For All of Us, One Today: An Inaugural Poet's Journey [NOOK Book]

Overview

2014 International Latino Awards Winner: Best Biography – Spanish or Bilingual

For All of Us, One Today is a fluid, poetic story anchored by Richard Blanco’s experiences as the inaugural poet in 2013, and beyond. In this brief and evocative narrative, he shares for the first time his journey as a Latino immigrant and openly gay man discovering a new, emotional understanding of what it means to be an American. He tells the story of the ...
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For All of Us, One Today: An Inaugural Poet's Journey

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Overview

2014 International Latino Awards Winner: Best Biography – Spanish or Bilingual

For All of Us, One Today is a fluid, poetic story anchored by Richard Blanco’s experiences as the inaugural poet in 2013, and beyond. In this brief and evocative narrative, he shares for the first time his journey as a Latino immigrant and openly gay man discovering a new, emotional understanding of what it means to be an American. He tells the story of the call from the White House committee and all the exhilaration and upheaval of the days that followed. He reveals the inspiration and challenges behind the creation of the inaugural poem, “One Today,”  as well as two other poems commissioned for the occasion (“Mother Country” and “What We Know of Country”), published here for the first time ever, alongside translations of all three of those poems into his native Spanish. Finally, Blanco reflects on his life-changing role as a public voice since the inauguration, his spiritual embrace of Americans everywhere, and his vision for poetry’s new role in our nation’s consciousness. Like the inaugural poem itself, For All of Us, One Today speaks to what makes this country and its people great, marking a historic moment of hope and promise in our evolving American landscape.


From the Trade Paperback edition.
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Editorial Reviews

Publishers Weekly
★ 11/11/2013
On January 21, 2013, Blanco joined the ranks of Robert Frost and Maya Angelou when he became the fifth ever U.S. Inaugural Poet. In this slim book, Blanco, the son of Cuban immigrants and the first openly gay poet to read at a presidential inauguration, uses prose as lovely as his poetry to describe his path to this historic day. Given only three weeks to write three poems for the inauguration, the poet composed "One Today"(the one ultimately chosen by the committee to be read), "Mother Country," and "What We Know of Country." All three poems are included in both Spanish and English, as well as a fourth poem titled "America". Blanco ends recognizing his new role as a public figure and he hopes for a day when poetry can once again become an important part of American folklore and consciousness. Thanks to Blanco's intelligent, open, and honest reflections, this book will make Americans' heart swell with pride and patriotism in the most genuine way. (Nov.)
From the Publisher
“This is a beautifully made record of an important moment in poetry.”
Booklist

“In this charming and engrossing book, Richard Blanco traces his personal and literary development that led to his appointment as the inaugural poet. The high drama here is the backstage look into the pressure and process of writing the poem itself and the thrill of reading it to the world.”
—Billy Collins

“In this moving, intimate memoir Richard Blanco reveals how a poet works—where the words he uses, the images he creates, come from. This is a book not just about one poet’s journey, but about the power of poetry to capture moments, to transform lives, and to illuminate truths.”
—Anderson Cooper

“Blanco showed great courage…and it’s courage that is the most important of all virtues because without courage, you can’t practice any other virtue consistently.”
—Dr. Maya Angeleou

“In a testament to the beauty of the American spirit, Richard Blanco recounts his inspiring journey—from the traditions of his childhood to the magic of an historic presidential inauguration. Through the lens of this one man’s amazing personal journey, we are transfixed by another uniquely American story.”
—House Leader Nancy Pelosi

“Richard’s story is at once deeply personal and uniquely, universally American. The specifics of our lives may not be the same, but we all share a relationship with a country that is an ongoing work in progress, and as Richard elegantly reveals through his experiences, what we do defines that work for those who follow. America shapes the people within her, and in return we shape America. This is a portrait of a nation and its people, each working to make the other better.”
—Anthony D. Romero, executive director of the American Civil Liberties Union

“With an engineer’s eye for design and a poet’s ear for truth, Richard Blanco tells the fascinating story of one poem’s journey from a kitchen table in a small-town Maine to the grand stage of a president’s inauguration. Blanco's memoir is a powerful reminder that we all pursue our diverse dreams and aspirations under one sky, sharing ‘One Today.’”
—Senator Susan Collins (R-Maine)

"‘Every story begins inside a story that’s already begun by others,’ Inaugural Poet Richard Blanco tells us, and in this lovely, layered memoir he brings us into his story and makes it ours. We are there with Richard as his family comes to America, as his partner Mark prepares him to voice his images and words, and as his Inaugural poem celebrates the us that make the country and the day and the hope. Blanco writes of America, family, and, through all, love, and it is the beautiful story of all of us that day and every today.”
—Evan Wolfson, founder and president of Freedom to Marry

“This is the story of a poem. But it is our story too. The inaugural poet, Richard Blanco, shows us how ‘to love a country as if you’ve lost one.’ This is a wonderful, wise and incredibly personal book. There is something unique and deeply profound when someone like Richard, born in Cuba, writes about his love—our love—for America. Richard Blanco's journey is America's journey. This great book—a must read—allows us to see this country in a completely new and exciting way.”
—Jorge Ramos, anchor for Noticiero Univision and host of Al Punto

“Richard Blanco’s memoir is breathtaking; a new paradigm of the American dream. Blanco constructs a moving manifesto in support of human rights and humanity writ large. For All of Us, One Today is a societal call-to-action for the soul and spirit. I repeat: breathtaking.”
—Timothy Gunn, Project Runway

“As one of only five poets in U.S. history to have presented a poem at a Presidential Inauguration, Richard Blanco has rare insight into poetry’s power to create a vision for the future and engage a contemporary American audience. The process of writing and then delivering one of the most important occasional poems in our history led Blanco to a new understanding of himself and our country, and gave him ‘hope for poetry in America.’ May poets, teachers, and readers heed Blanco’s call for more poetry in our nation’s classrooms and for poetry’s greater presence on the American cultural landscape.”
—Jennifer Benka, American Academy of Poets

“With grace and humility, Richard Blanco tells a captivating story about being chosen to become the poet at President Obama's inauguration. It's an honor that changed his life and made all of us in Maine intensely proud. The beauty and eloquence of Richard's poems together with his inspiring story make this a very special book.”
—Congresswoman Chellie Pingree (D-Maine)

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Product Details

  • ISBN-13: 9780807033814
  • Publisher: Beacon
  • Publication date: 11/19/2013
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 120
  • Sales rank: 713,973
  • File size: 425 KB

Meet the Author

Richard Blanco
Selected by President Obama to be the fifth inaugural poet in history, Richard Blanco joined the ranks of such luminary poets as Robert Frost, Maya Angelou, Miller Williams, and Elizabeth Alexander. Standing as the youngest, first Latino, first immigrant, and first openly gay person to serve in such a role, he read his inaugural poem, “One Today,” as an honorary participant in the official ceremony on January 21, 2013. Blanco was made in Cuba, assembled in Spain, and imported to the United States, meaning that his mother, seven months pregnant, and the rest of the family arrived as exiles from Cuba to Madrid, where he was born. Only forty-five days later the family emigrated once more and settled in Miami, where Blanco was raised and educated. The negotiation of cultural identity and universal themes of place and belonging characterize his three collections of poetry, which include City of a Hundred Fires (awarded the Agnes Starrett Poetry Prize from the University of Pittsburgh Press), Directions to the Beach of the Dead (recipient of the Beyond Margins Award from the PEN American Center), and Looking for The Gulf Motel (winner of the Patterson Poetry Prize, a Maine Literary Poetry Award, and the Thom Gunn Award). His poems have also appeared in the Best American Poetry, and Great American Prose Poems series, and he has been featured on CBS Sunday Morning, and National Public Radio’s All Things Considered and Fresh Air, as well as major U.S. and international media, including CNN, Telemundo, AC360, the BBC, Univision, and PBS. Blanco is a fellow of the Bread Loaf Writers Conference, recipient of two Florida Artist Fellowships, and a Woodrow Wilson Visiting Fellow. A builder of cities as well as poems, he is also a professional civil engineer currently living in Bethel, Maine.


From the Trade Paperback edition.
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Read an Excerpt

Days before our field trip to the science center, Mrs. Bermudez tells our class the sun is actually hundreds of times larger than the earth. We move around it. We’re nothing, zooming through dark space, she says, matter-of-factly, as if it didn’t matter that we were no longer the center of our own little worlds. We, with crayons in our hands coloring dittos of the sun and our nine planets. We, at our desks but also helplessly zooming through cold, empty space. I don’t want to believe her; the sun is the size of a sunflower, I insist. I draw lemon-yellow petals around it and color its center sienna brown. The first time I see a lion I am nine years old, my grandfather’s hands holding me back from the cage I want to open. I can still feel his grip and the lion’s eyes staring at me like tiny, amber planets behind bars, asking me to set him free. My first kiss was under the shade of moonlit palms in Janet Carballo’s backyard, exactly two days before the end of the school year. But I’m still feeling the powdery skin behind her earlobes, smelling her strawberry lip gloss and the orange blossoms in the air already thick with summer. I never saw a comet until I was twenty-four, cupped in the darkness of the Everglades and the arms of a man I loved. It was past midnight on a Sunday, I remember; I didn’t go to work the next day. I’m still sleeping with the mangroves and the ibis, under a masterpiece of stars. The comet’s tail a brushstroke of pure, genius light.
     These are more than memories. They are what lives—and relives—inside our bodies, in every cell and heartbeat. The undiscovered DNA of our souls imprinted with the minute details of those eternal moments that change our lives, our stories, forever. Sometimes they’re subtle, sometimes dramatic, but we know nothing will ever be the same the instant we experience them. And quite often they are unexpected.
      On the afternoon of December 12, while casually driving back to my home in Maine, I receive a phone call with the news that I have been chosen as inaugural poet. Bewildered, I first wonder if it could be some cruel joke a friend might be playing on me. You mean like Robert Frost? Like Maya Angelou? I ask, wanting confirmation that what I just heard is true. Yes. Yes, I’m told, as I keep driving down the interstate in a daze, trying to speak, trying to fathom what has just happened. But I know. My body knows it’s the most important moment of my life as a poet, a day by which I will mark the rest of my life, the day I learned that I will be named the fifth poet ever in our history to be US Inaugural Poet.

I’m asked by the Presidential Inaugural Committee to write not one but three poems in three weeks. Quite a challenge. But before any apprehension or pressure sets in, the world I move through is transfixed by my jubilation and astonishment: one by one the birches along the highway turn from silver to gold; the bare-branched oaks traced with snow become perfectly balanced sculptures; and the highway stretches right into the sun. I begin the poem in my mind as I drive, musing over a flood of lines and images.
      But then I catch my eyes in the rearview mirror, and it becomes a portal into my past. In my reflection I see my father holding my hand for the last time, as he is quietly dying in the spare room of the house where he raised me. His eyes blink forever once: goodbye; twice: forgive me; three times: I won’t be back. Gone, into the space beyond the sun and stars. I think of him, my mother, my grandparents—their courage and sacrifices, all their struggles and hard work to make a better life in America for themselves and for my brother and me. Overcome by a wave of immense gratitude, I pull off the highway, step out of the car, and sit on the shoulder, leaning against the car door. Looking into the sky, the sun becomes a sunflower again. This is because of them . . . I keep thinking and repeating . . . because of them . . . all because of them . . .
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