Framing the Sacred: The Indian Churches of Early Colonial New Mexico

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Overview

Christian churches erected in Mexico during the early colonial era represented the triumph of European conquest and religious domination. Or did they? Building on recent research that questions the “cultural” conquest of Mesoamerica, Eleanor Wake shows that colonial Mexican churches also reflected the beliefs of the indigenous communities that built them. European authorities failed to recognize that the meaning of the edifices they so admired was being challenged: pre-Columbian iconography integrated into Christian imagery, altars oriented toward indigenous sacred landmarks, and carefully recycled masonry. In Framing the Sacred, Wake examines how the art and architecture of Mexico’s religious structures reveals the indigenous people’s own decisions regarding the conversion program and their accommodation of the Christian message.

As Wake shows, native peoples selected aspects of the invading culture to secure their own culture’s survival. In focusing on anomalies present in indigenous art and their relationship to orthodox Christian iconography, she draws on a wide geographical sampling across various forms of Indian artistic expression, including religious sculpture and painting, innovative architectural detail, cartography, and devotional poetry. She also offers a detailed analysis of documented native ritual practices that—she argues—assist in the interpretation of the imagery.

With more than 200 illustrations, including 24 in color, Framing the Sacred is the most extensive study to date of the indigenous aspects of these churches and fosters a more complete understanding of Christianity’s influence on Mexican peoples.

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Product Details

  • ISBN-13: 9780806140339
  • Publisher: University of Oklahoma Press
  • Publication date: 4/16/2010
  • Pages: 368
  • Product dimensions: 8.30 (w) x 10.10 (h) x 1.20 (d)

Meet the Author

Eleanor Wake (1948-2013) lectured in Latin American Cultural Studies at Birkbeck College, University of London, and wrote numerous scholarly articles on art in colonial Mexico.

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Table of Contents

List of Illustrations

Acknowledgments

Abbreviations

Introduction 3

Chapter 1 Ritual Manifestations and the Search for the Sacred 35

Chapter 2 Colonial Ritual and the Accommodation of the Christian Sacred 55

Chapter 3 Indoctrination and the Building of Churches 77

Chapter 4 Native Perception of Churches 101

Chapter 5 Architectural Detail: Embedded Stones 139

Chapter 6 Painting and Sculpture in an Indo-Christian Context 171

Chapter 7 Framing the Sacred 235

Appendix A Churches, Chapels, Monastery Complexes, and Other Religious Buildings Visited by the Author (1991-2007) 257

Appendix B Sample of Native Maps and Their Representations of Churches Cited in Chapter 4 263

Notes 265

Glossary of Frequently Used Nahuatl or Nahuatl-Derived Terms 299

Bibliography 301

Index 323

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