Frankenstein: Case Studies in Contemporary Criticism Series / Edition 1

Frankenstein: Case Studies in Contemporary Criticism Series / Edition 1

by Mary Shelley
     
 

ISBN-10: 0312044690

ISBN-13: 9780312044695

Pub. Date: 02/28/1992

Publisher: St. Martin's Press

This revision of a widely adopted critical edition presents the 1831 text of Mary Shelley’s English Romantic novel along with critical essays that introduce students to Frankenstein from contemporary psychoanalytic, Marxist, feminist, gender, and cultural studies perspectives. An additional essay demonstrates how various critical perspectives can be

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Overview

This revision of a widely adopted critical edition presents the 1831 text of Mary Shelley’s English Romantic novel along with critical essays that introduce students to Frankenstein from contemporary psychoanalytic, Marxist, feminist, gender, and cultural studies perspectives. An additional essay demonstrates how various critical perspectives can be combined. In the second edition, 3 of the 6 essays are new. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms.

Product Details

ISBN-13:
9780312044695
Publisher:
St. Martin's Press
Publication date:
02/28/1992
Series:
Case Studies in Contemporary Criticism Series
Edition description:
1818 Text Edition
Pages:
358
Product dimensions:
5.50(w) x 8.17(h) x 0.92(d)

Table of Contents

Preface.

Monsters, Visionaries, and Mary Shelley.
Aesthetic Adventures.
Edmund Burke, “On the Sublime and the Beautiful,” from A Philosophical Inquiry into the Origins of Our Ideas of the Sublime and the Beautiful.
Mary Wollstonecraft, from A Vindication of the Rights of Men.
William Gilpin, from Picturesque Travel.
Samuel Taylor Coleridge, from The Rime of the Ancyent Marinere, 1798.
Mary Wollstonecraft, Jemima's Story from Maria, or The Wrongs of Woman.
Mary Godwin (Shelley), journal entries.
Percy Shelley, from Alastor, or the Spirit of Solitude.
Mary Shelley, from History of a Six Weeks' Tour.
Percy Shelley, Mont Blanc.
George Gordon, Lord Byron, Canto 3 from Childe Harold's Pilgrimage III.
George Gordon, George Gordon, Lord Byron, A Fragment.
Richard Brinsley Peake, from Frankenstein, A Romantic Drama.
Mary Shelley, from a letter to E. J. Trelawny.
Dr. Benjamin Spock, “Enjoy Your Baby,” from Baby and Child Care.

Milton's Satan and Romantic Imaginations.
The King James Bible, Genesis, Chapters 2 and 3.
John Milton, from Paradise Lost.
William Godwin, from “An Enquiry Concerning Political Justice.
George Gordon, Lord Byron, “Prometheus.”
John Keats, To One Who Has Been Long in City Pent.
John Keats, Marginalia to Paradise Lost.
William Hazlitt, “On Shakespeare and Milton,” from Lectures on the English Poets.
Percy Bysshe Shelley, Preface Prometheus Unbound.
Percy Bysshe Shelley, from A Defence of Poetry.
Thomas De Quincey, “What Do We Mean by Literature?”

What the Reviews Said.
John Wilson Croker, Quarterly Review, January 1818.
Walter Scott, Blackwood's Edinburgh Magazine, March 1818.
Edinburgh Magazine and Literary Miscellany, March 1818.
Belle Assemblàe, March 1818.
The British Critic, April 1818.
Gentleman's Magazine, April 1818.
Monthly Review, April 1818.
The Literary Panorama and National Register, June 1818.
Knight's Quarterly Magazine, August 1824.
Blackwood's Edinburgh Magazine, March 1823.
London Morning Post, July 1823.
George Canning, remarks in the House of Commons, March 1824.
Knight's Quarterly Magazine, August 1824.
Percy Bysshe Shelley, Anthenfum, November 1832.

Further Reading and Viewing.

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