cook and sew, though not to do housework. And I love to ski. To wander around. To read. Am interested in animals and politics."

"I am always appalled when people send me books that they think I will like because of what the books I write are like. I almost always think they are too light and silly, and it rather hurts my feelings to see what people imagine. I don't really like to read novels -- I find it more amusing to write them to read them, but maybe this is only because reading them gets in the way of what I am trying to write. I am reading Max Weber at the moment, and some early Henry James -- The American. I am fond of a lot of people and try to make time to see them. Life seems to sweep by at such speed...."

Read More Show Less
    1. Hometown:
      Paris, France, and San Francisco, California
    1. Date of Birth:
      April 28, 1934
    2. Place of Birth:
      Moline, Illinois
    1. Education:
      B.A., University of Utah; M.A., Ph.D., UCLA, 1968

Read an Excerpt

***This excerpt is from an advance uncorrected proof.***

Copyright © 2014  by Diane Johnson

A Weekend with Generals

This book of histories about small-town people in the Midwest, including me, begins not in Illinois, where much of it takes place, but in France a few years ago, at a house party in Provence, with something a French friend said about Americans—something I acknowledged to be true and felt sorry about: that we Americans are naïve and indifferent to history. Certainly I was.

The discussion began with her saying, “It’s funny the way all Americans believe they are descended from royalty.”

We—my husband, John, and I—denied this with some indignation. We were visiting the French friend, Simone Ward, and her American husband, Stuart, a retired army colonel, whom we’d met a few years before on the ski slopes of Courchevel; they ordinarily lived in Virginia, and we saw one another only when we were all in France because our American lives were geographically too far apart. The winter before we had discussed a summer plan: we would be traveling to Italy in August, and Simone and Stuart had invited us to stay a day or two on our way.

Together with American friends of theirs, they were renting a beautiful, big house from a cousin of Simone’s—an expensive house, but they were dividing the rent among four couples. We had been interested when Simone told us who these other tenants were—retired military men, old classmates or companions-in-arms of her husband, Stuart. So that’s how we had found ourselves surprisingly flung among a gaggle of American army generals in the south of France.

It isn’t every day you meet generals—after all, they inhabit another world, inside their bases or stationed overseas. Our own stations in life (doctor, writer) had not brought us into contact with many generals, and never in their military capacity, though we had known a few in the social world: There was Davis B., the husband of my friend Marjorie, whom we met during his retirement, when he opened an antiques business. And my old friend C. is the daughter of a Marine Corps general—an old, senile gentleman when I last saw him, though in his vigorous younger days a fierce Korean War leader.

I also had some childhood memories, on account of having grown up near a minor army post, the Rock Island Arsenal, on a clump of land right in the middle of the Mississippi River, the site of the golf course where my parents played (and an emplacement of slot machines, which were illegal on either shore of the river, that is, in both Illinois and Iowa), an armory, a museum, and neat lines of the graves of Confederate men imprisoned here by the Union army during the Civil War.

John and I live in France now a lot of the time, in Paris, along with thousands of other Americans. He is a professor of medicine with a role in the control of worldwide tuberculosis and other lung diseases, in an organization whose seat is in Paris. Of course we’re delighted to live in a pleasant place like Paris, but explaining why you live abroad is always tricky. The one thing you, we, Americans, are not allowed to say is that there is somewhere better than America to live. This is an unspeakable apostasy, even though anyone who has lived in one of the better places knows it’s true.

I’m not speaking of morally better, not speaking about virtue, but about livability in the sense that American magazines track the best places, from the points of view of public transport, crime, museums and hospitals and schools and so on. We mustn’t say it, but I have noticed that more and more Americans like us are living Elsewhere if they have a good excuse, and this was something inconceivable only a few years ago. Then, you got hardship pay for living Elsewhere.

In my case, living abroad was by accident, John’s job. Yet I became aware that he and I were inadvertently part of a historical trend: Americans didn’t stop moving once they got to the West Coast, but have moved on, sometimes up to Alaska, sometimes back to roots in the Old World, recapturing the vanished days. More than fifty thousand Americans live in Paris alone.

We’d arrived in Saint-Pantaléon in September. We were in the south of France—was this called the Lot? The Luberon? The region everyone was said to love that to us looked too much like California to be exotic. Even the fire-blighted fields were familiar.

The driveway was long, lined with stiff narrow trees like the Corot painting I remembered on the cover of my second-grade reader. With Venus de Milo on the crayon box, our distant European connections were always before American children, no invocations of Mexico or Cairo back then, except on the packages of Camel cigarettes our mothers smoked.

At the end of the driveway was a gravel turnaround, and beyond that, open gates into a courtyard. At the opposite side of the courtyard, a large house, in what in California we would call the Spanish style, with a tile roof and a vine-covered stucco wall. Several cars were parked at the edges of the turnaround, and a man stood at the gate, hands in his pockets, smiling at us in a welcoming way, then strolling toward us. It was easy to guess he was one of the generals Simone and Stuart were sharing the house with. He was not wearing a uniform, but his close haircut, the compact fitness of his erect though rather short figure, and the starched perfection of his shirt, as if he traveled with a batman, revealed his identity all the same.

“You must be Simone’s visitors,” he said to us, opening the car door for me. “Bill Baum.” His charm was palpable even in these few words, a handsome, smiling man whose air of authority left no doubt that I would be getting out of the car as his gesture required.

We introduced ourselves to General Baum, and embraced Simone, who came flying out of the house. The two men carried into the kitchen two cases of wine we had brought, and I followed with a flat of vegetables from a roadside stand that had remained somehow unburned in a swath of singed shrubbery. In the kitchen we met Mrs. Baum, Cynthia, wearing a scarf over her hair, cooking something that smelled delicious. She waved her wooden spoon at us with a conspiratorial, welcoming grin, the complicity and sociability of cooks. The aroma of beef and carrots proclaimed some sort of Provençale triumph for dinner. The impression of complete domestic perfection was heightened by meeting Sally Rolfe, the other general’s wife, coming in from the market with her arms full of gladioli and daylilies.

Both of these women were beautiful, I noted, still beautiful women in their sixties, slender and straight, each with a variation of blond hair shading to decorous gray. Obviously they had been assets to their husbands; perhaps it’s indispensable, for becoming a general, to have a beautiful wife. Their slenderness bespoke military self-discipline; both Sally Rolfe and Cynthia Baum had the figures of girls.

Our friend Simone’s husband, Stuart Ward, was retired with the rank of colonel because of illness before he could go any higher, a lymphoma that he had since been cured of; but because he was charming and clever, he and Simone had remained friendly with all the people they had started out with when the men were lieutenants at West Point, or captains together in France in the Second World War, or perhaps Stuart had served under them, for they were older than he. Also, Simone and Stuart were known by others to have some money, and some property, and some beautiful furniture from Simone’s side of the family—things to sustain them at the social level their eventual rank would have predicted, but for the illness, which could happen to anyone.

Simone and Stuart had borne with dignity the disappointment of Stuart’s career, perhaps didn’t even feel it, for it was fate that had dealt it to them, and fate sometimes inflicts a merciful freedom from self-blame along with its blows. They didn’t have to bear the harder sting of Stuart’s having made some personal error or having a defect of character.

We were led out onto the porches, where the rest of the party was lying by the pool. Out of earshot, Simone rolled her eyes and said to us in a low voice, “Thank God you’re here. Diversion, dilution.” Only then did we notice that she seemed agitated and tense. Simone is a tall, elegant woman but now with this hint of distress. She smiled enormously at her friends, but we sensed a strain at the edge of her teeth, perhaps the normal strain of anyone who has eight houseguests.

The Lees rose to say hello—tan and lean people a little younger than the others: Lynne and Willard. Willard Lee, like our host, Stuart Ward, was a colonel, or, one should say, only a colonel. Poor Stuart, reddened in the sun, looked wan—he had slowed since we last saw him, and perhaps it was his health that was making Simone tense, or the reminder that if it hadn’t been for his health he too would be a general.

I have changed the names of these military people. What if someone reads this whose son had served with them, or who had himself served under them, looked up to and been led by them? People believe in generals, after all. Military figures like Lord Nelson and the Duke of Wellington, or George Washington and Ike, were fathers to their men.

We were installed in pretty rooms in the guesthouse on the other side of the pool. The place looked like nothing so much as the Hotel Bel Air, and I had to remind myself that things in California are often modeled after Provence, not the other way round. We unpacked only a little, as our stay would be short. “It looks like Willard Lee is wearing tennis shorts,” John said delightedly, for he is like a hunter, predatory about possible tennis players, elated to spot one. We expected a pleasant day.

Almost immediately, John was taken off to play singles with Willard Lee, and I sat down with the ladies by the pool. I was something of a curiosity—they did not know any writers of fiction, and I became aware that Simone had probably exalted my accomplishments beyond what they deserved. “It’s just incredibly interesting,” said Sally Rolfe. “Wherever do you get your ideas from?” She had a Southern accent, one of the Carolinas. So did the other general’s wife, Mrs. Baum (Cynthia). The aroma of Cynthia’s stew trailed into the garden, seductive and deep in the hot afternoon. Exhaled phrases of satisfaction: dinner would be early, and early to bed— this was the simple, healthy life, how they all would have liked to live in France, as well as in America, God bless it.

I had to answer any number of questions—whether I use a pen or pencil or computer, and how long it takes to write a novel. Despite myself, despite the banality of the questions and the dozens of times I have answered them, I began to feel fascinating. I saw it was the arts of Mrs. Baum and Mrs. Rolfe that conferred this feeling. Like geishas they worked me, John too, when he got back from tennis, asking him about the health of the world and his role in it. Only Lynne Lee (husband just a colonel) betrayed a little prickle of competitive edge when it came to my writing. “Are you published?” she would say, or “Are your books for adults?” It was the dark side of military strategy I was seeing. Cynthia Baum and Sally Rolfe had excelled at concealing what Lynne Lee more clumsily revealed, the vigilant combativeness, the alert defense; their smooth tactical tact disguising a war machine directed at victory for their husbands.

I had two Siamese cats once who worked in a pair, attacking marauders. Together they jumped, hissing and screaming, onto the back of a puppy we brought home. Years before, they had jumped onto the naked back of a lover (it was John, but they didn’t know him then), mistaking his embrace for aggression. I thought of those cats because one of them was named Cynthia. These ladies did not claw the handsome John’s back when he and Willard came in from their tennis (Willard having won); they purred delightfully at him.

Our friend Simone busied herself carrying trays of drinks in and out, stringing the beans, folding the serviettes from the dryer. There was something taciturn and self-sacrificing in her manner, like Martha to the brace of brilliant Marys. Even Cynthia Baum, charged with the dinner—they were taking turns cooking—went at it in the manner of the sprightlier biblical figure, while our poor friend Simone, usually animated, bridge playing, chattering, and fully armed, was now preoccupied, even depressed. I thought she was perhaps worried about Stuart’s health, for he seemed weak. It could not be that the contrast of his pallor with the vigor of the others was newly getting her down, because they were all old friends and saw one another constantly back in Virginia.

Also, she herself had fully developed general’s-wife killer instincts; it was a pity she hadn’t been able to use them like these other women, real generals’ wives. In Saint-Pantaléon, I could see that Simone’s skills, Frenchwoman though she was—that is to say, full of rigor and wiles—were underdeveloped compared to those of women who had spent decades as the wives of successful generals. Sally Rolfe and Cynthia Baum—even Lynne Lee— could not come up to them; her passionate resentment, the flavor of her disappointment, husband just a colonel, were too palpable.

“I could never write a book. How marvelous for you,” Lynne was saying. “I’m absolutely too damn stupid and that’s a fact,” which seemed to mean: stupidity is exactly what’s needed for book writing, bitch, and fortunately I’m too smart for that.

“I see that Willard and your husband are back. It looks like Willard won. I can always tell from the way he walks. I tell him he has to let other people beat him once in a while so they’ll keep playing with him,” she said.

John and Willard Lee went to shower. We ladies swam, then went with the generals into the village to look at the church. When I came out from showering and changing at dinnertime, Simone was bringing drinks onto the patio—whatever these are called in France, I suppose terrasses. I helped her with the trolley of glasses while she filled the ice bucket. When she came out of the kitchen, where Cynthia Baum was putting the finishing touches on the dinner, she was literally grinding her teeth.

“The Cuisine Derby” was her only remark.

Then the interesting cuisine. The food was evolved to an obsessive pitch; luckily, the haricots verts we had brought were harmonious with Cynthia’s perfect navarin. The company was convivial and relaxed by the end of dinner, and sat up late talking or, rather, listening to a discussion of history—all except Stuart, who went to bed before ten.

The topic of historical memory came up after the excellent dinner, when we’d gathered on the patio and the American army general Rolfe was telling about his French ancestors. His colleague, Bill Baum, was in Europe to look up his roots in Germany. The Baums and Rolfes were both retired and had the luxury of time for genealogical research.

“Some of my forebears were Huguenots from around La Rochelle,” Rolfe was saying, “but some were Catholics fleeing before the Revolution. The French Revolution, I mean. Many people don’t realize the extent of Catholic immigration into America, mostly into Maryland. . . .”

It was this interesting discourse, well informed and lightly given, on the subject of early immigrants to America that had prompted Simone’s saying that it was unusual for Americans to take an interest in history in any form. “After they mention the Pilgrims or covered wagons, they fall silent, they know nothing.”

“It’s because we don’t believe that ancestry matters; it’s what you are yourself that counts. It’s an axiom of Americanness to be self-made,” said John, sturdily defensive of our supposed national classlessness and belief in possibilities.

“Americans seem to think we French are pathetic for knowing and caring so much about our background,” Simone went on.

“It’s easier for you because French history took place on such a small stage,” said John, unfairly, I thought, since French history had bled all across Europe and even to Russia. I recognized a belligerent edge to his tone; he was evidently stung by the knowledge that though he had a covered wagon in his family tree—his own grandmother went to California in one in the 1880s—that’s about as much as he knew.

Simone asked John and me about our ancestors, and was triumphant when we gave vague answers. Most Americans she’d met had no idea about anything before their own grandfathers, if that. Neither of us had thought much about them beyond a mention of Scotch-Irishness, whatever that was.

“Indifference to history,” Simone sniffed. “That’s why Americans seem so naïve and always invade the wrong countries.”

How American we suddenly felt. It’s when you’re in a foreign land and someone criticizes the United States that you come to feel most American, and in my case, most midwestern, because California, where I’ve lived for fifty years, has never felt as much like America as Illinois does.

“Well, now, that’s why we’ve all come to France,” said General Rolfe, smoothly diplomatic, “to find out more about history and avoid the mistakes of the past.” I thought I also detected a note of sarcasm pointedly meant to remind Simone of American involvement in two wars to save France. It was during the Second World War that she had met Stuart, a young American officer come to save her. I also thought, but did not say, about how both our fathers, John’s and mine, had fought in the First World War to save France, in 1918.

We were on our way to Italy, as I said, to a foundation where we would work on our books. I was writing up certain travel experiences I’d had on trips with John having to do with tuberculosis and AIDS in distant places. I could have included in my book this visit with the generals that ended so embarrassingly, but I didn’t; it was too soon to digest, really.

Since Simone’s generals, William Baum and Francis Rolfe, were both retired, they had the luxury of time for genealogical research, but they had once been famous fighting men, involved in wars and peacetime cleanups and the training of other soldiers. The older of the two, General Rolfe, was, apparently, a legend in his day, called “Big Cat,” or some such bellicose epithet.

The wives of the generals, Sally Rolfe and Cynthia Baum, were also talking of the war campaigns and genealogical research. Roots are so arbitrary, anyway, that both of the generals’ ladies had adopted, perhaps in deference to the superior rank of their husbands, their husbands’ ancestry. They were familiar with the names of ships sailing out from La Rochelle in the seventeenth century, and of villages in Holland where Huguenots had sheltered, and of places in Germany, which was called something else then, where the sturdy Mennonite pig farmers and potato diggers packed their painted travel trunks for the New World.

The ladies themselves could have been any old American mélange like the rest of us there listening, except for our French friend, Simone. She was an American citizen, but not very American. Though female lineage is apt to be surrendered with the last name, in confrontations with Americanness, Frenchness somehow prevails, as water puts out fire, fire burns paper, and paper soaks up water, and so Simone had not surrendered Frenchness to her American husband, she’d added Americanness on. Are roots arbitrary after all, or adopted?

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)