Francis Poulenc

Overview


Once considered as little more than the froth in the wake of the First World War, a witty boy-hedonist who, in the giddy Twenties, tweaked the noses of moribund establishmentarians, Poulenc has in fact proved unexpectedly durable--more so than any of his colleagues among Les Six, including those who developed more grandiose ambitions. Here is a survey of Poulenc's music, based on careful selection of his works, and written by an authoritative guide. After placing Poulenc in the context of French life and society...
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Oxford, England 1993 Hard cover New ed. Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. ... Sewn binding. Cloth over boards. 208 p. Contains: Illustrations. Oxford Studies of Composers. *****PLEASE NOTE: This item is shipping from an authorized seller in Europe. In the event that a return is necessary, you will be able to return your item within the US. To learn more about our European sellers and policies see the BookQuest FAQ section***** Read more Show Less

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Overview


Once considered as little more than the froth in the wake of the First World War, a witty boy-hedonist who, in the giddy Twenties, tweaked the noses of moribund establishmentarians, Poulenc has in fact proved unexpectedly durable--more so than any of his colleagues among Les Six, including those who developed more grandiose ambitions. Here is a survey of Poulenc's music, based on careful selection of his works, and written by an authoritative guide. After placing Poulenc in the context of French life and society after the First World War and considering him in relation to his masters and mentors, especially Satie and Chabrier, Mellers turns to Poulenc's Diaghilev ballet, Les Biches, to important sequels to it, such as Concert champêtre and Aubade, and to works of transition, such as the Concerto for two pianos and orchestra. The next section discusses the "social" music of Poulenc's middle years--especially the music for piano (for Poulenc a domestic instrument), written during the Thirties, and the centrality of song in his work; some account is offered of his relationship with his main poets, Guillaume Apollinaire, Paul Eluard, and Louise de Vilmorin. Mellers next considers the impact on Poulenc of the Second World War, especially as manifest in the great choral work Quatre Motets de Pénitence and the Organ Concerto. Adopting a broadly chronological approach, Mellers traces Poulenc's development as a composer from enfant terrible to a mature composer both for secular society and for the liturgy of the Catholic Church; in so doing he points to the reasons for the durability and pertinacity of his appeal. Mellers further assesses Poulenc's place in the French tradition, and, in a Postlude, pays tribute to the warm regard with which Poulenc was held by so many of his fellow musicians.
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Product Details

  • ISBN-13: 9780198163374
  • Publisher: Oxford University Press, USA
  • Publication date: 12/2/1993
  • Series: Oxford Studies of Composers Series
  • Pages: 208
  • Product dimensions: 5.62 (w) x 8.82 (h) x 0.68 (d)

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