| Amy Winehouse | Primary Artist, Guitar, Vocals |
| Vincent Henry | Flute, Alto Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone |
| Bruce Purse | Baritone Horn, Bass Trumpet |
| Robert Aaron | Flute, Saxophone |
| Rudy Bird | Percussion, Shaker |
| Salaam Remi | Organ |
| Matt Rowe | Trumpet, Background Vocals |
| Lenny Underwood | Piano, Keyboards |
| Gordon Williams | Percussion |
| Teodross Avery | Saxophone |
| Commissioner Gordon | Percussion, Drums, Turntables |
| Jeremy Shaw | Guitar |
| Richard Wilkinson | Drums |
| Jenni Fujita | Background Vocals |
| Delroy "Chris" Cooper | Bass |
| John Adams | Organ, fender rhodes |
| Stafford Hunter | Trombone |
| Errol Campbell | Percussion, Drums |
| Timothy Hutton | Horn |
| Tanya Darby | Trumpet |
| Stefan Skarbek | Trumpet, Background Vocals |
| Felix Howard | Background Vocals |
| Salaam "The Chameleon" Rami | Percussion, Electric Bass, Drums, Upright Bass |
| Luke "Lukvatine" Smith | Bass, Piano, Keyboards |
| 21st Century Jazz | Accompaniment |
| Jan Barter | Guitar |
| Donovan Jackson | Organ, Keyboards, fender rhodes |
| Troy Auxilly-Wilson | Drums |
| Jimmy McHugh | Composer |
| Dorothy Fields | Composer |
| Isham Jones | Composer |
| Salaam Remi | Composer |
| Matt Rowe | Composer, Producer |
| Marty Symes | Composer |
| Gordon Williams | Composer |
| Luke Smith | Composer |
| Gary Noble | Engineer |
| Paul Watson | Composer |
| Tom Coyne | Mastering |
| Commissioner Gordon | Programming, Producer, Engineer |
| Johnny Rockstar | Producer |
| Amy Winehouse | Composer, Producer |
| Astor "Crusty" Campbell | Composer |
| Stefan Skarbek | Composer, Producer |
| Felix Howard | Composer |
| Salaam "The Chameleon" Rami | Arranger, Programming, Producer |
| Nick Godwyn | Management |
| Donovan Jackson | Composer |
| Charles Moriarty | Cover Photo |
Ladu
Posted October 13, 2011
A great album with a mix of Jazz, R&B, and Hip Hop. Knowing that she was only 18 years old when she started writing these song shows how talented she was. She was an incredible artist that will live on forever.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 1, 2010
If she won 5 grammys for Back to Black she will win 10 for Frank. I love this CD! I have had it since its relase in the U.S. and I still listen to it daily. I cant get enough!
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Posted October 1, 2010
Her voice and talents are amazing. Her life and lifestyle is tragic and destructive. While it doesn't always paint a great picture of a fantastic stable person what it does do is combine to make a muse out of Amy that is haunting, hip, terribly moving, and terribly real. The re-release of this album is a blessing to anyone who appreciates strong female talent in the music industry.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 1, 2010
the album was great but she's not r&b she's pop soul .
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Posted October 1, 2010
Amy Winehouse has a great voice and her subject matter is always in your face. Frank is an excellent introduction to Amy's true Soulful side. This CD is more revealing of her true talent, which balances the grittier HIP HOP sound via break beats and loops with a jazzier swing. It's older material--her debut, released in the UK in 2005 and is not as pop-oriented "gimmicky" as Back To Black.
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Posted October 1, 2010
I bought this CD from the UK several months ago and play it more than Back to Black. This is the more soulful and playful side to Amy Winehouse. Not so dark!! I love Back to Black, but I love this more!!! BUY IT!!!!
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Posted October 31, 2008
No text was provided for this review.
Anonymous
Posted December 28, 2008
No text was provided for this review.
Anonymous
Posted February 13, 2009
No text was provided for this review.
Editorial Reviews
All Music Guide - John Bush
If a series of unfortunate comparisons like the ones to follow cause listeners to equate British vocalist Amy Winehouse with Macy Gray, it's only natural. Both come on like a hybrid of Billie Holiday and Lauryn Hill who's had a tipple and then attempted one more late-night set at a supper club than they should have. Despite her boozy persona and loose-limbed delivery, though, Winehouse is an excellent vocalist possessing both power and subtlety, the latter an increasingly rare commodity among contemporary female vocalists whether jazz or R&B. What lifts her above Macy Gray is the fact that her music and her career haven't been marketed within an inch of their life. ...