Franz Liszt, Volume 1: The Virtuoso Years, 1811-1847

Franz Liszt, Volume 1: The Virtuoso Years, 1811-1847

by Alan Walker

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Franz Liszt--child prodigy, virtuoso pianist, co-founder with Chopin and Schumann of the Romantic movement in music--has been the subject of literally hundreds of biographies, but it is only in the last few decades that the importance of Liszt the composer, as opposed to Liszt the Romantic hero, has been recognized. This new perspective has created the need for a


Franz Liszt--child prodigy, virtuoso pianist, co-founder with Chopin and Schumann of the Romantic movement in music--has been the subject of literally hundreds of biographies, but it is only in the last few decades that the importance of Liszt the composer, as opposed to Liszt the Romantic hero, has been recognized. This new perspective has created the need for a fresh, full-scale approach, biographical and critical, to the evaluation of the man and his music.

For more than ten years Alan Walker, a leading authority on nineteenth-century music and the author of important studies of Chopin and Schumann, has traveled throughout Europe discovering unpublished material in museums and private collections, in the parish registries of tiny villages in Austria and Hungary, and in major archives in Weimar and Budapest, seeking out new information and corroborating or correcting the old. He has left virtually no source unexamined--from the hundreds of contemporary biographies (many of them more fiction than fact) to the scores of memoirs, reminisces, and diaries of his pupils and disciples (the list of his students from his Weimar masterclasses reads like a Burke's Peerage of pianists). Dr. Walker's efforts have culminated in a study that will stand as definitive for years to come. A feat of impeccable scholarship, it also displays a strong and compelling narrative impulse and a profound understanding of the complicated man Liszt was.

In this, the first of three volumes, Dr. Walker examines in greater detail than has ever before been amassed Liszt's family background and his early years. We see "Franzi," a deeply religious and mystical child, whose extraordinary musical gifts lead to studies with the great Carl Czerny in Vienna and propel him into overnight fame in Paris--his youthful opera,Don Sanche, performed when he is fourteen--and in a disorderly and impulsive way of life by the time he is sixteen . . . We see Liszt drifting into obscurity after a nervous breakdown at the age of seventeen, then hearing Paganini for the first time and being so fired by the violinist's amazing technique that he sets for himself a titanic program of work, his aim no less than to create an entirely new repertoire for the piano....We see him, after years if successful touring, returning triumphantly to Hungary, his homeland, and publishing in the same year his "Transcendental" and "Paganini" studies. the signposts of his astonishing technical breakthrough....Finally, we see Liszt at the height of his artistic powers, giving well over a thousand concerts across Europe and Russia during the years 1839-47: "inventing" the modern piano recital, playing entire programs from memory, performing the complete contemporary piano repertoire, breaking down the barriers that had traditionally separated performing artists from their "social superiors," fostering the Romantic view of the artist as superior bring, because divinely gifted . . . until--his colossal career virtually impossible to sustain--he gives his last paid performance at the age of thirty-five . . .

Unparalleled in its completeness, its soundness of documentation, and in the quality of its writing, The Virtuoso Years is the first volume of what will unquestionably be the most important biography of Franz Liszt in English or any other language.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
This second volume of Walker's monumental, extremely enjoyable study examines the 12 years during which the remarkable piano virtuoso, a Roman Catholic, settled in Weimar, a Protestant city, with the even-more-devout but married Princess Carolyne. During this difficult period Liszt conducted the court orchestra in many world premieres but concentrated mostly on composing the major works on which his fame is based. Walker's range and knowledge are astonishing. Chapters full of details not hitherto published are given over to Liszt as conductor, writer and teacher, his relations with his children, the ducal court and other composers and performers, the house he shared with Carolyne, the links between the marriage of her daughter Marie and her attempts to annul her own marriage so that she could wed Liszt. One of the most interesting sections, ``Liebestraum,'' discusses Liszt's emotional attachment to his piano pupil Agnes Street-Klindworth, a political agent who bore a child by Ferdinand Lassalle, revolutionary and friend of Karl Marx. Walker confirms that, for Liszt, the artist was ``a sacred vessel through which the Beautiful passed,'' and that his chief concern was that artists should be helped, ``not for their own sake but for the sake of Art.'' Illustrations not seen by PW. (June)
From the Publisher
"Alan Walker's biography of Liszt . . . has been widely hailed as a groundbreaking work of scholarship. . . . Not only did his dogged research correct numerous, mostly damaging preconceptions about Liszt, but his cogent musical analyses made the case for the importance of the music. . . . Love him or hate him as a saint or a sinner, Liszt still has the capacity to stir great passions . . . and Mr. Walker has done a great service in correcting many misconceptions and thus raising the question about the true character of Liszt."—Johanna Keller, The New York Times. January 14, 2001

"You can't help but keep turning the pages, wondering how it will all turn out: and Walker's accumulated readings of Liszt's music have to be taken seriously indeed."—D. Kern Holoman, New York Review of Books

"A conscientious scholar passionate about his subject. Mr. Walker makes the man and his age come to life. These three volumes will be the definitive work to which all subsequent Liszt biographies will aspire."—Harold C. Schonberg, Wall Street Journal

"What distinguishes Walker from Liszt's dozens of earlier biographers is that he is equally strong on the music and the life. A formidable musicologist with a lively polemical style, he discusses the composer's works with greater understanding and clarity than any previous biographer. And whereas many have recycled the same erroneous, often damaging information, Walker has relied on his own prodigious, globe-trotting research, a project spanning twenty-five years. The result is a textured portrait of Liszt and his times without rival."—Elliot Ravetz, Time Magazine

"The prose is so lively that the reader is often swept along by the narrative. . . . This three-part work . . . is now the definitive work on Liszt in English and belongs in all music collections."—Library Journal

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Knopf Doubleday Publishing Group
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Meet the Author

Alan Walker is Professor of Music at McMaster University in Hamilton, Ontario. Before going to Canada, he worked in the Music Division of the BBC in London. He is the author of several books of musical criticism and analysis, and has organized numerous Liszt festivals and symposia in the United States and Canada. For his contributions to Liszt scholarship, the government of Hungary has awarded him the medal “Pro Cultura Hungarica.” 

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