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| John Cage | Primary Artist, Percussion, Conductor, Narrator |
| David Tudor | Piano, Carillon |
| John Larkin | Spoken Word |
| Manhattan Percussion Ensemble | Ensemble |
| Xenia Cage | Percussion |
| Stuart Lloyd | Percussion |
| Ruth Hartman | Percussion |
| Madelon Grayson | Spoken Word |
| Les Tremayne | Spoken Word |
| Jonathan Hole | Spoken Word |
| Frank Dane | Spoken Word |
| Forrest Lewis | Spoken Word |
| Claire Oppenheim | Percussion |
| Cilia Amidon | Percussion |
| John Cage | Composer, Liner Notes |
| Kenneth Patchen | Text |
| Ilhan Mimaroglu | Liner Notes |
| Paul Price | Director |
| Amanda LeCorney | Cover Art |
| Merce Cunningham | Piano Assistance |
Editorial Reviews
All Music Guide - Thom Jurek
Él Records issues this hip little compilation of early and prime electronic work by John Cage. The title track (named for his landlady), recorded in 1958, has been out of print for decades and makes its debut appearance on CD here. Cage fans will note this is one of the very few recorded occasions where the composer delved into formal musique concrète. This version was recorded for magnetic tape alone. "The City Wears a Slouch Hat," with Cage accompanying poet Kenneth Patchen on one of his radio plays, has been issued before. Well-known pieces that are also included here are "Music for Carillon No. 1" and "Williams Mix" (both from 1952), as well as "First Construction in ...