Framing the Victorians: Photography and the Culture of Realism

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A wide-ranging exploration of the complex and often conflicting discourse on photography in the nineteenth century, Framing the Victorians traces various descriptions of photography as art, science, magic, testimony, proof, document, record, illusion, and diagnosis. Victorian photography, argues Jennifer Green-Lewis, inspired such universal fascination that even two so self-consciously opposed schools as positivist realism and metaphysical romance claimed it as their own. Photography thus became at once the ...

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Overview

A wide-ranging exploration of the complex and often conflicting discourse on photography in the nineteenth century, Framing the Victorians traces various descriptions of photography as art, science, magic, testimony, proof, document, record, illusion, and diagnosis. Victorian photography, argues Jennifer Green-Lewis, inspired such universal fascination that even two so self-consciously opposed schools as positivist realism and metaphysical romance claimed it as their own. Photography thus became at once the symbol of the inadequacy of nineteenth-century empiricism and the proof of its totalizing vision.

Green-Lewis juxtaposes textual descriptions with pictorial representations of a diverse array of cultural activities from war and law enforcement to novel writing and psychiatry. She compares, for example, the exhibition of Roger Fenton's Crimean War photographs (1855) with W. H. Russell's written accounts of the war published in the Times of London (1884 and 1886). Nineteenth-century photography, she maintains, must be reread in the context of Victorian written texts from and against which it developed.

Green-Lewis also draws on works by Thomas Hardy, Nathaniel Hawthorne, and Henry James, as well as published writing by Victorian photographers, in support of her view that photography provides an invaluable model for understanding the act of writing itself. We cannot talk about realism in the nineteenth century without talking about visuality, claims Green-Lewis, and Framing the Victorians explores the connections.

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Product Details

  • ISBN-13: 9780801432767
  • Publisher: Cornell University Press
  • Publication date: 1/28/1996
  • Series: 1/21/2008
  • Edition description: New Edition
  • Pages: 255
  • Product dimensions: 6.47 (w) x 9.58 (h) x 1.08 (d)

Table of Contents

List of Illustrations
Acknowledgments
Introduction 1
1 Coming to Terms: Realism, Romance, Photography 13
2 Pencil of Fire: The Photographer Speaks 37
3 Fiction's Photographers and Their Works: Villains outside the Frame 65
4 Framing the Crimea: The Narrative of Photographs in Exhibition 97
5 The Mind Unveil'd: Photographing the Interior 145
6 Signs of the Things Taken: Testimony, Subjectivity, and the Nineteenth-Century Mug Shot 187
Coda: Other Pictures, Other Worlds 227
Works Cited 235
Index 247
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