Footnotes in Gaza

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Overview

"Rafah, a town at the bottommost tip of the Gaza Strip, is a squalid place. Raw concrete buildings front trash-strewn alleys. The narrow streets are crowded with young children and unemployed men. On the border with Egypt, swaths of Rafah have been bulldozed to rubble. Rafah is today and has always been a notorious flashpoint in the bitterest of conflicts." Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinians dead, shot by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah - cold-blooded massacre or dreadful mistake - reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco immerses himself in the daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. Spanning fifty years, moving fluidly between one war and the next, alive with the voices of fugitives and schoolchildren, widows and sheikhs, Footnotes in Gaza captures the essence of a tragedy.

Winner of the 2010 Eisner Award for Best Writer/Artist - Nonfiction

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Editorial Reviews

Publishers Weekly
Having already established his reputation as the world's leading comics journalist, Sacco (Safe Area Gorazde) is now making a serious case to be considered one of the world's top journalists, period. His newest undertaking is a bracing quest to uncover the truth about what happened in two Gaza Strip towns in 1956, when aftershocks from the Sinai campaign may have resulted in the massacre of hundreds of Palestinian civilians by the Israeli military. Sacco first came across the stories during research in 2001 and was shocked to discover that, but for one brief mention, the incidents had never been fully investigated. The resulting book is a blow-by-blow retelling of how Sacco, on the eve of the 2003 invasion of Iraq, embedded himself in Gaza and set about interviewing every witness he could find who had been in the towns of Khan Younis and Rafah on those fateful days. Sacco's art is alternately epic and intimate, but he exceeds himself in the scope of his ambition (particularly in one sequence that shows in vivid terms how desert refugee camps from 1948 turned into the teeming slums of today). But it's his exacting and harrowing interviews that make this book an invaluable and wrenching piece of journalism. (Dec.)
From the Publisher
“Solid, old-fashioned war reporting... a superb way into the truth of events, understanding different sides and poking around in people’s minds and houses. Unlike a war photographer, Sacco always gets the best shot, perfectly framed, sometimes years after the event. Unlike a writer, he adds facial expressions to each statement. And unlike a film maker, he can slip between past and present without the jolt of costumed docudrama.... I learned more about the Palestinians, war, the intifada and the best honey pastries in Gaza than I ever had from newspapers or television.”

The Times (UK)

“Having already established his reputation as the world’s leading comics journalist, Sacco is now making a serious case to be considered one of the world’s top journalists, period. His newest undertaking is a bracing quest to uncover the truth about what happened in two Gaza Strip towns in 1956… Sacco’s art is alternately epic and intimate, but it’s his exacting and harrowing interviews that make this book an invaluable and wrenching piece of journalism.”

Publishers Weekly (starred review)

“The first good news to report about the massive, fascinating new Footnotes in Gaza hardcover is that the cartoonist is in top form throughout. If there’s something that Joe Sacco’s done in a previous comic that you’ve liked or with which you’ve been impressed, then that same technique or approach is likely to be on display here in a comparable or more effective way… A story soaked to the marrow with heartbreaking insights… One of the best long-form comics of this decade, and Sacco’s greatest work to date.”

The Comics Reporter

“Joe Sacco’s brilliant, excruciating books of war reportage are potent territory.... He shows how much that is crucial to our lives a book can hold.”

The New York Times Book Review

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Product Details

  • ISBN-13: 9780805092776
  • Publisher: Holt, Henry & Company, Inc.
  • Publication date: 10/12/2010
  • Pages: 432
  • Sales rank: 209,294
  • Product dimensions: 7.60 (w) x 10.40 (h) x 1.00 (d)

Meet the Author

Joe Sacco, one of the world’s foremost cartoonists, is widely hailed as the creator of war-reportage comics. He is the author of, among other books, Palestine, which received the American Book Award, and Safe Area Goražde, which won the Eisner Award and was named a New York Times Notable Book and Time magazine’s best comic book of 2000. His books have been translated into fourteen languages and his comics reporting has appeared in Details, The New York Times Magazine, Time, and Harper’s. He lives in Portland, Oregon.

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Customer Reviews

Average Rating 4
( 6 )
Rating Distribution

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(4)

4 Star

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3 Star

(1)

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted November 5, 2013

    As I have said about other of Sacco's GNs dealing with the Pales

    As I have said about other of Sacco's GNs dealing with the Palestinians, A HALF TRUTH IS A WHOLE LIE. Once again, Sacco depicts
     the Palestinian Arabs as the hapless victims of Israeli brutality.In this book, at  least Sacco includes some Israeli POV, which he
    relegates to text in the back of the GN.
    I think he knows full well that such text has a considerable chance of being ignored as "fluff" by the GN reader, and hence to be
    left not read. Sacco's lauding of the rabid dog Nasser is a disgrace.  The alleged human named Nasser was a authoritarian,  and a war
    monger who partially
    blocked Israel's access to the red sea.  Sacco, try writing something balanced.  Three stars given for fine writing and illustration. NOTHING given for fair reportage.

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  • Anonymous

    Posted July 31, 2013

    No text was provided for this review.

  • Anonymous

    Posted February 19, 2012

    No text was provided for this review.

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