- Cygnus...Vismund Cygnus: Sarcophagi/Umbilical Syllables/Facilis ...
- The Widow
- L' Via l'Viaquez
- Miranda That Ghost Just Isn't Holy Anymore: Vade Mecum
- Miranda That Ghost Just Isn't Holy Anymore: Pour Another Icepick
- Miranda That Ghost Just Isn't Holy Anymore: Pisacis (Phra-Men-Ma)
- Miranda That Ghost Just Isn't Holy Anymore: Con Safo
- Cassandra Geminni: Tarantism
- Cassandra Geminni: Plant a Nail in the Navel Stream
- Cassandra Geminni: Faminepulse
- Cassandra Geminni: Multiple Spouse Wounds
- Cassandra Geminni: Sarcophagi
5
1
0075021039773
Omar Rodriguez-Lopez Music Direction
Josefina Vergara Violin
Roberto Cani Violin
Suzie Katayama Cello
Peter Kent Violin
David Campbell Conductor
Diego Casillas Violin
Mario de Leon Violin
Roger Manning Piano
Fernando Moreno Violin
Salvador Hernandez Trumpet
Ernesto Molina Violin
Randy Jones Tuba
Adrian Terrazas Gonzalez Flute,Sax (Tenor)
Larry Corbett Cello
Larry Harlow Piano,Clavinet
Flea Soloist,Trumpet
William Frank "Bill" Reichenbach Jr. Trombone (Bass)
Joel Derouin Violin
John Frusciante Guitar,Soloist
Lenny Castro Percussion
Wayne Bergeron Trumpet
Nick Lane Trombone
Claudius Mittendorfer Assistant
David Schiffman Engineer
Gary Gersh A&R
Jon DeBaun Engineer
Howie Weinberg Mastering
Rich Costey Mixing
Paul Pilsneniks Assistant
David Campbell Composer,Horn Arrangements,String Arrangements
Peter Curzon Cover Art,Photography
Storm Thorgerson Photography
Roger Lian Assistant
Darrell Lance Abbott Cover Art
Bill Thorgerson Cover Art
Marcel Rodriguez-Lopez Group Member
Coqui Of Puerto Rico Performer
Rupert Truman Photography
Andrew Scheps Engineer
Isaiah "Ikey" Owens Group Member
Jon Theodore Group Member
Cedric Bixler-Zavala Composer,Group Member
Omar Rodriguez Composer
Juan Alderete de la Pena Group Member


CD
$9.99
-
SHIP THIS ITEMIn stock. Ships in 1-2 days.PICK UP IN STORE
Your local store may have stock of this item.
Available within 2 business hours
Related collections and offers
9.99
In Stock
Overview
The Mars Volta's 2003 debut was a dense, experimental run-on sentence of science fiction and musical exploration. But though it ultimately rewarded patience with stretches of unbuckled rock & roll genius, De-Loused in the Comatorium was also a maze-like and obtuse migraine dealer that made people frustrated and crazy. For 2005's Frances the Mute, Omar Rodriguez-Lopez and Cedric Bixler-Zavala worked principally with their touring band, but "joining the band for selected moments" are strings, horns, electronic programming, pals Flea and John Frusciante, and the coqui frogs of Puerto Rico. There are no song breaks, making the track listing more of an outline. But Mute's printed lyrics are a helpful guide, a map of Mars that's meant to both direct and fascinate. "She was a mink handjob in sarcophagus heels"; "Don't be afraid when all the worms come crawlin out of your head"; "they were scaling through an ice pick of abscess reckoning and when Miranda sang everyone turned away...." -- perhaps the only match for the cerebral weirdness and eventual beauty of Mars Volta's lyrics is their music itself. The roar of Rodriguez-Lopez and Bixler-Zavala's post-hardcore past is fully locked away, replaced by an equally powerful flair for expressive percussion, intricate vocal harmonies, and extended solos for electric guitar (as on the initial part of "Cygnus...Vismund Cygnus"). Sure, there are moments on Mute that reach the grandiose heights of heavy music -- "L'Via l'Viaquez"'s ear-splitting changes will blow back your hair. But the same song is sung half in Spanish, half in English, and its flashes of heaviness fall between stretches of Afro-Cuban rhythm. Other portions of Frances the Mute are murky and distant, like field recordings from the ocean floor, while still others shift drastically between brittle acoustics and a stuttering, guitar-led volatility that threatens to crack open the earth. Its constant shifts mean the record is claustrophobic and even dizzying; it demands perseverance. But it's great when a blast of a trumpet cuts through a gloomy moment, and Bixler-Zavala's vocals are a thread to reality. For example, while his lyrics for "Miranda That Ghost Just Isn't Holy Anymore" and "Widow" are mysterious poems, he sings them with a fervor that's immediately identifiable. That passion is evident throughout Frances the Mute; it's the organic fever that was buried on Comatorium. ~ Johnny Loftus
Product Details
Release Date: | 02/21/2005 |
---|---|
Label: | Def Jam / Island / Motown / Polydor / Universal |
UPC: | 0075021039773 |
Tracks
Album Credits
Performance Credits
The Mars Volta Primary ArtistOmar Rodriguez-Lopez Music Direction
Josefina Vergara Violin
Roberto Cani Violin
Suzie Katayama Cello
Peter Kent Violin
David Campbell Conductor
Diego Casillas Violin
Mario de Leon Violin
Roger Manning Piano
Fernando Moreno Violin
Salvador Hernandez Trumpet
Ernesto Molina Violin
Randy Jones Tuba
Adrian Terrazas Gonzalez Flute,Sax (Tenor)
Larry Corbett Cello
Larry Harlow Piano,Clavinet
Flea Soloist,Trumpet
William Frank "Bill" Reichenbach Jr. Trombone (Bass)
Joel Derouin Violin
John Frusciante Guitar,Soloist
Lenny Castro Percussion
Wayne Bergeron Trumpet
Nick Lane Trombone
Technical Credits
Omar Rodriguez-Lopez Audio Production,Composer,Engineer,Producer,Group MemberClaudius Mittendorfer Assistant
David Schiffman Engineer
Gary Gersh A&R
Jon DeBaun Engineer
Howie Weinberg Mastering
Rich Costey Mixing
Paul Pilsneniks Assistant
David Campbell Composer,Horn Arrangements,String Arrangements
Peter Curzon Cover Art,Photography
Storm Thorgerson Photography
Roger Lian Assistant
Darrell Lance Abbott Cover Art
Bill Thorgerson Cover Art
Marcel Rodriguez-Lopez Group Member
Coqui Of Puerto Rico Performer
Rupert Truman Photography
Andrew Scheps Engineer
Isaiah "Ikey" Owens Group Member
Jon Theodore Group Member
Cedric Bixler-Zavala Composer,Group Member
Omar Rodriguez Composer
Juan Alderete de la Pena Group Member
From the B&N Reads Blog
Page 1 of