Freedom and Necessity

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Overview

It is 1849. Across Europe, the high tide of revolution has crested, leaving recrimination and betrayal in its wake. From the high councils of Prussia to the corridors of Parliament, the powers-that-be breathe sighs of relief. But the powers-that-be are hardly unified among themselves. Far from it...

On the south coast of England, London man-about-town James Cobham comes to himself in a country inn, with no idea how he got there. Corresponding with his cousin, he discovers ...

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1997 Mass-market paperback New. No dust jacket as issued. New copy. No marks, great condition. Clean, tight, very minor shelf wear. Fast shipping. Mass market (rack) paperback. ... Glued binding. 608 p. Audience: General/trade. Read more Show Less

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Overview

It is 1849. Across Europe, the high tide of revolution has crested, leaving recrimination and betrayal in its wake. From the high councils of Prussia to the corridors of Parliament, the powers-that-be breathe sighs of relief. But the powers-that-be are hardly unified among themselves. Far from it...

On the south coast of England, London man-about-town James Cobham comes to himself in a country inn, with no idea how he got there. Corresponding with his cousin, he discovers himself to have been presumed drowned in a boating accident. Together they decide that he should stay put for the moment, while they investigate what may have transpired. For James Cobham is a wanted man—wanted by conspiring factions of the government and the Chartists alike, and also the target of a magical conspiracy inside his own family.

And so the adventure begins...leading the reader through every corner of mid-nineteenth-century Britain, from the parlors of the elite to the dens of the underclass. Not since Wilkie Collins or Conan Doyle has there been such a profusion of guns, swordfights, family intrigues, women disguised as men, occult societies, philosophical discussions, and, of course, passionate romance.

Nor could any writing team but Steven Brust and Emma Bull make it quite so much fun...

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Editorial Reviews

Locus
One of the most impressive novels I've read in a long time.
Kirkus Reviews
Victorian sleuthing, though billed as fantasy, from Brust (Five Hundred Years Later, 1994, etc.) and Bull (Finder, 1994). The story of James Cobham, Chartist, revolutionary, and confidant of Friedrich Engels, one of the founders of Communism, emerges through a series of letters and journal entries. In 1849, Cobham finds himself at an inn near Portsmouth, having supposedly perished in a boating accident two months before; he has no memory of the interval, though he bears suggestive scars and injuries. He then writes to his brother, at their ancestral Melrose Hall, where Cobham's independently wealthy cousin and bold amateur detective, Susan Voight, determines to discover why someone tried to murder him and why he was held capture and deprived of his memory. Some of the answers lie in Cobham's past activities as a daring revolutionary, as Susan's sleuthing and his own returning recollections attest. Behind all the strange goings-on is a bunch of sinister occultists allied with rich foreign power-brokers, whose objectives are to disinherit Cobham in favor of old rival Alan Tournier, and to discredit the entire revolutionary movement by manipulating Cobham.

Very difficult to approach, top-heavy with philosophizing, and not particularly rewarding—although characterizing it as a humdrum Victorian adventure is, ironically enough, some measure of the author's success.

From the Publisher
"Resembling the works of Tolstoy and Dickens in the plethora of characters, Stoker and Mary Shelley in the exposition, the novel brings together intrigue, adventure, politics, and magic in a complex epic that astonishes the reader." —Library Journal on Freedom and Necessity

"Complex and masterly . . . A skilful act of ventriloquism, faithfully reproducing the argot of the early Victorian upper classes with only a few lapses, and plausibily weaving the plot into the politics at the time. Imaginative and finely written." —Interzone on Freedom and Necessity

"Expertly styled after a 19th-century English epistolary novel . . . Engaging characters and surprises that, for all their thrills, stem quite naturally from the groundwork that the authors have so cleverly laid."—Publishers Weekly on Freedom and Necessity

"One of the most impressive novels I've read in a long time."—Locus on Freedom and Necessity

"Brilliantly written as an epistolary novel, rich with historical detail, enlivened by fully drawn characters, this is one of the most unusual and certainly one of the best fantasy novels of the year." —Science Fiction Chronicle on Freedom and Necessity

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Product Details

  • ISBN-13: 9780812562613
  • Publisher: Doherty, Tom Associates, LLC
  • Publication date: 12/15/1997
  • Format: Mass Market Paperback
  • Edition description: First Edition
  • Pages: 608
  • Product dimensions: 4.28 (w) x 6.78 (h) x 1.25 (d)

Meet the Author

Born in Minneapolis, Minnesota, and raised in a family of Hungarian labor organizers, Steven Brust worked as a musician and a computer programmer before coming to prominence as a writer in 1983 with Jhereg, the first of his novels about Vlad Taltos, a human professional assassin in a world dominated by long-lived, magically-empowered human-like "Dragaerans."

Over the next several years, several more "Taltos" novels followed, interspersed with other work, including To Reign in Hell, a fantasy re-working of Milton's war in Heaven; The Sun, the Moon, and the Stars, a contemporary fantasy based on Hungarian folktales; and a science fiction novel, Cowboy Feng's Space Bar and Grille. The most recent "Taltos" novels are Dragon and Issola. In 1991, with The Phoenix Guards, Brust began another series, set a thousand years earlier than the Taltos books; its sequels are Five Hundred Years After and the three volumes of "The Viscount of Adrilankha": The Paths of the Dead, The Lord of Castle Black, and Sethra Lavode.

While writing, Brust has continued to work as a musician, playing drums for the legendary band Cats Laughing and recording an album of his own work, A Rose for Iconoclastes. He lives in Las Vegas, Nevada where he pursues an ongoing interest in stochastics.

Emma Bull was born in 1954 in Torrance, California. She now lives in Minneapolis and is also the author of War for the Oaks and Bone Dance.

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Read an Excerpt

From The Times

July 26,1849

Mr roebuck also begged to enter his protest against this ill-considered and crude piece of legislation, which he described as the result of a species of cant which was almost as dangerous as vice.

Mr mowatt had also felt himself obliged to oppose the bill, because it was calculated to mislead the people for whose benefit they affected to legislate, namely, the parents of females in humble life, by teaching them to dispense with the moral education and training of their children, and lean only on the legislature. (Hear, bear.)

LATEST FROM PARIS

By Electric Telegraph

The sentence of death pronounced by court-martial on four privates of the 7th regiment of Light Infantry for having resisted the arrest of Sergeant-Major Boichot, and a similar sentence passed on a grenadier of the 15 th of the Line, for having deserted his post in presence of the insurgents of the 13 th of June, were confirmed Jby the Council of Revision held on Tuesday.

A Socialist writer, named Louvet, has been sentenced by the Court of Orleans to imprisonment for two years and to pay a fine of 4,000f for having published an incendiary address to the people, exciting them to revolt against the established Government.

The posting-house the Grey Hound

Langstone, Near Portsmouth

9th october, 1849

My Dear Cousin,

I wonder how you will greet these words; indeed, I wonder how you will receive into your hands the paper that bears them, as I think you cannot be in expectation of correspondence from me. You have always been a hardy soul—body and mind—and so I don't imagine you the central figure in some Gothick tale, clutching at these pages and your disordered locks and changing colour six times in a minute.

I am sorry; I am too frivolous; I shall begin again, taking care to keep better governance of my near-ungovernable fancy. But truly, what ought I to anchor my senses to but nonsense, in a situation so out of common, so utterly outside of the natural, as the one I've got myself pitched into?

In short, I have been given to understand that I am believed dead by all my family and acquaintance—that I was seen to die, in fact, or at least, was seen to sink beneath the water a last time, and my corpse never recovered, though long and passionately sought for. You may imagine the fascination with which I heard this account, though you will imagine, too, that my fascination was accompanied by horror, which is far from the case. I cannot tell how it is, but though I know the thought of myself as a corpse should by all rights cause me distress, I find it holds only the interest, raises only the feelings, that such a thing might in verse or fiction.

What should distress me yet more, and what may, as my sensibilities recover Somewhat from the curious flattened state they are now in, is that, for all I can recall, I may indeed have drowned. I have no knowledge of any act, any word, any thing at all that occurred between the conclusion of that pleasant luncheon on the lake shore, and my discovery—rediscovery— of my wits and person at the bottom of the garden behind this respectable inn at an hour when almost none of the respectable inhabitants of it were conscious. I have read, I suppose, too many fables and fairy-tales, for the first thing I asked of the good landlord, upon gathering my straying thoughts and finding my voice, was the month, day, and year. How relieved I was to find I had not been whisked away for seven times seven years, but for a scant two months! And yet, how and, where were those two months passed? For anything I could tell, I might indeed have spent them happily in Fairyland, but for sundry signs about my person that it might not have been an unalloyed happiness.

You must choose how you, and even I, proceed now, for I confess I cannot. I have trusted in that natural reserve and discretion that I know to be so strong in you, that others of our family have wrongly termed coldness or even slyness, to keep the source and contents of this letter from the knowledge of any other, unless the time and company be such as to recommend their revelation. Cousin, re-introduce me living to my family, or do not, as seems wise to you. I know you are wise; and though I may be clever, cleverness owes something to experience, and the experience of returning from the dead has not come much in my way previously. If it is best that my existence and abode be known only to you at this time, I shall keep silence—very like the grave, I suppose.

I fall into nonsense again—I am heartily sorry for any distress it may cause you; it is meant only to fend off any of my own. Weigh this matter for as long as you will, knowing I am very comfortable where I am. The landlord and his wife are kind people and disposed to be uninformative about curious doings, as I suppose must be often observed of those who run public houses near the coast. When you write or come, make your enquiries for Jack Cobb, as I have chosen that for my nom de discretion. You will laugh—at least, I believe you will laugh—I am employed as the new head groom. Were you to share that fact with my Aunt Louisa, I know that the role in which I could not cast you, that of High Gothick tragedian, would be quite satisfactorily filled after all.

I cannot write more; you know, I hope, how much I would wish to say, what a multitude of questions I would ply you with, which of our mutual acquaintance I would most urgently enquire after. I trust you to do what you can for me, as you always have done, in good fortune or adversity. Merely addressing you on the page has served to clear away some of the fog which besets my thoughts, and to give me greater resolution altogether. Though my gratitude is beyond any measurement, it is still less than you deserve, and you will, as a result, find me always

Your most faithful relative and friend,

James Cobham

Copyright © 1997 by Steven Brust and Emma Bull

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Sort by: Showing all of 2 Customer Reviews
  • Posted December 9, 2008

    more from this reviewer

    Excellent suspense

    In 1849 his family assumes that Chartism revolutionary James Cobham died in a boating accident. Two months after his alleged death, James finds himself at a Portsmouth, England inn with no idea how he got there or where he has been for the last few weeks. His body is wracked with relatively fresh scars and he still has some injuries that have not completely healed.----------------- He writes to his cousin Richard informing him that he lives, but not sure what happened. His affluent feisty cousin Susan Voight decides to investigate. Her premise is that James was not in an accident, but instead someone wanted him dead most likely for his political and social reforms. Even more mysterious is why hold him prisoner and eventually release him with the possibility he will recall all that happened. She begins to unravel a convoluted plot to destroy James and his fervent revolutionaries through the arcane and the mundane.----------- The extremely complex plot is not an easy read as the story line is told through an exchange of letters and journal entries. Adding to the difficulty is that the tale has a distinct Victorian feel to it as the Dickensian style of using a zillion players to provide a social period piece is employed. Still this is a fascinating historical thriller that brings to life Europe reacting to the previous year¿s major revolutionary activity. Susan steals the show from the bewildered James and others with her amateur sleuthing. Though there are some fantasy elements with the occult involved, FREEDOM & NECESSITY is a Victorian mystery thriller that will need plenty of time to complete.------------ Harriet Klausner

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    Posted November 3, 2008

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