The New York Times
Freddy and Frederickaby Mark Helprin
A New York Times bestseller by Mark Helprin, author of Winter's Tale, which is now a major motion picture starring Colin Farrell, Jessica Brown Findlay, Russell Crowe, William Hurt, and Jennifer Connelly
Mark Helprin’s legions of devoted readers cherish his timeless novels and short stories, which are uplifting in their/b>/i>/i>… See more details below
A New York Times bestseller by Mark Helprin, author of Winter's Tale, which is now a major motion picture starring Colin Farrell, Jessica Brown Findlay, Russell Crowe, William Hurt, and Jennifer Connelly
Mark Helprin’s legions of devoted readers cherish his timeless novels and short stories, which are uplifting in their conviction of the goodness and resilience of the human spirit. Freddy and Fredericka—a brilliantly refashioned fairy tale and a magnificently funny farce—only seems like a radical departure of form, for behind the laughter, Helprin speaks of leaps of faith and second chances, courage and the primacy of love. Helprin’s latest work, an extraordinarily funny allegory about a most peculiar British royal family, is immensely mocking of contemporary monarchy and yet deeply sympathetic to the individuals caught in its lonely absurdities.
The New York Times
- Penguin Publishing Group
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- 5.61(w) x 8.45(h) x 1.32(d)
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- 18 - 17 Years
Read an Excerpt
The Man Who Would Be King, Who Would Rather Not
THE WIND WAS LUFFING over the tablelands of Skye as a storm built up at sea, but its slow passage promised hours more of sunshine and that the lakes would stay blue. Toward the end of a morning that for September was quite warm, a boy of Kilmuir was cutting across the open land on his way to Staffin. The way was long, with neither road nor path, but the more empty the places in which he travelled and the more space to separate him from all else, the more, in his eyes, he achieved.
At the northern tip of the Isle of Skye are mountains resting in a skirl of cloud risen from the firth. Here, storms are seen from far off and cannot surprise. They mount in black even as the sun shines upon the oceans of purple heather over which they will sweep. Sometimes, if the west wind is slow, the storms stay still and their bright thunderbolts flash like neon lights against unmoving walls of dark cloud.
One such storm had risen at sea and was at the back of the boy from Kilmuir. Like the farmer who fills the bin of his combine with a golden stream of grain, he had a sense of adding to his riches, not with every second that passed but with every step he took that carried him away from the settled world. He was fourteen and did not tire: his strength only grew as he crossed the flatland and climbed to the plateaux. Though the storm behind him billowed higher and higher, he was confident that were he not to slacken but rather to build strength upon strength and speed upon speed, he could outrun it. What a triumph not to have taken the road but to have crossed the landscape with no engine save his own heart.
With rhythmic ease, he ascended a wide apron of broken rock to what seemed the highest and most deserted plain in all of Scotland. For a moment, with his senses attuned to wind and sky, everything was perfect. But then perfection broke, when he saw, as if in a magazine advertisement come to life, a green Land Rover parked on a rise and facing west. Unlike most military Land Rovers, it gleamed. It had impressed into the grass a track that would take a year to heal. If twenty or thirty like it were set loose upon even so wide a place as this, they would crisscross it with thread-like cuts, collapse burrows, and crush nests.
Abandoning a line of travel that he had bent only to skirt lakes, he turned toward the offending object. Surely whoever had broken the spell of these Highlands was inauthentic, someone who did not and could not belong, who was soft and pale and would shrink before this young Scot who would shame him into going back to London or New York. Thus a victory of the wild over the settled, farms over industry, the pure over the polluted, the gold over the dross, the wheat the chaff, and so on, although it was true that he himself wanted quite badly to go to London.
As he closed on the Land Rover he saw through its windows someone who was standing on the other side and very colourfully dressed. Were it a girl, confrontation might be inappropriate, especially were she pretty. She would probably be a London girl, beautiful and elegant, with expensive clothing and a Florentine scarf draped over her shoulders like the petals of a crocus, though he had neither seen such a thing nor heard the words for it. He understood, however, that the appearance of a girl like this might be possible and that something was out of the ordinary, for he saw painted on the passenger door behind the driver's position one of the involved little crests that grace many things, from postboxes to bottles of cologne, over two familiar letters: PR. This signified Queen Philippa. He didn't know why she might be called Philippa R. Had he known that the royal family's last name (taken upon the abandonment of their German dynastic name during the Great War) was Finney, according to his lights her initials would have been PF.
From the shine of the car and the painted crest he thought that it might belong to a travel company of the type that takes people to places where they think they cannot walk but where, when they do, they walk all day through torrents of clouds and sky. Swinging around the back of the spotless vehicle, he saw who had brought it there. It was neither a girl from New York nor a girl at all, nor even an Englishman, but a massive, white-haired, kilted Highlander, with a face that had been shaped by many battles. On his wrist was a falcon the size of an eagle, which, to register the intrusion, lifted its still-folded wings and cupped the air.
Unwilling to be dumbstruck, the boy of Kilmuir held his ground, saying in the pure accent of Skye, "I thought you were a girl."
"Whom are you addressing?" the falconer asked, imperturbed.
"You. I thought you were a girl."
The boy nodded.
"Why?" asked Bannerman, the falconer, narrowing his eyes, but in a kindly way he had for adolescents.
"Why?" came the echo, as if the boy were just as curious, and had put the question to himself as if he had not known the answer.
"Why did you think I was a girl? Do I look like a girl? Have you never seen a girl?"
"It's a touring company car," the boy said, as if that explained anything.
"No it isn't," Bannerman replied, turning away to stare into the immense sunlit space and at the storm that hovered over the sea and isles to the west.
The boy followed beside him. "It isn't?"
"What is it, then, a Royal Mail car?"
"Does it look like a Royal Mail car?"
"What's the thing on the door, that they've got on marmalade jars?"
"The thing on the door is the queen's coat of arms."
"What's it doing on your car?"
"It isn't my car."
"Whose car is it?"
"Whose car," the falconer asked, pregnantly, "do you think it is?"
"Queen Philippa's?" the boy replied.
"I don't believe you." But he did believe him, because, among other things, there was more inlaid wood and fine leather inside this military vehicle than in a Rolls-Royce. Nonetheless, he kept up his line. "What would the queen's car be doing here?"
"I drove it here."
"Will you please stop asking questions?"
"What do you mean, 'stop asking questions'?"
"You ask question after question."
"Why?" asked the boy.
"I don't know. How should I know? You should get on your way. If it rains, as it will, I will nay let you in the car."
"I don't care if you let me in or not. The rain doesn't bother me."
"All right," Bannerman said, noting that the boy's threadbare waxed jacket and bedraggled boots would keep no water out, "just give me some distance, if you will."
When the boy was hurt, he was stubborn. "Nah, I won't," he said, voice breaking but still nonchalant.
"To hell with you, then."
"To hell with you," came the echo.
"Aren't you going to go?" Bannerman asked. "After you tell someone to go to hell, you walk away." When the boy didn't move, he asked, "Don't you?"
"Not me. And why'd you make those tracks with the queen's car? This isn't England, you know, where the grass grows easily; it's Scotland, where it takes a year."
"I know it's Scotland. I'm here for a reason that's worth some tracks in the heather."
"If I tell you will you promise to go?"
"I'm not gonna. I'll hang about. What are you doing with the queen's car, anyway? It's her bird, too. It's got the marmalade thing on its leathers."
"Aye, it's got the marmalade thing on its jesses, and it is the queen's."
"What is it, a chicken?" the boy asked, as part of his war against the falconer.
The falcon, who seemed to understand English, flexed his talons.
"This is no chicken," Bannerman said with unshaken pride. "This is Her Majesty's falcon Craig-Vyvyan, the son of Finlaec, the son of Gueldres, the son of Habicht, the son of Duff, the son of Grimnock the greatest falcon of them all. He's a tiercel; that is, a male, a boy. Ordinarily, you don't call tiercels falcons: they're not big enough. But Craig-Vyvyan here, male or not, is the biggest falcon in England. Scotland, too. Britain. Maybe the world."
The boy was stunned, and stood perfectly still, his mouth ajar as if in dementia.
"I thought you'd be impressed," said Bannerman.
"I don't care about falcons," the boy said, "not at all. Couldn't care less about falcons."
"I see," said Bannerman, doubting him.
"What did you say his name was, again?"
"Craig-Vyvyan, the son of Finlaec, the son of Gueldres, the son of Habicht, the son of Duff, the son of Grimnock the greatest falcon of them all."
"That's my name."
"Grimnock the greatest falcon of them all?"
"No, Craig-Vyvyan. That's me, Craig-Vyvyan. I've got the same name."
"With a hyphen?" Bannerman asked.
"What's a hyphen?"
Bannerman made a hyphen in the air with his right index finger.
"Aye, a hyphen."
"And the Vyvyan spelled with two Y's?"
"What's your last name?"
"Cockaleekie. Did you ever think of changing it?"
"Why would I do that?"
"Just a thought. But your first name is Craig-Vyvyan?"
"I told ya."
"How'd you get it?"
"My grandma's brother was Craig, and Vyvyan was my father's friend, who was with him in Normandy in Lord Lovat's Number Four Commando, and died in my father's arms. My father cannot say the name without tears coming to his eyes, so he calls me by the first part, and when he calls me by my whole name, well, he cries."
"Your father must be my age, then."
"He is. My ma is his second wife."
"Well, Craig-Vyvyan, stay a while."
"I don't want to."
"Now you don't want to."
"I don't like having the same name as the bird. It's kinda spooky. I think I'll just be gone. I'm on my way to see my uncle in Staffin. He's my mother's brother, and he's just had an operation on the bones of his foot. I'll go see him now. Good-bye."
"Wait," said the queen's falconer. "You mustn't go. You're part of history now, even if you don't know it."
"And how is that?"
"I shouldn't tell you just yet, although to keep you here I will, if I must, and if you promise not to talk to the newspapers."
"Newspapers?" Craig-Vyvyan asked, picturing himself talking to a newspaper held at arm's length. "Why would I talk to newspapers?"
"They talk to newspapers?"
"That's why so much about the royal family finds its way into print."
Imagining people all over Britain declaiming to their newspapers, Craig-Vyvyan said, "I never even read newspapers."
Here was a natural creature who seemed largely untouched by what the world had become. He still looked like a child; his hair was sandy, sunbleached, probably cut by his mother; and he himself was sunburnt, with a peeling nose.
"Can you read?"
"A little. I was schooled in the croft, but my ma took ill two years ago, and we moved to Kilmuir. I work now, outside."
"Do you have a television?"
"You've heard of the queen."
"Yes, and of the king. My father was a soldier of the king."
"Aye, her uncle, and a great king he was."
"Not her husband?"
"No, the queen's husband is a duke."
"A duke. That doesn't make sense."
"Yes it does. And have you heard of the Prince of Wales?"
"I've heard of the Prince of Peace and I've heard of Jonah and the Whale, but I've never heard of the Prince of Whales."
"Wales the place, not the creature. Do you mean to say that you haven't heard of Frederick, the Prince of Wales?"
"And Princess Fredericka?"
"Are they English?"
"Yes, they are English."
"This is Scotland."
"I grant you that, but you are among the few people in the English-speaking world who don't know of Prince Frederick and Princess Fredericka. A thousand million people watched them wed, and every day they are found on the covers of hundreds of magazines all around the world."
"Oh," said Craig-Vyvyan, who read neither newspapers nor magazines, whose father tended sheep, and whose mother spun wool.
"I see the wheels turning," Bannerman observed, assuming that the boy was beginning to understand fame.
"How many is a thousand million?" Craig-Vyvyan asked.
"Twenty times the population of the United Kingdom."
"What did they do with the leftovers?"
"Craig-Vyvyan," Bannerman asked, which caused the bird to cock its head, "when did you last eat?"
"You've gone twenty-four hours, and you've been walking in the wind. What did you have for dinner yesterday?"
"An oatcake, a bit of lamb, and a baked potato."
"Just one potato?"
"And a cup of milk."
"That's hardly enough for a boy your age," Bannerman said to Craig-Vyvyan, as he opened the tail-board, knowing now that he would not have to beg or cajole him to stay. "Here, take some chocolate to hold you until we eat. Have you ever heard of King Richard's dog?"
"I didn't know that kings bothered with dogs."
"Kings love their dogs. Philippa feeds her dogs filet mignon, which Freddy pinches for his barbecues. And they're not palace-trained, so footmen have to follow them around with soda siphons and rags. Why do you think royalty like dogs? It's because dogs don't grovel and beg like people. A long time ago, the Earl of Kent had a dog. He was a tall, white dog with long limbs, short hair, floppy ears, and a face like Charles de Gaulle. Unlike most dogs, who are instinctive loyalists, he was an opportunist. He calculated all the time, like a cat, and the earl kept him not because he liked him but because he was afraid the dog would think too little of him were he to abandon it.
"When Kent's prospects were in decline, the dog, who knew before anyone, stood up, marched out, and left the castle without looking back. He walked all over England quite deliberately until he found the future Richard the Second. The dog stayed even after this new master had become king, but with the same contemptuous detachment he had shown for Kent. One day, before anyone else understood what was about to happen, he walked out on Richard and went straight to Bolingbroke, who shortly afterward became Henry the Fourth. I wouldn't have liked him, but that dog really knew what he was doing."
"How did he know?"
"Only God knows, and Freddy, who thinks he knows."
"Freddy? The Prince of Wales?"
"The tabloids and those close to him call him Freddy."
"How does he know about the dog?"
"He has a theory. He believes that plants and animals were denied the gift of speech because they can see past, present, and future as one and the same thing, and that were they to tell human beings (particularly princes) what they see, it would be too difficult to bear. He talks to plants, the Prince of Wales, like his ancestor George the Third, because he thinks they are wiser than Einstein or the Archbishop of Canterbury. They're certainly wiser than the Archbishop of Canterbury."
"Who are Ein...who?"
"Don't worry about them. Consider, rather, that not all dogs can tell kings, just some. Only one dog in the history of England was like the walking horseradish that went from Kent to Richard to Bolingbroke. You don't just trot off to the RSPCA and pick out a dog that can tell kings. But," said Bannerman, holding his index finger in the air, "the talent exists. The trick is to find it if you can, to find the rare person who can tell about animals that they can tell about kings, and then," the falconer said, quite heatedly, drawing Craig-Vyvyan with him, "when you know which animal can do it, to breed the talent, to preserve it from one generation to the next, down the line, so kings and their heirs would always be able to know who was worthy of and destined for the throne."
"Who is the person who can tell about animals that they can tell about kings?"
"Ah," said Bannerman, "it's a rare gift, which has only come once, five hundred years ago, when the son of an Oxford organ maker was chosen by the Yorkists to impersonate the king who would have been Edward the Sixth.
"His name was Lambert Simnel, and, along with the Germans and Irish who backed him, he was defeated at Stoke in a fierce battle with Henry the Seventh, who proved both merciful and wise. Lambert Simnel was a boy like you. He had no corrupt desires and did not know the world, so the king spared his life, and for several years Lambert was made to turn the spit in the royal kitchen."
"Is this true?"
"It's history, Craig-Vyvyan."
"Is history true?"
"More or less. Lambert would have turned the spit until the day he died-in which case I would not be here and we would not be talking now-had not a bakery maid who had once been Chantal of Cleves peered through a crack in the wall by the ovens as Lambert was engaged in conversation with the birds who had come to peck the floor of the courtyard of its stray grains. They would hop onto his finger or his arm, depending on their size, to converse with him."
"Like Freddy, except that plants and animals don't talk back to Freddy, but to Lambert they did. The king called Lambert before him and asked if this were so. Lambert said it was. 'What do they say?' the king asked. 'They say what is the future, and what is the past.' 'Do they say who will be king?' 'They do.'
"As you can imagine, the king was quite taken with this, and worried. He asked if Lambert could teach him to understand what the birds said. Lambert replied that although he could not teach how to converse with the birds, not knowing how he himself could do it, he might teach the birds how to give a sign. But, were he to do this, Henry the Seventh's falcons would have to cease killing other birds.
"As the trade seemed much to his advantage, the king was willing. He made Lambert Simnel the keeper of his falcons, who had no use now except as the subjects of Lambert's tutorial. The falcons agreed to refrain from attacking all creatures that flew, and Lambert trained a line of them to fly only from the arms of those kings who were fit to be kings."
"What did the falcons get from this?" Craig-Vyvyan asked.
"Nothing but someone to talk to for the first time in ten million years."
"And this falcon, with my name, is descended from them?"
"He is, and you must keep it to yourself. They have their secrets, kings, that go back thousands of years, and we don't know the half of it. I'm the queen's falconer, and I know only one or two secrets, but they live with them as if on a battlefield of ghosts. Since the beginning there have been secrets, and since the beginning there have been kings. The kings know the secrets, which is why they are kings."
"What about him?" asked Craig-Vyvyan, pointing to his namesake.
"He knows who has the heart of a king or queen, and will fly only for a true monarch. When Edward the Eighth became king, Gueldres would not fly for him. He never had flown for him, not even when poor Edward came back from France after the Great War, having seen with his own eyes what few kings ever see.
"I was a boy then. My father had been keeper of the falcons for George the Fifth. Though Gueldres had not flown for Edward when he was the Prince of Wales, we were sure he would fly for him when he became king, given how his heart had been broken in the war. But Gueldres, the bearer of the line, refused, and Edward was forced to abdicate. They made up all that nonsense about Mrs Simpson to hide the secret. Had it not been for Gueldres, history would have known her, had it known her at all, merely as one of Edward's mistresses. Then came George the Sixth, who had to abdicate after the war because of his asthma, and the nation was in a terrible pickle with refusals, scandals, and all that sort of thing, until the unknown brother, Harry, George the Fifth's very strange son, became king for all of a month and died. Thanks be to God that his daughter Philippa has been so unlike him."
"What was wrong with him?"
"Oh," said Bannerman, "let's see. You don't receive foreign dignitaries while sitting on the throne in diving goggles and flippers. If you pride yourself upon speaking fake Chinese, you nonetheless avoid doing so with the Chinese ambassador. You do not-or at least you try not to-address the nation in Pig Latin. You see how delicate is the fate of kings? As delicate as ours or more so."
"But what about Craig-Vyvyan?" Craig-Vyvyan asked again.
"He flies for Philippa. For her he soars and dives at great risk to himself, as you might expect for this lady who is a natural queen, born to be queen, the very emblem of a queen."
"Then why are you here? The bird won't fly for you. Why have you brought him to a place so wonderful for flying?"
"You've got it," said Bannerman. "I am here because this is a wonderful place for flying. Today, we want to fly this bird, we want it badly. And if he needed encouragement or temptation, he would get it here, wouldn't he? Look ahead. There you see a horizon so wide that the curvature of the earth is almost visible, and yet what lies before it isn't merely a disk of flat water but a great stage with an apron of islands, of channels and the blue sea, of a rising storm that multiplies the expanse of this theatre in volumes of blackening depth. And here the sun is still shining, so that were Craig-Vyvyan to fly he would float and swoop through air both light and buoyant."
"But he won't fly for you, so why did you bother?"
"Because this time, God willing, he will fly for the Prince of Wales."
"Him again? Why would he fly for him?"
"He's the heir to the throne."
"Wouldn't the heir to the throne be the queen's son?" Craig-Vyvyan asked with mocking superiority.
"He is the queen's son."
"That's a coincidence."
"No, Craig-Vyvyan, it isn't a coincidence that the Prince of Wales is the queen's son. If he weren't the queen's son, he wouldn't be the Prince of Wales."
"Who would he be?"
"He would be anyone."
"Then why isn't he?"
"The Prince of Wales."
"He is what?"
"He's the queen's son."
"That," said Craig-Vyvyan, "is the coincidence."
"All right," Bannerman conceded, "it is a coincidence. It's one of the most amazing coincidences in the world, that the Prince of Wales is the queen's son. Will wonders never cease?"
"No, they won't," said Craig-Vyvyan, "not as long as there's an Earth."
"Today, the prince is coming here, on foot, just as you did, alone."
"From a landing somewhere on the west coast of Skye, where Britannia put him."
"That could be fifty miles."
"That's no problem. Look there." Bannerman pointed over the escarpment, to the west-south-west. In the distance a figure, which though hardly visible was neat and trim, moved at military pace along a barely perceptible trail on the high shoulder of a blue lake. "That will be he. You can tell by the walk. The SAS have a certain way of moving across country. Forget that I said that. You're not supposed to know."
As they watched the prince making for them with prodigious speed, the boy asked if this would be the first time Craig-Vyvyan would test him.
"I'm afraid not," Bannerman told him. "The first, as required, was when the prince was seven years of age. Some, like Philippa, get confirmation the first time. For them, life has fewer worries than for those who undergo the test in childhood, adolescence, young adulthood, middle age, and immediately before the coronation. It's a sensitive subject for Frederick, but, as a boy, he failed the test. Craig-Vyvyan peed on him and made him cry. Then he failed as an adolescent, and he failed as a young man. Now, as he enters middle age, he will be tested once again. If he fails, he will have only one chance more, after he becomes king and before he is crowned. If he fails then, he will have to abdicate. May God grant that today he has the heart of a king, so that in his middle age he can know the beginnings of contentment, which is why I've asked you to stay. Your name being the same as Craig-Vyvyan's must have significance in such a place as this, so far from so much. The prince will decide, of course, whether or not to ask that you remain, but I cannot imagine that he will not at least invite you to lunch."
"I hope he does," said Craig-Vyvyan. He thought for a while, and then said, "I never ate with the Prince of Wales or even a constable, and I wouldn't know what to say, but I'm hungry enough to risk it. What do you call him?"
"Unless he bids you do otherwise, address him as Your Royal Highness, and then, sir."
"I don't think I like that."
"If you want to eat, get used to it. We all do."
They heard quick footsteps as the prince rose above the escarpment. First came the slightly thinning head of hair, then Wedgwood-blue eyes rather too close together, big ears, and a face that radiated in equal measure both extraordinary confidence and deep sadness. He had an alert and expressive visage, a strong body, and a strapping frame. In the uniform of a Scots' regiment, with knapsack and assault rifle on his back and a tartan-banded cap folded beneath his left epaulette, here was the Prince of Wales, standing in the sun and wind.
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Yes he does. Good luck. You WILL need it.
Floated around like nobodys buisness
This book is funny, witty and pure pleasure to read. I would recommend this book to those who have a sense of humor and know English history to fully appreciate the references.
I think my headline summarized the just of it. Like every other Helprin work this piece is an epic of worldly majesty; a testament to the everlasting beauty and wonder of this universe and the lives who experience it. Sound too flowery or wordy? The experience is truly indescribable so forgive my inadequate pen. Helprin paints the world as having some grand architecture greater than comprehension, yet innate and grounded in us. Call it God, call it soul, spirit; there is some faith imbued in this writing that reassures and takes great joy in the larger truth, the whole, and the blissful perfection of imperfection. The fact that this is a work of genius comedy only adds to the human value of the book. If you are searching for uplifting read this book. You'll smile, laugh, and if you let yourself you'll cry too and find some enlightenment; closing the book with a wider heart. Sure it's (perhaps dauntingly) long, but the portrait captured here is life: and life is endless. I've borrowed this from the library too many times now not to own. I am grateful with every page for what Helprin has shared with us.
This story can teach every one something. The surreal use of the characters intertwined with everyday living was magnificent. I found the more I read, the more enthralled I became, and did not want to put the book down. The author is creative in the ability to make you believe the make-believe.
This is a fun and witty book about the prince and princess of Wales ("Freddy and Fredericka") being exiled to America to work out their differences with one another. Freddy's extreme eccentricity and Fredericka's playful and often confused demeanor make for some truly hilarious situations. The two main characters' struggle to understand one another, and to make themselves understood in turn, creates some laughably outlandish experiences and an unforgettable adventure. Both a parody and a story of discovery, Freddy and Fredericka had me laughing out loud from beginning to end, and rooting for them the entire way. I wish I could have known this pair in real life.
I love Helprin. I think he's the best writer I've ever read from a "wordsmithing" perspective. His use of language is unparalled in a descripive sense. A total opposite to writers like Hemmingway, Helprin will use a full page to describe a scene rather than a sparse few words. Sometimes you even forget what is happening in the plot because the descriptions are so long.Occasionally I have to "speed read" some of story so I don't lose the thread of the plot. He has created 2 memorable characters in Freddy and Frederika. Loosely (very loosely) the main characters resemble Prince Charles and Princess Di in some respects. In order to ensure that Freddy is fit to be king he must complete a "journey" to reveal his true character. He and Frederika are dropped naked into a swamp in New Jersey with the task of conquering the United States.Obviously a fanciful journey but a fun and exciting story.
In a highly original type of novel, Mark Helprin highlights the foibles of British royalty, the media, and the American political system. Like all of his works, he weaves history and fiction into a fabric where one can scarcely distinguish between the two. His characterization of the Presidential election in the US is particularly prescient.
Robert Ian MacKenzie did a brilliant job with the audio version of Freddy and Fredericka. This is my first book by Mark Helprin and I have never laughed so much while listening. This is truly an extraordinarily different story. I can't imagine how the author thought of it. Quite an imagination! Much more than I ever expected!
I loved A Winters Tale and A Soldier of the Great War...I expected more
This is not simply the funniest book I've ever read -- although it's a bit uneven and lags in a few places, I have had more laugh-out-loud, milk-through-the-nose-moments than with any other book I've read in adulthood -- it is absolute poetry and an intellectual feast. I've stopped near-strangers to recommend it to them, and I'm not a huge recommender of books.
The Prince of Wales (Freddy) and his wife (Fredericka) are an embarrassment to the British Crown. In disgrace they are sent to the United States where, following an old and forgotten British law they must conquer the colonies. But they must survive incognito without any of the trappings of monarchy nor access to any of the benefits. Parachuted in New Jersey, stripped of the usual entourage and finances the couple makes their way across the United States. Their assumptions, their habits, their very way of thinking is put into question as is their taking for granted their hereditary 'right'to rule. Freddy and Fredericka fondly mocks monarchy while proving its' value in today's world. Lyrical and funny, touching and sad, it is an allegory of redemption and of possibilities to explore.
I am a huge Helprin fan. I loved this book in the beginning..but grew very tired of the word play. There was just so much of it that it ceased to be funny, witty or interesting. BUT--I am still glad that I read the book and found the ending to be quite thoughtful.
I haven't written a 'book report' since I was a kid in school, but this book is so great I had to comment. I am only about half way through it now: I can only read one chapter a night because I end up laughing so hard my sides hurt! Although it's a novel, given the misadventures of the real-life Freddy, it's fun to speculate if it's more fact than fiction. I simply love it!
This was a great book to read while on vacation. Funny, yet meaningful. I really enjoyed it. No heavy thinking, but cause for reflection on the meaning and purpose of life. It's a reminder about prioroties. Laughing out loud while reading a book makes others think you've lost it, but it's hard to not laugh when something touches you the way this book will. Enjoy it! I did.
Great novel. I laughed until my sides hurt on the train. Light hearted, intelligent, and sophisticated.
I enjoyed this funny and thoughtful book, but would have enjoyed it more if it were half as long. So many of the conversations in the story brought to mind the Bud Abbott and Lou Costello "Who's on first?" routine. Funny, but after a while, it started to lose its attraction.