Forgotten History: One-Dip Desk Sets: The writing instruments that ruled the desktop world for three decades
From the 1930s into the 1960s, if you used a desk pen in the workplace, at a bank, or in your attorney's office, you most likely wrote with a "one-dip" pen. Less expensive to buy than fountain-pen desk sets and more economical to use, one-dip sets were produced by important ink and pen makers such as Esterbrook, Carter's, Sanford's, Fount-O-Ink, Sengbusch, and even Sheaffer's.

When they think of desk pens, most pen collectors think of dip pens—which tend to be messy and scratchy, with no tipping material on their nibs—or fountain pen desk sets. But the one-dip desk sets, unheralded and now largely forgotten, were just as prominent in their day.

These pens ofter are mistakenly called "dipless," a misappropriation of Esterbrook's Dip-Less brand, which connoted less dipping than their dip-pen predecessors. They are not in fact dipless; they just require much less frequent dipping because the pens have the ability to hold enough ink to write 200–300 words or more.

This book, the world's first devoted to this fascinating genre of pens with iconically designed bases that evoke the Art Deco, Moderne, and Streamline periods and come in many beautiful colors, will take you through the decades of the rise and golden years of these remarkable writing instruments.
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Forgotten History: One-Dip Desk Sets: The writing instruments that ruled the desktop world for three decades
From the 1930s into the 1960s, if you used a desk pen in the workplace, at a bank, or in your attorney's office, you most likely wrote with a "one-dip" pen. Less expensive to buy than fountain-pen desk sets and more economical to use, one-dip sets were produced by important ink and pen makers such as Esterbrook, Carter's, Sanford's, Fount-O-Ink, Sengbusch, and even Sheaffer's.

When they think of desk pens, most pen collectors think of dip pens—which tend to be messy and scratchy, with no tipping material on their nibs—or fountain pen desk sets. But the one-dip desk sets, unheralded and now largely forgotten, were just as prominent in their day.

These pens ofter are mistakenly called "dipless," a misappropriation of Esterbrook's Dip-Less brand, which connoted less dipping than their dip-pen predecessors. They are not in fact dipless; they just require much less frequent dipping because the pens have the ability to hold enough ink to write 200–300 words or more.

This book, the world's first devoted to this fascinating genre of pens with iconically designed bases that evoke the Art Deco, Moderne, and Streamline periods and come in many beautiful colors, will take you through the decades of the rise and golden years of these remarkable writing instruments.
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Forgotten History: One-Dip Desk Sets: The writing instruments that ruled the desktop world for three decades

Forgotten History: One-Dip Desk Sets: The writing instruments that ruled the desktop world for three decades

Forgotten History: One-Dip Desk Sets: The writing instruments that ruled the desktop world for three decades

Forgotten History: One-Dip Desk Sets: The writing instruments that ruled the desktop world for three decades

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Overview

From the 1930s into the 1960s, if you used a desk pen in the workplace, at a bank, or in your attorney's office, you most likely wrote with a "one-dip" pen. Less expensive to buy than fountain-pen desk sets and more economical to use, one-dip sets were produced by important ink and pen makers such as Esterbrook, Carter's, Sanford's, Fount-O-Ink, Sengbusch, and even Sheaffer's.

When they think of desk pens, most pen collectors think of dip pens—which tend to be messy and scratchy, with no tipping material on their nibs—or fountain pen desk sets. But the one-dip desk sets, unheralded and now largely forgotten, were just as prominent in their day.

These pens ofter are mistakenly called "dipless," a misappropriation of Esterbrook's Dip-Less brand, which connoted less dipping than their dip-pen predecessors. They are not in fact dipless; they just require much less frequent dipping because the pens have the ability to hold enough ink to write 200–300 words or more.

This book, the world's first devoted to this fascinating genre of pens with iconically designed bases that evoke the Art Deco, Moderne, and Streamline periods and come in many beautiful colors, will take you through the decades of the rise and golden years of these remarkable writing instruments.

Product Details

BN ID: 2940186118589
Publisher: Richard Binder
Publication date: 09/24/2024
Sold by: Barnes & Noble
Format: eBook
File size: 13 MB
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About the Author

Richard Binder is a well known authority on the repair, restoration, and history of fountain pens. His intense interest in the pens and in the innovative technologies they embody has led him to share his knowledge in the form of an increasing number of books, magazine articles, and a website. Richard is also a published historian with an especial focus on World War II, and these two seemingly disparate fields coalesced into one when he began researching the history of one-dip desk sets, which encompassed the decades before, during, and after the war. He is noted for thorough coverage of his topic and an accessible, easy-to-read style. When not enjoying his hobbies or writing about them, he shares a passion for cooking with his wife Barbara, with whom he lives in an 1846 New England house (larger than necessary, of course) that they share with their two Abyssinian cats.


David Watts, Jr., is a photographer/filmmaker/historian. As a photographer, he is known for documentary, portrait, and fine art work, especially the more than fifteen years he has devoted to filming and photographing at and for the Collings Foundation/American Heritage Museum. In film and video, he is a broadly experienced producer/director/writer and occasional presenter. History has been a lifelong passion driving his research and writing; of late, his primary focus has encompassed the period of 1918–1949, resulting in newspaper and magazine articles and talks on subjects ranging from V-Mail during World War II to Theodora Alice Ruggles Kitson's Hiker statue (the single most cast bronze statue in the U.S.). He lives with his wife, Susan, and their dog, Fiona, in Wakefield, Massachusetts.
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