Focus On Lighting Photos: Focus on the Fundamentals (Focus On Series)

Overview

Have you ever wondered if you need to use a flash in sunlight? What the best lighting is for a macro shot? How long your exposure should be in low lighting? If you have, this book is for you! Lighting affects composition, focus, exposure decisions, and pretty much everything about taking a picture. Further, the mood of the photograph is totally dependent on the lighting - and can make or break the image. It is also one of the hardest things for a budding photographer to grasp. The existing lighting books tend to ...

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Overview

Have you ever wondered if you need to use a flash in sunlight? What the best lighting is for a macro shot? How long your exposure should be in low lighting? If you have, this book is for you! Lighting affects composition, focus, exposure decisions, and pretty much everything about taking a picture. Further, the mood of the photograph is totally dependent on the lighting - and can make or break the image. It is also one of the hardest things for a budding photographer to grasp. The existing lighting books tend to require expensive equipment and extensive knowledge on how to light photos. For those who aren't at that level yet, this guide shows how to take shots in certain settings and times, such as lighting for specific seasons, back-lighting, water lighting, available light at mid-day, and more. Loaded with photos, tips, tricks, and inspiration, you can't help but walk away from this book with the critical knowledge you need to know to take the perfect picture.

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Product Details

  • ISBN-13: 9780240817118
  • Publisher: Taylor & Francis
  • Publication date: 7/5/2011
  • Series: Focus On Series
  • Pages: 215
  • Sales rank: 1,394,087
  • Product dimensions: 8.20 (w) x 7.40 (h) x 0.60 (d)

Meet the Author

Fil Hunter is a highly respected commercial photographer specializing in still life and special effects photographs for advertising and editorial illustration. During a career spanning over three decades, he has worked for such clients as America Online, US News, Time-Life Books, Life Magazine (27 covers), the National Science Foundation, and National Geographic. He has taught photography at the university level and has served as technical consultant on a number of photographic publications. Mr. Hunter has won the Virginia Professional Photographer's Grand Photographic Award three times. He lives in Alexandria, VA.
Robin Reid started out as a classically trained pianist. Her first year in college was on board Semester at Sea, thereby traveling to more than 28 countries. Fascinated by the diversity of cultural color, she spent much of her time making pictures.

While earning a BA in International Politics and the Middle East from George Washington University, she also attended schools and lived extensively in Vienna, Austria and Berlin, Germany for extended times and further added to her photographic portfolio. After working on Capitol Hill for several years, she changed directions and danced professionally for the next 15 years, producing publicity photos for many of her fellow dancers.

Finally realizing that photography was her true calling, she apprenticed at a portrait/wedding studio, starting as a custom color printer and progressing to photographer and retouching expert. At that time, she also participated in competitions for Virginia Professional Photographers, winning various awards, including Best Portrait of Children. After opening her own studio, she has gone on to shoot portraits, not only for local families, but also for various businesses and government entities (including, but not limited to the US Supreme Court, the US Court of Appeals for the Federal Circuit, the US Tax Court, Time-Life Books, McGraw-Hill, American Management Systems, and HSI). Her work also includes product photography for the US Supreme Court (gift catalog), American Diabetes Forecast, Network Marketing, and others.

She has taught studio portraiture in her studio for years for the Alexandria Art League. She continues to do all her own photographic printing (both traditional darkroom and digital). She is also a graphic designer, with a special interest in book layout.

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Table of Contents

Introduction: Lighting? Why Bother?
Chapter 1: There's More than One Way to Get Things Done
Chapter 2: Tools: Now We Have Light, but How Do We Get It under Control?
Chapter 3: The Color of Light
Chapter 4: Light and Shadow
Chapter 5: Sunlight
Chapter 6: So, Where Do We Put This Light for Portraits?
Chapter 7: So, Where Do We Put This Light for Metal?
Chapter 8: So, Where Do We Put This Light for Glass?
Chapter 9: Motion
Chapter 10: The Future is Now?
Conclusion
Glossary

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