Fortune's Faces: The Roman de la Rose and the Poetics of Contingency

Overview

Arguably the single most influential literary work of the European Middle Ages, the Roman de la Rose of Guillaume de Lorris and Jean de Meun has traditionally posed a number of difficulties to modern critics, who have viewed its many interruptions and philosophical discussions as signs of a lack of formal organization and a characteristically medieval predilection for encyclopedic summation. In Fortune's Faces, Daniel Heller-Roazen calls into question these assessments, offering a new and compelling ...

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Fortune's Faces: The Roman de la Rose and the Poetics of Contingency

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Overview

Arguably the single most influential literary work of the European Middle Ages, the Roman de la Rose of Guillaume de Lorris and Jean de Meun has traditionally posed a number of difficulties to modern critics, who have viewed its many interruptions and philosophical discussions as signs of a lack of formal organization and a characteristically medieval predilection for encyclopedic summation. In Fortune's Faces, Daniel Heller-Roazen calls into question these assessments, offering a new and compelling interpretation of the romance as a carefully constructed and far-reaching exploration of the place of fortune, chance, and contingency in literary writing.

Situating the Romance of the Rose at the intersection of medieval literature and philosophy, Heller-Roazen shows how the thirteenth-century work invokes and radicalizes two classical and medieval traditions of reflection on language and contingency: that of the Provençal, French, and Italian love poets, who sought to compose their "verses of pure nothing"in a language Dante defined as "without grammar," and that of Aristotle's discussion of "future contingents" as it was received and refined in the logic, physics, theology, and epistemology of Boethius, Abelard, Albert the Great, and Thomas Aquinas.Through a close analysis of the poetic text and a detailed reconstruction of the logical and metaphysical concept of contingency, Fortune's Faces charts the transformations that literary structures (such as subjectivity, autobiography, prosopopoeia, allegory, and self-reference) undergo in a work that defines itself as radically contingent. Considered in its full poetic and philosophical dimensions, the Romance of the Rose thus acquires an altogether new significance in the history of literature: it appears as a work that incessantly explores its own capacity to be other than it is.

Johns Hopkins University Press

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Editorial Reviews

Speculum - Susan Stakel

Beautiful language... and an elegant, intricate presentation of argument.

Vox Romanica - Amy L. Ingram

A valuable asset to those interested in discovering fresh interpretations of one of the most remarkable literary works of the Middle Ages.

Medium Aevum - Catherine Attwood

A sustained and highly original philosophical tour de force.

French Review - Sarah-Grace Heller

Heller-Roazen's mastery of medieval philology and philosophy is impressive, and representative of a new generation of medieval studies.

Medium Aevum
A sustained and highly original philosophical tour de force.

— Catherine Attwood

Speculum
Beautiful language... and an elegant, intricate presentation of argument.

— Susan Stakel

French Review
Heller-Roazen's mastery of medieval philology and philosophy is impressive, and representative of a new generation of medieval studies.

— Sarah-Grace Heller

Vox Romanica
A valuable asset to those interested in discovering fresh interpretations of one of the most remarkable literary works of the Middle Ages.

— Amy L. Ingram

Speculum - Susan Stakel
Beautiful language... and an elegant, intricate presentation of argument.
Vox Romanica - Amy L. Ingram
A valuable asset to those interested in discovering fresh interpretations of one of the most remarkable literary works of the Middle Ages.
Medium Aevum - Catherine Attwood
A sustained and highly original philosophical tour de force.
French Review - Sarah-Grace Heller
Heller-Roazen's mastery of medieval philology and philosophy is impressive, and representative of a new generation of medieval studies.
Read More Show Less

Product Details

Meet the Author

Daniel Heller-Roazen is an assistant professor of comparative literature at Princeton University.

Johns Hopkins University Press

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Table of Contents

Contents:

Introduction: The Sense of a Book

1. Inventio Linguae: The Language of Contingency

2. The Nameless Lover, or the Contingent Subject

3. Fortune, or The Contingent Figure

4. Through the Looking-Glass: The Knowledge of Contigency

Conclusion: Diverse Verses

Johns Hopkins University Press

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