Folila

Editorial Reviews

All Music Guide - Thom Jurek
On 2012's Folila which translates as "music" in Bambara, Mali's famed Amadou & Mariam, the husband-and-wife duo, effortlessly prove that "purist" alarm calls about melding popular and traditional musics across geographies because they dilute authenticity are not only inherently false, but their motivations are suspect. Amadou & Mariam originally cut twin albums -- same songs, tunings, and tempos -- one in New York with Yeah Yeah Yeahs guitarist Nick Zinner, Santigold, Theophilus London, members of TV on the Radio and Antibalas, the Scissor Sisters' Jake Shears, and Bertrand Cantat. The other was a Malian offering, cut in Bamako with master musicians, including ...
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Editorial Reviews

All Music Guide - Thom Jurek
On 2012's Folila which translates as "music" in Bambara, Mali's famed Amadou & Mariam, the husband-and-wife duo, effortlessly prove that "purist" alarm calls about melding popular and traditional musics across geographies because they dilute authenticity are not only inherently false, but their motivations are suspect. Amadou & Mariam originally cut twin albums -- same songs, tunings, and tempos -- one in New York with Yeah Yeah Yeahs guitarist Nick Zinner, Santigold, Theophilus London, members of TV on the Radio and Antibalas, the Scissor Sisters' Jake Shears, and Bertrand Cantat. The other was a Malian offering, cut in Bamako with master musicians, including Bassekou Kouyaté on ngoni, Zoumana Tereta on sokou, and Toumani Diabaté on kora, to name a few. A possibility presented itself when they took the completed sessions to producer Marc-Antoine Moreau in Paris. He was asked to try to bring the albums together. Moreau enlisted other producer/engineers -- Kennie Takahashi, Renaud Letang, Josh Grant, and Antoine Halet -- to assist. The end result is an organic-sounding masterpiece of cross-cultural collaboration, sung in three languages -- Bambara, French, and English sometimes in the same song. Production magic aside, this project wouldn't have succeeded were it not for truly amazing songs written by the duo and inspired performances by all the musicians. "Dougou Badia" features crunchy guitar interplay between Amadou's instantly recognizable percussive style and Zinner's more rockist attack; it's fuel for a soaring duet between Mariam and Santigold. "Wily Kataso" features Amadou & Mariam with Kyp and Tunde from TV on the Radio on lead vocals; the meld of the two guitarists with Kouyaté's ngoni and the popping rhythm section is infectious. "Metemya" features Shears and Amadou's voices with the latter's knotty, raw guitar and Wurlitzer from Antibalas' Victor Axelrod amid layers of organic percussion. "Nebe Miri" features London rapping and singing in complement to Amadou's lead vocals, all drenched in a soulful meld of harmonies, three guitars, keyboards, and dundun drums. "C'est Pas Facile Pour les Aigles" is a rave-up that combines highlife, power pop, and Bo Diddley, and features Ebony Bones singing with Mariam. On "Sans Toi," Mali's traditional instruments such as sokou and kamale ngoni appear alongside guitar, piano, and the duo's hypnotic vocals. The haunting "Mogo" features bass clarinet, ngoni, djembe, dundun drums, and slide and rockist guitars and chants. "Chérie" is simply presented with Mariam above a Malian children's choir, with Diabaté's kora adding a carefree rural feel to close it. Forget prejudices about "world music"; Folila is great music. Period.
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Product Details

  • Release Date: 4/10/2012
  • Label: Nonesuch
  • UPC: 075597962307
  • Catalog Number: 530403
  • Sales rank: 84,360

Tracks

Disc 1
  1. 1 Dougou Badia - Santigold (3:55)
  2. 2 Wily Kataso - Tunde (4:23)
  3. 3 Oh Amadou (3:30)
  4. 4 Metemya - Jake Shears (3:55)
  5. 5 Baro (3:05)
  6. 6 Africa Mon Afrique (3:41)
  7. 7 C'est Pas Facile Pour Les Aigles - Ebony Bones (2:41)
  8. 8 Sans Toi (3:18)
  9. 9 Mogo (3:36)
  10. 10 Bagnale - Abdallah Oumbadougou (3:30)
  11. 11 Nebe Miri - Theophilus London (3:08)
  12. 12 Chérie (4:41)
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Album Credits

Performance Credits
Amadou & Mariam Primary Artist
Sidiki Diabaté Sr. Kora
Amp Fiddler Keyboards
Victor Axelrod Keyboards, Wurlitzer
Bertrand Cantat Guitar, Harmonica, Vocals, Background Vocals, Doum-doum
Yao Dembele Bass, Percussion
Bassekou Kouyate Ngoni
Amadou Bagayoko Guitar, Electric Guitar, Vocals
Mariam Doumbia Vocals
Laurent Griffon Bass
Stuart Bogie Tenor Saxophone
Jake Shears Vocals
Jordan McLean Trumpet
Boubacar Dembele Conga, Balafon, Djembe, Doum-doum
Antoine Halet Acoustic Guitar, Guitar
Manjul Percussion
Jared Tankel Baritone Saxophone
Santigold Vocals
Ebony Bones Vocals
Nick Zinner Acoustic Guitar, Guitar, Electric Guitar
Theophilus London Vocals
Yvo Abadi Bass, Percussion, Drums
Kip Malone Vocals
Abdallah Oumbadougou Vocals
Ahmed Fofana Bass, Flute, Keyboards
Idrissa Soumaro Organ, Piano
Christophe Millot Bass Clarinet
Baubacar Dembélé Djembe
Tanti Kouaté & Her Choir Choir, Chorus
Vieux Dembélé Djembe
Tunde Adebamfe Vocals
Tomani Diabate Kora
Sanogo Foussn Doum-doum
Technical Credits
Tony Cousins Mastering
Bertrand Cantat Composer
Amadou Bagayoko Composer
Mariam Doumbia Composer
Jake Shears Composer
Antoine Halet Engineer, Collaboration
Marc Antoine Moreau Arranger, Composer, Producer
Santigold Composer
Ebony Bones Composer
Theophilus London Composer
Josh Grant Engineer
Kip Malone Composer
Abdallah Oumbadougou Composer
Tunde Adebamfe Composer
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