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by Caryl Phillips

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From an acclaimed, award-winning novelist comes this brilliant hybrid of reportage, fiction, and historical fact: the stories of three black men whose tragic lives speak resoundingly to the problem of race in British society.

With his characteristic grace and forceful prose, Phillips describes the lives of three very different men: Francis Barber,


From an acclaimed, award-winning novelist comes this brilliant hybrid of reportage, fiction, and historical fact: the stories of three black men whose tragic lives speak resoundingly to the problem of race in British society.

With his characteristic grace and forceful prose, Phillips describes the lives of three very different men: Francis Barber, “given” to the 18th-century writer Samuel Johnson, whose friendship with Johnson led to his wretched demise; Randolph Turpin, a boxing champion who ended his life in debt and decrepitude; and David Oluwale, a Nigerian stowaway who arrived in Leeds in 1949 and whose death at the hands of police twenty years later was a wake up call for the entire nation. As Phillips weaves together these three stories, he illuminates the complexities of race relations and social constraints with devastating results.

Editorial Reviews

From the Publisher
“[A] searching meditation on outsiders in England. . . . Foreigners is written, like all Phillips' books, in a style of even, sorrowful precision that enrages as it informs.” —Pico Iyer, Time“Heartbreaking. . . . For his artistic vision and moral courage, we owe Phillips a deep debt of gratitude.” —The Boston Globe“Inspired. . . . Foreigners makes [an] important contribution through the lens of personal history and narrative . . . Disconcertingly resonant.” —The Guardian (London)
Adam Goodheart
"Caryl Phillips's new book looks back over more than 200 years of black history in Britain through the lives of three historical figures and seems intended to offer, in the process, a kind of allegory. Although presented as a novel, it's really a set of freestanding profiles, only lightly fictionalized at most, portraying in turn Francis Barber, the Jamaican servant-turned-heir of Dr. Samuel Johnson; Randolph Turpin, a mixed-race prizefighter who was briefly middleweight champion of the world; and David Oluwale, a Nigerian immigrant who died in 1969 after being brutalized by the Leeds police."
—The New York Times
Vincent Carretta
In this triptych of fictionalized biographies, Phillips's characters remain strangers in a strange land, alienated from their countrymen by circumstance and racism, as well as by their own behavior…Elegiac in subject and tone though they are, the stories of Phillips's "foreigners" ultimately offer hope as well as suffering and death.
—The Washington Post
Publishers Weekly
Reviewed by Kate Christensen

Along with interest and admiration, I read parts of Caryl Phillips's new book, Foreigners, with, I confess, a mixture of bemused perplexity and thwarted expectations, wondering, what is this guy up to here? The rather stodgy historical passages coexist somewhat uneasily with the more fluid and lyrical fictionalized accounts. The three sections rub up against each other with a fierce but not quite cohesive energy. But in the end, the book is a bleakly ironic examination of what it means to be Other-historically and socially-through the stories of three very different black men in England.

The first section, "Doctor Johnson's Watch," is narrated by a late-18th-century journalist who sets out to write a piece for a gentleman's magazine about Francis Barber, the Jamaican boy who was "given" in the early 1750s to Dr. Samuel Johnson, of the famous Dictionary. Dr. Johnson raised the "negro" as his ward until his death; he gave him his freedom and a generous pension, which Barber squandered. At the end of the narrative, Barber, lying on the verge of death in a squalid pauper's hospital, offers poignant insight into the nature of freedom and otherness, insight that the journalist, despite good intentions, may not be prepared to receive.

The second section, "Made in Wales," is narrated in a hard-boiled third person that traces the rise and fall of Randy Turpin, the mixed-race boxer who beat Sugar Ray Leonard in 1951 to become, briefly, middleweight champion of the world, then fell, inevitably, the narrative suggests, into hapless debt and ruin. The third, final, most riveting and beautifully written section, "Northern Lights," istold by a chorus of voices who cobble together the mysterious life and death of David Oluwale, a 20th-century version of Bartleby, a stowaway from Nigeria who washes up in Leeds in 1949 and ends his life stubbornly homeless, willfully persecuted and in 1969, drowned.

Interestingly, Phillips goes into none of these three black men's consciousnesses or psyches. The reader stands some distance away from them with the narrators; except for Barber's piercing, frank lament, we don't get any direct emotional information from any of them. This narrative strategy is essential to the book's intent, as is, I suspect, the uneasiness it provoked in me along the way. Phillips gets at real-life complexities in a visceral, nondidactic way: there are no victims or heroes here. I finished the book hearing Melville's "Ah humanity!" echoing back through its pages.

Kate Christensen's fourth novel,The Great Man , was published last month by Doubleday.

Copyright 2007 Reed Business Information
Kirkus Reviews
Phillips (Dancing in the Dark, 2005, etc.) mixes fact and fiction to examine the sad fates of three very different men of color in England. Francis Barber, more son than servant to Dr. Samuel Johnson, was one of the best-known black men in London in the 18th century. In Phillips's first piece ("Dr. Johnson's Watch"), the unnamed narrator rides in the same coach as Barber, the Doctor's principal legatee, to the great man's funeral. Sixteen years later, the narrator, by now a retired financier, travels to Lichfield, Johnson's hometown, to find Barber's white wife living in poverty and Barber on his deathbed in a grim infirmary; communication is minimal. Barber's squandering of his legacy has been well-documented, and Phillips adds no new insights. The second, much longer piece, "Made in Wales," is a workmanlike third-person account of the life of Randolph Turpin, the mixed-race British boxer whose career highlight was his 1951 defeat of Sugar Ray Robinson to become world middleweight champion. Turpin held the title for 64 days before Robinson reclaimed it at their New York rematch. From there it was mostly downhill for Turpin: woman troubles, money troubles, bankruptcy and suicide at 38. The last piece, "Northern Lights," is the harrowing story of David Oluwale, a Nigerian stowaway who wound up in Leeds in Yorkshire in 1949. (Phillips's family emigrated from the Caribbean to Leeds, where the author was raised.) Phillips uses some seven different and presumably invented narrators for his portrait of Oluwale; they track his deterioration, but the man remains an enigma, and the summaries of the city's history are obtrusive. The Nigerian was a gentle loner whose homelessness made him the targetof two rogue cops, who caused his death by drowning and were convicted on assault charges. In death Oluwale's name became a rallying cry for activists. On balance, Phillips's fictional touches do not help illuminate the issues of race and identity, which he has dealt with better elsewhere.

Product Details

Knopf Doubleday Publishing Group
Publication date:
Vintage International Series
Edition description:
Product dimensions:
5.10(w) x 7.90(h) x 0.70(d)

Read an Excerpt

Doctor Johnson’s Watch

It was a cold December morning, and the bitter wind penetrated my black cloak with ease. However, the stubborn sun continued to shine brightly in the sky, although it failed to bestow any warmth on either myself or the two dozen sombre souls gathered outside of Bolt Court. I glanced about my person, realising that I was part of a bizarre congregation that represented both high and low society, but how could we be anything other than a queer assembly of misfits when one considered the personage who was to be buried on this melancholy English morning?

London society was still somewhat amused by the gossip relating to the recently departed Dr. Johnson’s final exchange with the sour-natured Sir John Hawkins, an apparently abrupt conversation which had taken place only some few short days before the doctor’s death. Understanding that his mortal time was limited, the doctor had demanded of his chief executor in that stern, almost impolite, tone that he had perfected, a tenor of voice which unfortunately masked his more cordial nature, “Where do you intend to bury me?” When the news of the doctor’s question reached the ears of the leisured gentlemen who recline in the smoke-filled coffee houses which constitute London’s informal business world, the question served only to occasion much laughter from both those who knew the gentleman personally, and from those who knew of him by reputation. Indeed, what kind of a question was this? “Where do you intend to bury me?” Apparently Sir John Hawkins maintained his countenance and answered plainly, “In Westminster Abbey.” He might well have continued and punctuated his uncharacteristically civil answer with the rather less civil question, “My good man, where else do you expect to be lain to rest?” According to Hawkins, on receiving this news the great man simply stared back and then, almost as an afterthought, he adjusted his inadequate wig. Although he was evidently drawing close to the terminus of his existence, the slovenly doctor still appeared to be insensible to the squalid spectacle that he presented. However, despite his shabby appearance, Samuel Johnson was undoubtedly the foremost literary scholar of his age, a man whom nobody would dare to deny his rightful place in the abbey next to Geoffrey Chaucer and John Dryden. Eventually, the great gentleman, as though finally understanding that his resting place was indeed to be Westminster Abbey, continued in a less stentorian voice. “Then,” he whispered, “if any friends think it worthwhile to give me a stone, let it be placed over me so as to protect my body.” No report was made of Sir John Hawkins’ reply, if indeed there was any, to this plaintive, and surprisingly coy, request by the good doctor.

On the Monday after the doctor took his leave from this earthly world, we subdued mourners gathered on the narrow pavement outside of Bolt Court. Our gloomy congregation could not be accommodated within the modest confines of Dr. Johnson’s house and, I confess, at this time I was not a member of that privileged inner circle who strolled boldly from their carriages and knocked upon the door before waiting confidently for admittance. Sixteen years ago, I was little more than a minor literary wit in London society, but more properly I was regarded as a financial investor, a man of the City. My participation in Dr. Johnson’s wider circle was unquestioned, but good manners prevented me from attempting to assert a prominence which I had not yet earned. Accordingly, I stood with the less celebrated members of the Literary Club and first stamped my feet, and then rubbed my hands together against the cold, determining that I would remember every last detail of this momentous day so that I might set it down for those who came after me. I was sure that other, more accomplished, pens would eventually make fine prose from the events that were about to unfold, but I remained hopeful that my own modest observations might have some future resonance.

And then, at precisely twelve o’clock, with the sound of City bells pealing gaily in the distance, the door to Bolt Court was thrown open and out into the daylight emerged the grief-stricken figures of the Revd. Mr. Strahan and the Revd. Mr. Butt, both of whom were attired in their sootiest frock coats and whose faces were decorated with a grave aspect. While weak sunlight still conspired to brighten the mood of the day, these two imposing men looked all about themselves before standing to one side. Thereafter, the six stern-faced pallbearers—viz. Mr. Burke, Mr. Windham, Sir Charles Bunbury, Sir Joseph Banks, Mr. Colman, and Mr. Langton—walked gingerly from the house with the burdensome body of the deceased carefully balanced at shoulder height, its weight evenly distributed between them. All eyes were upon these half-dozen men as they prudently inched forward and then deposited the doctor into the hearse, while others who had been gathered inside of the house now spilled out on to the pavement and began distributing themselves into the various coaches that were waiting to transport those afflicted with tenderness and sorrow to the abbey.

The procession departed promptly at a quarter after noon with the hearse and six in front, and the executors—viz. Sir John Hawkins, Sir Joshua Reynolds, and William Scott, LLD—taking up the immediate rear in an attractive coach and four. Behind them were arranged a further eight coaches and four, which provided transportation for the favoured members of the Literary Club and other close friends of the deceased. Behind these eight coaches were two more coaches and four, which contained the pallbearers, and behind them another two coaches and four which would convey a small group of gentlemen who had kindly volunteered to help in any way they could. Closing the procession were no less than thirteen gentlemen’s carriages, which spoke to both the affection in which the doctor was held and to his high social status, all the more remarkable when one considers that this most distinguished of men had been born into undeniably modest circumstances.

I understood that I was to have the great honour of riding in one of the eight coaches that had been designated to transport the doctor’s inner circle. Not wishing to press my suit, I waited until the last possible moment and was eventually ushered into the rearmost vehicle. Once there I was surprised to find myself sharing the coach with Dr. Johnson’s faithful negro servant, Francis Barber, and another man who appeared, by his slipshod dress, to be an English servant of some description who had fallen below even this low station of life. The man appeared to be uncomfortable, and he immediately stared out of the window, as though concentrating hard upon some person or object in the distance. I soon surmised that this was probably his way of disguising his embarrassment at having entered a place which made him feel inadequate. Either this, or his seemingly purposeful gawping was enabling him to stifle a grief that might otherwise grow uncontrollable. I soon turned my attention from this nameless fair-skinned lackey and fixed my gaze upon the polished sable exterior of the renowned Francis Barber. I had, of course, previously made the acquaintance of the doctor’s negro attendant, most commonly when the negro ushered me into the doctor’s house, and then, later in the evening, when he conducted me out of the same establishment. On other occasions the black man might accompany his master on the short journey to a tavern in order that the doctor might dine in the company of a small gathering of his admirers, myself included, and once present the negro would sometimes linger a while before disappearing into the night. However, these few encounters with Francis Barber stimulated precious little in the way of conversation between us, save the normal pleasantries between superior and inferior that one might expect in civilised society. Nevertheless, I had formed a favourable opinion of the sooty fellow as one who remained quietly devoted to his master while exhibiting some occasional exuberance of personality such as one might reasonably anticipate from a member of his race.

There were others whose opinions of the negro were not so generous. Some intimates of the doctor’s circle freely expressed their conviction that Francis Barber was, to their minds, a wastrel, a man who considered his master’s needs only as an afterthought, and who was wont to freely spend the doctor’s money in order that he might improve his own situation. My limited experience with Francis Barber rendered me incapable of passing an informed judgement on this matter, but to my eyes the negro Francis loved his master with virtuous affection and was always protective and loyal to the man under whose roof he had spent the greater part of his life. After all, his master had been a great champion of the negro people, and he had loudly expressed his opinion that slavery could never be considered the natural condition of man. Furthermore, the doctor had consistently thundered that the number of black men who still repined under English cruelty, at home and abroad, remained too great. But dissenting voices could be heard, and chief among the negro-detractors, and Francis Barber in particular, was Sir John Hawkins, the chief executor of the doctor’s will. This peacock of a gentleman was known to hold an ungenerous impression of his fellow man, be they black or white, but it particularly galled him that during the doctor’s life he was never able to dislodge Francis Barber from his high position in Dr. Johnson’s affection. And now, no doubt due to Sir John Hawkins’ scheming, within three days of his master’s decease here was Francis Barber riding in the last of the eight carriages rather than at the head of the procession where he rightfully belonged and, no doubt, where his late master would have insisted that he position himself.

Sad to say, I soon discerned that in the carriage there was an odour, and a not altogether agreeable one at that. Although I refrained from casting any accusative glances, it was clear that the negro, Francis Barber, was the source of the unpleasantness. Our third companion, who could hardly boast that he was the most hygienic creature in the kingdom, visibly recoiled at the smell and quickly fastened a handkerchief to his face. I soon realised that it was not the clothes of Francis Barber that were unwashed and troubling to the senses, but in all likelihood it was the badly matted wig that was causing the unfortunate aroma. Clearly the negro’s wig had lain unattended and unpowdered for quite some time and the negro had most likely hastily snatched it up for the occasion. Despite my discomfort, I was prepared to forgive Francis Barber, for his late master had not provided him with a reliable example. The doctor’s own great bushy wig possessed a hedge-like mass which suggested that a comb had never penetrated its interior, and this chaotic mess no doubt served as the negro’s model for what was acceptable in a headpiece. Sensing my eyes upon him, the humble negro continued to stare intently at the floor of the carriage, as though reading some secret message that had been laid out there for him. Eventually, he raised his black eyes so that they met my own, and then he spoke in a clear English voice.

Meet the Author

Caryl Phillips was born in St. Kitts, West Indies. Brought up in England, he has written for television, radio, theater, and film. He is the author of four books of nonfiction and seven novels. His most recent book, Dancing in the Dark, won the 2006 PEN/Beyond Margins Award, and his previous novel, A Distant Shore, won the 2004 Commonwealth Prize. His other awards include the Martin Luther King Memorial Prize, a Guggenheim fellowship, and the James Tait Black Memorial Prize. He is a fellow of the Royal Society of Literature. Phillips lives in New York.


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