Framed: The New Woman Criminal in British Culture at the Fin de Siecle

Framed: The New Woman Criminal in British Culture at the Fin de Siecle

by Elizabeth Carolyn Miller
     
 

ISBN-10: 0472070444

ISBN-13: 9780472070442

Pub. Date: 10/30/2008

Publisher: University of Michigan Press

Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque?

In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and

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Overview

Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque?

In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.

"This is a truly extraordinary argument, one that will forever alter our view of turn-of-the-century literary culture, and Miller has demonstrated it with an enrapturing series of readings of fictional and filmic criminal figures. In the process, she has filled a gap between feminist studies of the New Woman of the 1890s and more gender-neutral studies of early twentieth-century literary and social change. Her book offers an extraordinarily important new way to think about the changing shape of political culture at the turn of the century."
---John Kucich, Professor of English, Rutgers University

"Given the intellectual adventurousness of these chapters, the rich material that the author has brought to bear, and its combination of archival depth and disciplinary range, any reader of this remarkable book will be amply rewarded."
---Jonathan Freedman, Professor of English and American Culture, University of Michigan

Elizabeth Carolyn Miller is Assistant Professor of English at the University of California, Davis.

digitalculturebooks is an imprint of the University of Michigan and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

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Product Details

ISBN-13:
9780472070442
Publisher:
University of Michigan Press
Publication date:
10/30/2008
Pages:
296
Product dimensions:
5.90(w) x 9.10(h) x 1.00(d)

Table of Contents

Contents

List of Illustrations....................xi
Introduction....................1
ONE Private and Public Eyes Sherlock Holmes and the Invisible Woman....................25
TWO Beautiful For Ever! Cosmetics, Consumerism, L. T. Meade, and Madame Rachel....................70
THREE The Limits of the Gaze Class, Gender, and Authority in Early British Cinema....................103
FOUR Dynamite, Interrupted Gender in James's and Conrad's Novels of Failed Terror....................149
FIVE "An Invitation to Dynamite" Female Revolutionaries in Late-Victorian Dynamite Narrative....................186
Afterword....................223
Notes....................227
Films Cited....................253
Works Cited....................255
Index....................273

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