Frankenstein's Monster

Frankenstein's Monster

4.6 6
by Susan Heyboer O'Keefe

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“Behind me, stiffened with frost, lie the remains of Victor Frankenstein.”
What becomes of a monster without its maker? At the end of Mary Shelley’s classic novel, the creator dies but his creation still lives, cursed to a life of isolation and hatred. 

Frankenstein’s Monster
continues the


“Behind me, stiffened with frost, lie the remains of Victor Frankenstein.”
What becomes of a monster without its maker? At the end of Mary Shelley’s classic novel, the creator dies but his creation still lives, cursed to a life of isolation and hatred. 

Frankenstein’s Monster
continues the creature’s story as he’s compelled to discover his humanity, to escape the ship captain who vowed to the dying Frankenstein to hunt him down—and to resist the woman who would destroy them all.

This is a tale of passion, revenge, violence, and madness—and the desperate search for meaning in an often meaningless world.

Editorial Reviews

Publishers Weekly
The eponymous monster of gothic horror rises once again in this well-wrought sequel to Mary Shelley’s classic tale, the adult debut of children’s author O’Keefe (One Hungry Monster with Lynn Munsinger). Narrated by the articulate and sensitive monster, the novel picks up immediately after the end of Shelley’s original, with explorer Robert Walton deciding to avenge the death of his “friend” Victor by relentlessly pursuing Frankenstein’s creation to its death. In retaliation, the monster treks to England to destroy Walton’s family only to befriend and fall in love with Walton’s capricious niece, Lily Winterbourne. Run-ins with misunderstanding humans and the monomaniacal Walton as the couple attempt to flee to the desolate Orkney Islands give the monster ample opportunities to reflect on the inherent cruelty of humans, the nature of compassion, and mysteries of life and death. O’Keefe credibly extrapolates the moods and thoughts of the monster from how Shelley first imagined them in one of the better recent treatments of the Frankenstein theme. (Oct.)
From the Publisher
“As audacious in its ambition as the original, Frankenstein's Monster patches together the remains of Mary Shelley's novel and sends the creature roaring back into the world.  Susan Heyboer O'Keefe has created original monsters of her own that will frighten and fascinate and keep you up late at night.”—Keith Donohue, author of The Stolen Child and Angels of Destruction

“Vivid, powerful, gripping and intensely moving: the pace does not relax for a second from beginning to end.”—Rosalind Miles, New York Times bestselling author of I, Elizabeth
“A dark, riveting read full of the most burning passions and intense, soul-searing hatreds, about a monster who longs to be a man and men who behave like monsters.”—Carolyn Turgeon, author of Godmother: The Secret Cinderella Story
"A haunting, compassionate look at one of the most maligned and misunderstood creatures in literature."—Megan Chance, author of Prima Donna

Product Details

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5.10(w) x 7.90(h) x 0.90(d)

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April 15, 1838

I killed my father again last night.

It was the same dream as always, my father and myself pursuing and pursued till I no longer knew who he was, who I was; indeed, if there were any difference between us.

In the dream my father chases me over a stretch of the Arctic, as he did in the weeks before his death. Once more I flee from his wrath and at the same time lure him on. I drive the sled dogs wildly. As the dogs pant, their spittle freezes and is swept backward by the wind to hail needles against my face. Fog rises from the ice and clings thickly to the dogs: I am pulled along by white devils from Hell.

Devil. Was that not his very first word upon seeing me rise up? What had he wanted from his labors that I proved so poor a substitute?

In the dream, as in life, he chases me endlessly. As it cracks wide, the ice beneath us roars like a wounded behemoth. Huge white blocks are shoved upward in nightmare architecture. At last I abandon the sled and cross the broken ice on foot. Greater and greater are the blocks I must climb, the gaps I must leap. Black water laps at the edges of ice. My father is nearby. I hear him mutter "fiend" and "abomination." His face appears, framed by white mist; it mirrors my own horror and hatred. I reach out. My fingers curl around his throat, as his reach out to mine. He laughs. I wonder if my face shows the same delight. That is all I remember before waking. I know that I have killed him. I do not know if he has killed me.

It has taken me these ten years to be able to recognize that Victor Frankenstein was my father. If he had lived, might he have learned to call me his son?

April 16

Walton is coming. I feel it in my scarred flesh like an old rheumatic who aches at the coming rain. He is close by, but not here in Rome, not yet. How much time do I have?

April 18

I have been here in Rome so long now I almost dare think of it as home. The dream is a warning that I must never grow comfortable. Rome must be like any other city, simply one more place where Walton will track me down.

Sometimes a city such as Rome makes me remember I am only a distant witness to life, and I wonder if I should have done as I had said long ago and rid the world of my unnatural presence. Was it cowardice that stopped me? Can I be so human as to claim that defect? No matter. I did not do it. Although I be a created thing, an artificial man, I cling to my existence.

April 19

My premonition spoke true: Walton has found me again. I flee Rome tonight.

April 20

I am safe for the moment, having taken shelter in one of the catacombs just outside the city. Tonight I shall slip away and travel north. From there I will decide my next destination. For now, I sit watch among my dead brothers. The candlelight flickers over their noble skulls and is swallowed by the blackness of their eyes. If the ratlike scratching of my pen disturbs them, they voice not their complaint. Once I was like them, peaceful and still, the life that animated my bones long forgotten and blown to dust. Then my father, seeking a frame upon which to hang his evil art, claimed me as his own.

How many lives had I lived before being brought together as I am? As many lives as parts? Was I man, woman, animal? My two hands, my two feet, are so mismatched they clearly come from four separate people. My brain, my heart, each had separate hopes and ambitions. What had I seen? What did I know? Do I know it still even now?

How uncannily Boethius wrote:

For neither doth he wholly know, Nor neither doth he all forget.

My father robbed me of more than he knew, orphaning each part of me of its past.

Enough! With Walton on my scent, I must make new plans.

I had foolishly thought myself safe in Rome and had settled among the dark alleys of that city within a city, the Vatican. My face was always covered with the hood of my cloak. To hide my true height, I remained at all times crouched, knees bent as I sat on my haunches, and even walked thus, my body twisted and stooped like a hunchback's; the girth created by my shoulders and knees and elbows made it appear as if a head had been stuck on top of a boulder. My dead limbs could hold the position for hours. Only in Saint Peter's did I rise up to stand. My dimensions were more suited to the grandeur of the basilica than the dwarfish men who had constructed it. I spent my nights there; by day I sat on the steps out front and begged alms, a dented cup before me with a few coins in it.

For what? The coarseness of my body allows me to thrive on the meanest food: in the countryside, roots, nuts, berries, an occasional animal; in the city, the refuse of others. A slice of fresh warm bread rubbed with garlic and drizzled with olive oil, the taste of which the poorest Roman knows intimately, is to me ambrosia.

No, it was sustenance of another sort I found upon those steps: I glutted myself on the sight of Rome's women as they hurried to market or strolled to an assignation. How easily I was swept up by their beauty.

Just last week, while I was begging in St. Peter's Square, a woman ran by. Although she was clearly distressed, her face and form were so exquisite I had to gaze on her awhile longer. Her complexion was pale and her hair, fair; I imagined her not a native but a visitor from a Nordic clime, come here, perhaps, for the sake of true love. I wondered how a virtuous and refined lady came to be wandering the streets of Rome alone. What possible complaint was so ignoble as to sully those graceful features? I fancied that only I could alleviate her suffering, if she would but let me.

Such is thy beauty, how Should my heart know To frame thy praise and taste thy godly pleasure? Take not thy image hence.

At a discreet distance I followed the blonde woman to a street where potted plants adorned window sills and gave each house a cheerful air. At one such place she stopped and rapped sharply on the door. A servant answered. Immediately my beautiful lady accused the girl of stealing a plum when she had accompanied her mistress to the blonde woman's house yesterday. Bright spots of anger mottled her queenly face, her eyes grew ugly, and, like a rabid dog, foam gathered in the corners of her lips. She struck the servant forcefully; the girl would have fallen if she had not held on to the door frame.

"No!" I cried, rushing forward.

Meet the Author

SUSAN HEYBOER O’KEEFE is the author of the novel Death by Eggplant, a Disney Adventures Kids’ Choice nominee; the bestselling picture book One Hungry Monster; and the newest addition Hungry Monster ABC. Frankenstein’s Monster is her adult debut.

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Frankenstein's Monster 4.7 out of 5 based on 0 ratings. 6 reviews.
fstopnancy More than 1 year ago
Move over, Jennifer Donnelly! Here comes acclaimed children's author Susan Heyboer O'Keefe in her stunning debut as author of a novel for adults. Picking up the story where Mary Shelley left off, Frankenstein's Monster takes the reader on a meticulously researched, breathtaking adventure through Venice, the North of England, the Orkneys, and other places until the ultimate encounter between the monster, alias Victor Hartmann, and his nemesis, the enigmatic, devilishly determined Robert Walton. Like a master nature photographer who places the viewer right in the midst of the scene instead of letting him or her regard the prospect from some point outside it, Heyboer O'Keefe drops the reader right into the midst of the action with all its sights, sounds, and even smells. If I could immediately think of alternatives to such clichés as "page-turner" and "plot twists" I would use them, but suffice it to say that you could well end up devouring this engaging novel all in a single one-night sitting--and afterward, you will never be the same (another cliché, sorry!). One could read Frankenstein's Monster simply as an amazing thriller-cum-travelogue, but then one would miss the real, deep, searing human drama that informs the entire work and ultimately asks the question: Who is the real monster? Don't miss this novel. And be sure to watch out for future offerings from this sensitive, gifted author.
Ruth Ashley More than 1 year ago
MARY SHELLEY WOULD BE PROUD. So like a sequel, yet stands on its own. Monster is a deeper character than all the others.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Kataman1 More than 1 year ago
O'Keefe just an excellent job of capturing Mary Shelley's actual style in this sequel that you might be hard pressed to realize it is a different author. The book begins at the end of the original classic, with Victor's creation battling Walton and leaving him for dead. He flees to Europe and the brunt of the tale takes place ten years later. The creature is living off the streets as a beggar in Rome and seems to find some happiness when he rescues a mute girl from her kidnappers. The girl is not repulsed by the creature and lives protected by him while he begs scraps to keep them fed. Alas, like Jean Valjean in Les Miserables, the creature has his own Javert in Walton who seem to pursue him relentlessly and always seems to show up at the wrong time. Walton destroys the creature's happiness and he then decides to do to Walton what he had done to Victor. That is kill his entire family before, ultimately killing him. This leads the creature to England but once he arrives to do the deed, he is intrigued by Walton's family and especially, Walton's niece Lily. The creature is forced to finally assume a name (Victor Hartman) and it seems this is just one step in trying to make his soul more human. Lily is an odd soul herself and it seems that each chapter (actually written in the form of Victor Hartman's diary) brings a new twist to her that the reader doesn't see coming. Will Lily be Victor's good fairy (like the story of Pinocchio) and help Victor to become a real human? The story is so unpredictable that the reader is never quite sure. This is an excellent sequel and at the end of the tale the author provides questions for discussion, as if anticipating that this work will end up on the reading list for a University class.
Anonymous More than 1 year ago
Loved this. Great continuation of the story.