Forests of the Nightby James W. Hall
In the tradition of James Dickey's Deliverance and Charles Frazier's Cold Mountain, bestselling author and award-winning poet James W. Hall has written a literary novel that is also an intricate, suspenseful mystery—a story blending the macabre and the historic, the genteel and the aberrant, the violent and the heroic. With his signature mix of/i>/i>
In the tradition of James Dickey's Deliverance and Charles Frazier's Cold Mountain, bestselling author and award-winning poet James W. Hall has written a literary novel that is also an intricate, suspenseful mystery—a story blending the macabre and the historic, the genteel and the aberrant, the violent and the heroic. With his signature mix of brooding atmosphere and compelling action that readers have come to expect from his Thorn series, Hall takes readers deep into America's own Heart of Darkness in Forests of the Night.
Policewoman Charlotte Monroe has cop instincts. Scratch that. There isn't a name for the gift she has, something that borders on psychic, an ability to read people's faces and body language like the morning headlines—to size up their intentions and act before they do.
It's a real ability that the FBI is trying to teach to its agents. The bureau is spending millions so they'll know the difference between a slightly raised eyebrow and a faint twitch of the lip. But Charlotte's a natural with god-given abilities, and the Feds want her in the worst way, maybe even to the point of blackmail.
Still, Charlotte's gift fails to prepare her for the stranger who shows up on her doorstep with a chilling warning for her husband, a mysterious note scrawled in Cherokee hieroglyphics and a promise of things to come: "You're Next."
The warning becomes more ominous as Charlotte and her husband, Parker, discover the complex truth about this man, including his position on the FBI Most Wanted list and his connection to their family.
When Charlotte's deeply troubled teenage daughter runs away to join the charismatic outlaw, she follows the two of them into the spectral mists of the Great Smoky Mountains—and to the beating heart of a 150-year-old blood feud that will endanger everything she loves and challenge everything she believes.
“Complex…chilling…[Hall's] prose style becomes almost cinematic…don't put this one aside as a beach read. A long winter's night is a better bet.” New York Daily News
“James W. Hall is one of those American novelists who deserve to make the top tier of novelists…if you haven't already discovered Blackwater Sound and Off the Chart, you'll be hunting for them after you read this one. Forests of the Night is Hall's finest work to date. It's serious, gorgeously written, and deftly plotted. It leaves you wanting another book instantly. Hall's work is being compared to Cold Mountain, but it's a whole lot better. He has the lyrical style of a Southern storyteller, reminiscent of James Lee Burke.” Boston Globe & Mail
“Breathlessly plotted…Hall skillfully shapes a wonderfully complex look at Indian lore, deep-seated prejudice, and hatred that doesn't just survive the ages but thrives…Hall combines his usual intense suspense with strong, realistic characters for vivid storytelling in Forests of the Night…his rich focus on good and evil and the lasting power of love and hate in the fast-paced Forests of the Night show the power of his skill.” Orlando Sun-Sentinel
“A page-turning thriller.” Tampa Tribune
“Absorbing…fascinating…intriguing.” Raleigh News & Observer
“Breathless and fast-paced…brisk, suspenseful.” Providence Journal-Bulletin
“A successful departure from [Hall's] usual style…[Hall] leaves the reader wanting more.” Cleveland Plain Dealer
“The sort of first-rate thriller we have come to expect from Hall…in Forests of the Night, Hall again exhibits mastery of the craft. He knows, perhaps better than anyone in the genre, how to tap into the fundamental passions that drive us: ancient, dark, mythic passions, like those spoken round a fire at the dawn of storytelling…Hall has given us a thriller of the first magnitude.” Miami Herald
“This fast-paced literary thriller fuses historical fact, political intrigue, corruption, and family feuds with deep characterizations of a troubled family facing inner terrors of their own…Forests of the Night delivers not only as a thriller but also as a page-turner with smarts.” Bookreporter.com
“[Hall is] a writer who carefully measures out the answers in clean yet elegant prose. Hall used to be a poet. In all the important ways, he still is.” Denver Post
“A multilayered, richly characterized, and compulsively readable story…is it too early to pick a best book of the year?” Rocky Mountain News
“A first-rate literary thriller in the tradition of Stephen Hunter's Dirty White Boys and Wayne Johnson's recent The Devil You Know.” Booklist
“The kind of story meant to be read around a campfire, providing you have a lot of wood stockpiled. Only the bravest souls would want to venture into the darkness in search of kindling after they've read the first few chapters of Forests of the Night.” Atlanta Journal Constitution
“A suspenseful, sharply detailed blend of history, family drama, and thriller, Forests of the Night cuts a wide literary swath, and does it with élan and passion.” Russell Banks, bestselling author of Affliction
“Forests of the Night moves like an arrowlean and swifttoward its amazing target. James W. Hall is at the top of his form; he’s a wonder to watch.” Reynolds Price, bestselling author of A Serious Way of Wondering and Roxanna Slade: A Novel
“Compelling…with action scenes that bristle with visceral intensity…nearly everyone has real depth, and the author’s appreciation for history and its reverberations adds further complexity.” Publishers Weekly
“The story is complex, intricate, and populated by a cast that would have made Cecil B. DeMille proud.” St. Petersburg Times
“[A] fantastic read…perfectly blending heart-stopping suspense with poignant emotions, Hall succeeds in putting forth a flawless tale of exquisite thrills…this is one tale to be savored.” NewMysteryReader.com
Read an Excerpt
THE GREAT SMOKY MOUNTAINS
IN HIS SIXTY YEARS, TSALI had never shed the blood of a white man or another Cherokee in anger or defense. But that was about to change.
Sitting on a sunny boulder outside his family's cabin, Tsali was sharpening his ax blade with a wedge of shale. Nearby, his two eldest sons were employed in similar fashion, preparing their own axes for another day in the forest, hewing firewood for the approaching winter.
Already, autumn's crimsons and golds were blazing through the poplars and birches high on the nearby peaks. And from the earth and stones beneath his feet, Tsali could sense the gray advance of winter. Each day the sun grew more feeble. Soon the drifts of snow would mount, a vast stillness would descend, and yet another test of the family's strength and resourcefulness would present itself.
After a while, Tsali's ax blade was so sharp it could shave the sparse hair from his arm or cleave a man's skull in a single blow.
Such would be its use before that day was done, though Tsali had no inkling of his fate or the ruthless men galloping toward them at that moment.
Isolated on his remote riverside farm, the same land his ancestors had cultivated before him, Tsali knew nothing of the harsh changes sweeping the Cherokee Nation. All through the region, to make room for gold prospectors and white settlers, the U.S. government was systematically stripping Cherokees of their land, rounding them up and marching them halfway across the continent to the prairies of Oklahoma, then known as Indian Territory. Those who resisted were killed on the spot.
On the savage trek, which became known as the Trail of Tears, thousands of Cherokees died of starvation or of disease or at the hands of the U.S. Army. A third of the entire Cherokee Nation would perish before reaching that distant land of parched soil and bleak, treeless plains.
But living in his remote woodland valley, Tsali was ignorant of the events already under way and made no attempt, unlike many in his tribe, to conceal his family from capture.
As they washed and mended clothes in the shade of a giant poplar by the bank of the Nantahala River, Tsali's wife and daughters laughed quietly. Their pleasing voices sounded to Tsali like the music rising from the river's endless movement. The day was blissfully cool, the sky a perfect blue canvas stretched tight across the heavens.
Despite her advanced age, Tsali's wife was stiff a pleasure to his eyes. In their private times, the woman was as eager for the comfort and satisfaction of her husband's body as when they'd first wed. And he was as eager for hers. A comfort beyond all measure.
His contentment was increased by his daughters' full blooming. They were becoming fine women, strong and clever, with the dark, haunting eyes of their mother. Soon Tsali would journey to Quallatown or one of the other far off settlements, introduce the girls to the clan elders, and set about finding suitable partners.
As Tsali rested his gaze on the women, the rumble of hooves sounded from the west. Garbed in blue woolen uniforms with gold buttons and hats of various shapes and sizes, four horsemen broke through the nearby woods, and whooped and fired their weapons at the sky as they galloped into Tsali's clearing. Their leader took the measure of the gathering of savages, then veered toward the boulder where the old man sat and drew his blocky pistol.
The soldier was tall with black hair. His eyes were close set and glittered with a bitter fury. His cheeks were densely bearded. Even from several feet away, Tsali could detect the reek of corn liquor.
Barking a command, the soldier waved his pistol for Tsali to rise. The old man pulled himself to his feet and his boys ran to his side. The other three soldiers were a motley collection who more resembled vagabonds than disciplined fighting men.
Having mastered a few English phrases, Tsali's eldest son took charge of the interchange. This sergeant was hereby ordering Tsali and his family to pack whatever belongings they could carry and make ready for a month's journey.
For what reason? Tsali demanded.
By order of President Andrew Jackson and the Congress of the United States, the sergeant replied. You and your people will accompany us to the Bushnell stockade, where you will remain until such time as you begin your march westward.
Tsali began to protest, but the sergeant jumped down from his horse and rammed his pistol into Tsali's stomach, while the other soldiers grinned and aimed their rifles at the family of Cherokees.
You will do as instructed or die where you stand.
After gathering bundles of possessions, Tsali and his family followed the orders of Sergeant Matthew Tribue, the bearded man with the narrow face and eyes of volcanic rock.
Later, as they trudged away from their home, his sons stared at Tsali, awaiting his command. Were they going to surrender to these loutish men, be marched away to the slaughterhouse without a fight?
Tsali made no move to resist but plodded forward with his eyes on the rocky path before him. After only a mile or so, Tsali's wife, a heavy woman, lagged behind, and Tribue, who had been steadily sipping from his flask, jabbed the old woman in the back with his bayonet to hurry her along.
She fell to the ground, bleeding, while the soldiers hooted at their sergeant's antics.
Tsali managed to hide his anger as he tended his wife's injury, then hoisted her to her feet and helped her forward down the trail.
As they marched, Tsali whispered to his sons, telling them to ready themselves for attack. They would take the soldiers' guns and drive them away.
A mile or so later, when the soldiers were joking among themselves, Tsali motioned to the boys and they drew knives from their bundles and threw themselves on the four military men.
In his haste and drunkenness, one soldier discharged his rifle by accident and blew off the side of his own face. He fell from his saddle, mortally wounded. As the sergeant took hasty aim on the eldest boy, Tsali dragged the big man from his horse and, in one swift stroke, drove his ax into the man's forehead, breaking open his skull as cleanly as a ripe gourd.
The other two soldiers tore away from their attackers and fled.
In the sergeant's fall to the ground, a tin locket on a strip of rawhide came loose from around his neck. Tsali's son retrieved it and handed it to his father. Inside the tin heart was the miniature portrait of a young woman. She was round faced, and her hair was worn in tight curls around her painted face. To Tsali, the woman's toothy smile resembled the cheap, beckoning look of the barroom strumpets he had seen in the white man's settlements.
Tsali closed the locket and placed it on the dead soldier's breast.
Bloodied and weak from the struggle, Tsali stood on that trail, a halfday's walk from his home, and absorbed the certain fact that he and his family were now forever exiled from their ancestral land.
With few choices open to him, Tsali determined they must strike out at once for the nearby peaks, which were honeycombed with caves. There they would hide themselves until some future time, when this difficulty had passed.
In the following days, they hunted the abundant game and harvested the late season crab apples and berries. Twice they heard shouts from distant soldiers searching below them on the mountainside, but on neither occasion did a white man come closer than a half day's walk to their hideaway.
Later still, the weather turned gray and cold. Fog and rain thickened the air. The men's hunting skills provided a steady supply of fresh game, while the girls wove baskets and ornaments to decorate their rock walled home. They were determined to outlast the white man, live in what peace they could manage.
One frigid morning, as the family was awaking, a stranger appeared in the mouth of the cave.
Tsali's sons scrambled for their weapons.
But the Cherokee man showed his empty palms. He meant no harm. He had been searching for Tsali for over a week, carrying a message from the elders of the tribe.
An offer had been put forth by President Jackson. The leader of the white men could not abide Tsali's revolt. He feared Tsali's actions might inspire a wider rebellion. So desperate was the president to end Tsali's insurgence that he was offering the following bargain.
All Cherokee people not already forced from their homes and marched to the desolation of Indian Territory would be granted permission to remain on their tribal land, if only the renegade Tsali would surrender himself and his family to a firing squad.
When the man left, Tsali was silent. Hours passed. Tsali would neither eat nor reply to his wife or children, but sat cross legged at the mouth of the cave, puffing on his pipe and staring toward the distant blue haze of the mountain ranges.
Two days after the offer was made, Tsali rose and gathered his cherished family before him. Tsali was a simple, practical man, not the least bit superstitious. In his long, difficult deliberation, no great spirit from beyond this world of rock and water and sky spoke to him, guiding him to his choice.
Tsali simply decided that for the greater good of his people, he must surrender. He would lay down his life and the lives of those he cherished so others of his people might have a chance to survive. His family received his decision with quiet calm. No tears, no arguments.
Days later, without ceremony, his strong young sons and handsome daughters were shot down before a firing squad, then Tsali was tied to the same bloody, mutilated tree and killed by a volley of bullets. In a small act of mercy, Tsali's wife and youngest boy were spared.
The federal government upheld its bargain and Tsali's death did indeed save scores from death on the Trail of Tears, and secure a home for the thousands of his people who populate those rugged blue mountains today.
No one would claim this plain, pragmatic Cherokee was a saint. His sacrifice did not atone for the sins of mankind, and no cathedrals were erected to honor his name and pass on his teachings. Although his selfless act changed the course of his people's future, because he was a Native American his story survives only on the margins of the nation's history. A pebble among boulders.
Yet when dropped into the center of a still pond, that trifling stone sent ripples of consequence spreading outward in ever widening circles until one of those tiny waves, tainted now by a hateful poison, washed ashore a century and a half later in the most unlikely place.
Copyright 2005 by James W. Hall
Meet the Author
With his wife, Evelyn, and his dogs, Carrie and Stella, James W. Hall travels between his homes in south Florida and North Carolina. For the last 29 years, he has taught literature and creative writing at Florida International University, where his students have included Dennis Lehane, Barbara Parker, and Vicki Hendricks. After publishing four books of poetry and several works of short fiction in such magazines as the Georgia Review and Kenyon Review, Hall began writing crime novels in 1986 with Under Cover of Daylight.
James W. Hall is the author of eleven novels, including Blackwater Sound. He lives in Key Largo, Florida, with his wife.
Most Helpful Customer Reviews
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the book had a fair storyline with interesting characters, but i felt they were not fully developed. the intuitive abilities of charlotte were almost useless to the plot.
This book had me on my toes from start of finish. I didn't want to put it down. Well written and the characters are perfect. Definatly would recommend this book to anyone!
I have read all of Hall's earlier books and was expecting a lot more from this one. I never cared about any of the characters and the dialogue in the mind of the disturbed daughter was annoying to the point of distraction. The premise of the book, the main character's ability to read murdererous intentions in a suspects face went absolutely nowhere. If you want to read Hall, read anything other than this one.
Fantastic, awesome, thrilling, I lost much needed sleep because I could not put the book down...James W. Hall is my FAVORITE Florida Author, I love his work, he has prose and talent unmatched.
Laural Merlington, a veteran of countless audio book performances, is a true pro. She reads with control and distinction, allowing the narrative to carry listeners along. Forests of the Night will more than carry listeners along - it'll have them on the edges of their seats. Charlotte Monroe is a police woman with amazing gifts - she can read people's faces and body language. She lives in Coral Gable, Florida with her husband, Parker, and their emotionally disturbed teenager, Gracey. Gracey is so unstable that she runs away from home to be with an outlaw, not just any outlaw but Jacob Panther, a criminal on the FBI's most wanted list. The chase to find Gracey and Panther takes Charlotte to the Great Smoky Mountains and Cherokee land. Little does she know that she's now not only in North Carolina but also smack in the middle of a Cherokee feud that's been going on for over 150 years. Hall. As always creates complex characters - no stick figures here - and parallel plots. Makes for an absorbing story and good listening. - Gail Cooke
In her Coral Gables, Florida home, police detective Charlotte Monroe shockingly sees her spouse Parker and their daughter Gracey amiably talking with Jacob Bright Sky Panther, who she recognizes from the FBI's Most Wanted list. Jacob escapes abducting Gracey. Stunned, Charlotte questions her husband who reluctantly confesses that Jacob is his son from a summer affair with a Cherokee woman years ago in a North Carolina camp owned by his father. That same season arson burned down the camp killing his dad.--- Charlotte believes that Gracey is being held in the North Carolina Mountains near the sight of the burned out camp. There Charlotte and Parker hope to rescue their daughter though the latter does not believe his son would harm his stepsister. Making matters more complex is bad blood flows, as it has for over a hundred sixty years, between whites and Native Americans, placing their teenage daughter in further jeopardy.--- The opening prequel from 1838 is incredible, which makes for a tough act to follow, but for the most part James W. Hall achieves the objective. The exhilarating story line is at its best when either the felon Jacob or the schizoid Gracey serves as the focus as these two characters seem so genuine. Charlotte is an intriguing police officer with unique talents that surface as she behaves like a lioness seeking to rescue her cub. On the other hand, Parker, as the key link between the players, is one dimensional and never comes across as someone in conflict struggling between what to do for his two offspring. Fans will relish this tense thriller especially when the action moves to the Carolina mountainside.--- Harriet Klausner