The Foreigner

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Overview

Winner of the Edgar® Award for Best First Novel by an American Author

Set against the Taiwanese criminal underworld, The Foreigner is Francie Lin's audacious debut novel. A noirish tale about family, fraternity, conscience, and the curious gulf between a man's culture and his deepest self

Emerson Chang is a mild mannered bachelor on the cusp of forty, a financial analyst in a neatly pressed suit, a child of Taiwanese immigrants who doesn't ...

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The Foreigner

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Overview

Winner of the Edgar® Award for Best First Novel by an American Author

Set against the Taiwanese criminal underworld, The Foreigner is Francie Lin's audacious debut novel. A noirish tale about family, fraternity, conscience, and the curious gulf between a man's culture and his deepest self

Emerson Chang is a mild mannered bachelor on the cusp of forty, a financial analyst in a neatly pressed suit, a child of Taiwanese immigrants who doesn't speak a word of Chinese, and, well, a virgin. His only real family is his mother, whose subtle manipulations have kept him close--all in the name of preserving an obscure idea of family and culture.

But when his mother suddenly dies, Emerson sets out for Taipei to scatter her ashes, and to convey a surprising inheritance to his younger brother, Little P. Now enmeshed in the Taiwanese criminal underworld, Little P seems to be running some very shady business out of his uncle's karaoke bar, and he conceals a secret--a crime that has not only severed him from his family, but may have annihilated his conscience. Hoping to appease both the living and the dead, Emerson isn’t about to give up the inheritance until he uncovers Little P's past, and saves what is left of his family.

The Foreigner is a darkly comic tale of crime and contrition, and a riveting story about what it means to be a foreigner--even in one's own family.

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Editorial Reviews

From the Publisher

"Genre-wise, The Foreigner is best described as a thriller, rife with murders, drugs, secrets and betrayals. But you won't find any of the cardboard characters, clunky writing, or clichéd conventions that too often mar suspense fiction. Lin is equally attentive to description and plot. . . . Lovely, detailed writing makes you care about what happens to these characters. . . . A sequel would prove most welcome."---Los Angeles Times

"Lin demonstrates admirable range and skill in The Foreigner. She's capable of writing both marvelous humor and scenes of utter darkness in her tale of a naive man at a complete loss for dealing with the world."---San Francisco Chronicle

"Lin has much to say about the clast of East and West and the sometimes shaky bonds of family, wrapping her sly observations in an entertaining coating of ever-propulsive narrative that turns Emerson from a rich boy into a warier, sleeker, wiser man."---The Baltimore Sun

"[A] darkly funny debut."---Kirkus Reviews

Publishers Weekly

In Lin's stunning debut, a crime novel set in Taiwan, Emerson Chang, a 40-year-old virgin who's a financial analyst, travels from San Francisco to Taipei on a quest to scatter his mother's ashes and re-establish contact with his shady younger brother, Little P, who's been bequeathed the family hotel. At a meeting with Little P, Chang encounters two peculiar cousins, Poison and Big One, as well as Little P's devious friend, Li An-Qing (aka Atticus), who's anxious to get Little P to sell the family hotel to him. Emerson soon finds himself mixed up in machinations involving Atticus and extortion due to Little P's unsavory dealings. In addition, Emerson loses his job back in California, and the property he's inherited in Taipei turns out to have its own mysteries. Chang's distinctive voice propels a strong and original plot, with horrifying revelations. Taut, smart and often funny, this novel will satisfy readers of thrillers and general fiction alike. (June)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Kirkus Reviews
A 40-year-old Taiwanese-American virgin tracks his younger brother into the worst of all possible worlds. Compulsively dutiful Emerson Chang has arrived in the crime-ridden city of Taipei bent on a double mission. Because his mother wants her ashes scattered in the land of her birth, he's carried them there. "At least she was easier to manage in her new form," he reflects. And because he's certain it would have pleased her, he'll hunt for Little P (P for Peter), a quintessentially undutiful son, but her favorite nonetheless. It's been ten years since he's heard from his rascally kid brother, but the instant he locates him, Emerson, who can be as naive as Candide, already knows that he's run true to form. Hard-bitten, shifty and less than delighted at the reunion, Little P now works for an uncle managing the family karaoke bar. Though Emerson speaks no Chinese, even he can spot sleaziness this obvious. This is no ordinary karaoke bar, and its employees, Poison and Big One, are no ordinary cousins but bloodthirsty thugs from whom Emerson instinctively recoils. But it's Little P who keeps the establishment's secret, a secret so ugly and embittering that it ends by pitting brother against brother with biblical fury. Lin can write, and this darkly funny debut is often engrossing, but would that her bachelor protagonist had been a shade less prissy. Agent: Jin Auh/The Wylie Agency
The Barnes & Noble Review
Crime fiction that tells us about life in mainland China have become so common (such authors as Lisa See and Qiu Xiaolong are among the leading practitioners) that it comes as a surprise to realize how little we know about what goes on in the darker streets of Taiwan. Fortunately for us, Francie Lin -- a Harvard graduate and a former editor of The Threepenny Review -- spent two years in Taiwan on a Fulbright Fellowship, which doubtlessly planted in her mind the idea for her absolutely riveting debut thriller. It's about a 40-year-old bachelor called Emerson Chang, a San Francisco financial analyst who doesn't speak a word of Chinese. He has spent his life looking after, and being browbeaten by, his Formosa-born mother, a tough cookie who runs a cheap motel she has renamed the Remeda Inn to suck in the chain's runoff. Mrs. Chang wears her nationality like overdone makeup, saying that her only wish is to have her ashes scattered on her native ground. When she dies, Emerson -- after being somewhat shaken by the news of her large bequest to his younger brother, Little P, who deserted the family and is now deeply involved in the Taiwanese criminal underworld -- sets off for Taiwan, where Little P seems to be running some very shady business out of his uncle's karaoke bar. Lin catches the flavor of the Taiwanese world -- especially its underworld -- with great skill. But she is best at combining her action scenes with touching moments of memory, as Emerson realizes how much his mother lost by coming to America. In a Taiwan hotel lobby, waiting for Little P to show up, Emerson listens to "the nasal strains of an old Shanghainese pop song.... My mother had liked these pop songs from the mainland herself, the old, plaintive ghost of Shanghai glamour." --Dick Adler
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Product Details

  • ISBN-13: 9780312364045
  • Publisher: Picador
  • Publication date: 5/27/2008
  • Edition description: First Edition
  • Pages: 320
  • Product dimensions: 5.52 (w) x 8.12 (h) x 0.87 (d)

Meet the Author

FRANCIE LIN, a former editor at The Threepenny Review, received a Fulbright Fellowship to Taiwan in 2001-2002. She lives in Greenfield, Massachusetts.

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Read an Excerpt

Chapter One

It was my birthday, my fortieth year. I am not a sentimental man, and my birthdays have always passed quietly, with a minimum of anguish and fuss, but for some reason, this year, a sense of dejection hung in my chest like a fog as I drove eastbound across the Bay Bridge to meet my mother for dinner. Rain lashed the windshield. A truck had overturned just past the 880 exit, encircled by flares. Farther on, a dog had been run over, the mangled carcass pulled off to the side and left with its golden fur matted and damp. All these things—melancholy, rain, a little accident, a little blood—all of them are, in hindsight, nothing: souvenirs of a happier time. But back then they seemed to me portentous. Maybe they were.

The Jade Pavilion reservation was for 8:00, and the dashboard clock said 7:52. The traffic budged forward. “Come on. Come on.” My mother hated to be kept waiting; tardiness was the unforgivable sin. I hadn’t been late for dinner more than three or four times—respectable, considering that we had had dinner every Friday for fifteen years, with few exceptions. Dinner, usually followed by an overnight stay in my old childhood room, with a Hershey’s bar and a nip of whiskey to settle my dreams. I am being unnecessarily poetic here, for my dreams don’t need settling. When I was younger, I used to dream of palaces and kingships, and the sight of an enemy flotilla from the turret of a well-defended fort, but now, more often, I dream that I get up, have my breakfast, and take the Powell-Mason streetcar to my office downtown. My dreams and my reality are more or less the same, and I like the regularity and implied balance.

I was bothered, then, when I arrived at the restaurant late and breathless, and found the place nearly empty, my mother nowhere to be seen.

“You want to sit down?” asked the hostess, snapping her gum. Full-blown orange peonies bloomed in her dark hair.

“No, I’ll wait outside.” I tried not to stare at her. The flowers reminded me of the sweet, tangled sleep I used to have, full of a woman and damp sheets and sunset light spilling all over the floor. The starched white collar of her uniform framed a tender little hollow in her throat, where she fingered a string of milky glass beads.

“I’ll . . . I’ll wait outside.”

The restaurant was tucked into an elbow of a huge strip mall. Out in the mall concourse, I called my mother several times, but only got the reservations service. She owned a motel, the Remada Inn, where she had raised both my brother, Little P, and me. The name “Remada” was an inspired bit of trickery on her part, as people tended to mistake ours for the Ramada Inn, yet the misspelling protected us from charges of fraud. Not that the motel had too much business in any case; it was not convenient to the airport, and the customers were mostly long-term tenants stuck in various states of financial or emotional decline.

My mother despised them all. She had arrived in the United States from Taiwan about forty-five years ago, but in that time she hadn’t assimilated so much as grown a prickly, protective shell. Some immigrants were confused or frightened by their dislocation in America, but she tended to see her difference as a mark of the elect. “Americans!” she would say darkly when she heard reports of some social aberration like divorce or pedophilia. She prided herself on speaking very correct English without any slang, but her grasp of detailed grammar and connotations was slippery. In her private grammar, American was an epithet with dark, obscure associations, like bottom-feeders glimpsed in the depths of a dirty lake. “Those Americans.” “That American.” Those and that deployed like tiny bombs, her scorn and contempt decimating the weak, the dreamy, the lazy, the undecided and naïve—everything she associated with America, with Americans. Divorce, alcoholism, teen pregnancy, unemployment: these, she thought, were the provenance of weak American standards, of a long compromise between comfort and immortality.

Eight-fifteen, eight-twenty. I dialed my mother again: no answer. She had been determined that Little P and I should not be absorbed into the general culture, and accordingly, our childhoods had been strictly regimented, full of paranoia and dour regulations that seemed arbitrary to me now, though at the time I believed that there was some kind of system beneath her injunctions. We were not, for instance, allowed to wear shorts, jean jackets, baseball caps, or thin leather ties, nor were we allowed to stand on outdoor benches or decorative rocks, or the retaining walls of gardens in the park. Soda had to be sipped through a straw and could not be drunk while standing or walking. No girls. Certainly no boys. She had been obsessive about hygiene also, and well into our teens we had to submit to a full inspection of our nethers, back to front. On restless, unhappy nights I can still see the thinning part of her hair as I stand naked on the motel toilet lid, looking down at her probing my dickson clinically with a cotton swab dipped in alcohol.

Eight-twenty-five, eight-thirty. A small, mouse-haired Chinese woman with enormous glasses sat opposite me, finger-dipping into her change purse. She wore a shapeless gray skirt, and her pale, moon-shaped face was framed by thin, wistful plaits. About my age. A nice girl. An accountant, probably. Eight-thirty-five, eightforty. I crossed my arms and tried to imagine taking her to the Metronome. Under dimmed lights, on the wide parquet, with the broad strokes of a waltz sweeping through the hall, perhaps I could love a woman like this. She didn’t look coordinated, but she might be good at the cha-cha at least. Coins spilled from her pocketbook onto the floor; she got down awkwardly on all fours to retrieve them. Perhaps just a waltz then.

The tip of an umbrella planted itself near my foot.

“Hello, Mother.”

She had come steaming up the concourse looking fierce, draped in an old blue silk dress and wielding her umbrella like a majorette’s baton. I was touched to see that she had put on makeup for the occasion, although her mouth was like a hard little knot in her face, her eyebrows sketched on at an angle of permanent displeasure.

“Hair!” she said, pointing the umbrella at my head.

“I didn’t have time to comb it.”

She took a tiny brush from her purse.

“Mother!” I ducked, backing away. “Nobody is even looking at me.”

“Doesn’t matter.” The brush hovered and jabbed. “Don’t you want to look nice for yourself?”

“Mother—”

We regarded each other silently for a moment, with the old, familiar suspicion and appraisal, so deep and habitual that they were, for us, a kind of love. Up close, the makeup made her look rather hollow and aged. I was wearing the shoes she’d given me as a birthday present, an expensive pair of soft suede Ferragamos, and their rich, understated luster stood in sad distinction to her frayed silk and battered handbag. Defeated, I bent my head and allowed her to groom me with quick, fastidious little licks of the brush, a bit of spit wetting down the hairs.

Excerpted from The Foreigner by Francie Lin.
Copyright © 2008 by Francie Lin.
Published in 2008 by Picador.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the publisher.

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Reading Group Guide

About this Guide

The following author biography and list of questions about The Foreigner are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach The Foreigner.

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