Forgetting the Art World

Forgetting the Art World

by Pamela M. Lee
     
 

It may be time to forget the art world--or at least to recognize that a certain historical notion of the art world is in eclipse. Today, the art world spins on its axis so quickly that its maps can no longer be read; its borders blur. In
Forgetting the Art World, Pamela Lee connects the current state of this world to globalization and its attendant

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Overview

It may be time to forget the art world--or at least to recognize that a certain historical notion of the art world is in eclipse. Today, the art world spins on its axis so quickly that its maps can no longer be read; its borders blur. In
Forgetting the Art World, Pamela Lee connects the current state of this world to globalization and its attendant controversies. Contemporary art has responded to globalization with images of movement and migration, borders and multitudes, but Lee looks beyond iconography to view globalization as a world process. Rather than think about the "global art world" as a socioeconomic phenomenon, or in terms of the imagery it stages and sponsors, Lee considers
"the work of art's world" as a medium through which globalization takes place. She argues that the work of art is itself both object and agent of globalization. Lee explores the ways that art actualizes, iterates, or enables the processes of globalization, offering close readings of works by artists who have come to prominence in the last two decades. She examines the "just in time" managerial ethos of Takahashi Murakami; the production of ethereal spaces in Andreas Gursky's images of contemporary markets and manufacture; the logic of immanent cause dramatized in Thomas Hirschhorn's mixed-media displays; and the
"pseudo-collectivism" in the contemporary practice of the Atlas Group, the
Raqs Media Collective, and others. To speak of "the work of art's world," Lee says, is to point to both the work of art's mattering and its materialization, to understand the activity performed by the object as utterly continuous with the world it at once inhabits and creates.

The MIT Press

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Product Details

ISBN-13:
9780262017732
Publisher:
MIT Press
Publication date:
10/31/2012
Pages:
248
Sales rank:
1,037,473
Product dimensions:
8.30(w) x 9.30(h) x 0.80(d)
Age Range:
18 Years

Table of Contents

Contents

Acknowledgments....................[ix] Introduction: Forgetting the Art World....................1
1 The World Is Flat/The End of the World: Takashi Murakami and the Aesthetics of Post-Fordism....................39
2 Gursky's Ether....................69
3 Perpetual Revolution: Thomas Hirschhorn's Sense of the World....................105
4 On Pseudo-Collectivism; or, How to Be a Collective in the Age of the Consumer Sovereign....................147
Conclusion: Numbers....................185
Notes....................[193] Index....................[221]

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