Foundation: B-boys, B-girls and Hip-Hop Culture in New York

Foundation: B-boys, B-girls and Hip-Hop Culture in New York

by Joseph G. Schloss
ISBN-10:
0195334051
ISBN-13:
9780195334050
Pub. Date:
03/05/2009
Publisher:
Oxford University Press
ISBN-10:
0195334051
ISBN-13:
9780195334050
Pub. Date:
03/05/2009
Publisher:
Oxford University Press
Foundation: B-boys, B-girls and Hip-Hop Culture in New York

Foundation: B-boys, B-girls and Hip-Hop Culture in New York

by Joseph G. Schloss
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Overview

B-boying is a form of Afro-diasporic competitive dance that developed in the Bronx, NY in the early 1970s. Widely - though incorrectly - known as "breakdancing," it is often dismissed as a form of urban acrobatics set to music. In reality, however, b-boying is a deeply traditional and profoundly expressive art form that has been passed down from teacher to student for almost four decades. Foundation: B-boys, B-girls and Hip-Hop Culture in New York offers the first serious study of b-boying as both unique dance form and a manifestation of the most fundamental principles of hip-hop culture. Drawing on anthropological and historical research, interviews and personal experience as a student of the dance, Joseph Schloss presents a nuanced picture of b-boying and its social context. From the dance's distinctive musical repertoire and traditional educational approaches to its complex stylistic principles and secret battle strategies, Foundation illuminates a previously unexamined thread in the complex tapestry that is contemporary hip-hop.


Product Details

ISBN-13: 9780195334050
Publisher: Oxford University Press
Publication date: 03/05/2009
Pages: 192
Product dimensions: 6.30(w) x 9.30(h) x 0.70(d)

About the Author

Joseph Schloss is Visiting Scholar and Adjunct Assistant Professor of Music at New York University. He is the author of Making Beats: The Art of Sample-Based Hip-Hop, which won the 2005 Book Award from the International Association for the Study of Popular Music. His writing has appeared in URB, Vibe, The Seattle Weekly, The Flavor, and the anthologies Classic Material and Total Chaos.

Table of Contents

1. Introduction
2. Getting Your Foundation: Pedagogy
3. B-Boy Text: Aesthetics
4. Crews
5. I hate b-boys - that's why I break: Battling
6. Like old folk songs handed down from generation to generation: history, canon, and community in B-boy culture
7. If Breaking came out of Uprock, then Hip-Hop didn't start in the Bronx: B-boy History
8. Conclusion

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