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From the Paperback edition.
"Chilling—We have come to expect many rewards from Price's work, yet none of his previous novels have quite prepared us for the force of sympathy he is able to generate—in Freedomland."
—The New York Times Book Review
"An enormous achievement—Freedomland is Bonfire of the Vanities without the laughs, New Jersey as the ninth circle of hell, and in the end everyone burns."
"Richard Price is America's Dickens—. It is the rare novelist who doesn't just embellish the evening news but reimagines it in the context of his own America."
—Los Angeles Times
"[Price] is a writer with uncommon brains, heart and nerve."
—The Seattle Times
"A tour de force of character and plot—Freedomland teems with such dead-on detail and briny authenticity that its language must have been inspired by stairwell eavesdropping."
"A big, cinemascope thriller, a novel that captures the racial politics and media madness of the Age of O.J., a novel that transforms today's headlines into a forceful, harrowing drama....a terrific read...Price has written his most powerful novel yet."
—Michiko Kakutani, New York Times
"Price shows that he's got the best equipment a novelist can have—that combination of muscularity, insight, and compassion we might call heart."
—Washington Post Book World
"Price pressure cooks the city down to its dense, searing essentials."
—Village Voice Literary Supplement
"Powerful...harrowing...a drama of quite remarkable complexity."
—the New York Times on Clockers
"Clockers is a great piece of work."
The woman marched through the city of Dempsy on a determined diagonal, with the same pinched yet rapid stride with which she had climbed the Bowl, up and out of the Armstrong Houses. Cradling her arm, she tramped through red lights and green, the traffic next to nothing at this hour of the workweek. She walked through the parking lot of a Kansas Fried Chicken and across a deserted basketball court named after a local projects kid turned pro, the sodium lights casting her shadow to the Powell Houses behind the backboard. She marched across the diamond of a Little League field resting atop a fifty-year-old chromium dump, her face sullen yet tremulous, her light eyes fixed on the ground in front of her.
The fashion wave rippling through Darktown that summer was fat strips of metallic reflector tape slapped on jeans, sneakers, and shirts. As she approached the dingy yellow sizzle of JFK Boulevard--all storefront churches, smoke shops, and abandoned businesses--the agitated boredom, of the dope crews brought the street corners alive with restless zips of light.
A patrol car slowed to profile her as she passed under a crude mural of a fetus with a crucifix sprouting from its navel. She raised her eyes, opened her mouth, and took a step in the car's direction. "Give a saliva test to this one here," the driver murmured to his partner. But then she seemed to change her mind, quickly giving the cruiser her back and evaporating into a side street.
In a few more minutes she was striding across another ball field, this one also atop an old chromium dump, and then she was facing the Dempsy Medical Center, vast, Gothic, and half shut down, the emergency room entrance shedding the only eye-level light before the city hit the river. She finally came to a halt just outside the cone-shaped perimeter cast before the entrance like a spotlight on a bare stage.
She hesitated on the edge of the pale, one foot in, one out, her face taking on a sparkle of panic as she eyed the full-up benches of the waiting room through the gummy glass of the automatic doors. For a moment she froze but then seemed to get a grip, decisively rolling off to her left, turning the corner of the building, and descending to a more shadowed entrance at the bottom of a ramp. Walking through a partially raised roll-down gate, she stepped inside an empty, garishly lit room, the silence and stillness such that the buzzing of a fluorescent desk lamp could be heard twenty feet away.
At first, as if disoriented by a sense of trespass, she appeared not to notice the overweight young black man on the gurney directly across the room from her. Once she caught sight of him she seemed unable to look away. He was barefoot but otherwise fully dressed--dead, the fatty tissue billowing out from the box-cutter slash under his chin like a greasy yellow beard. She stared at the pale-skinned soles of his feet as if hypnotized by this hidden whiteness, stood there staring until a stainless-steel freezer door opened directly across from her. A yellow-eyed middle-aged man in a hooded parka came into the room, instantly rearing back from her presence.
"You a relative?" he asked, removing his coat. His eyes rose to something directly over her head.
She looked up to see a digital readout blinking "115," then down to see that she was standing on a gurney-sized weighing platform set into the floor. When she looked back at the morgue attendant his eyes were on her hands.
"You in the wrong wing."
Standing by the nurses station that fronted the medical center's ER, the security guard, a goateed, nose-ringed kid tricked out in a uniform like a full-bird colonel, eavesdropped on an overnatty detective. He was on the phone to report a shots-fired situation--one dead Rottweiler, the shooter getting his face resewn in one of the trauma rooms. "A good shooting. Just thought you needed to know." Twenty feet down the corridor a sad-faced Pakistani leaned patiently against the wall, a bloody bath towel around his head, his ear in an ice-filled Ziploc bag.
There was an abrupt rapping against the glass doors of the ambulance bay, and the guard turned to see the woman outside, trying to push her way in. His mouth in a twist, he brusquely signaled her to walk around to the main entrance, then resumed watching the free show in the hallways, zeroing in on a mush-mouthed drunk reclining, fully dressed, on a slant-parked gurney. The guy lay casually on his side, propped up on an elbow like a Roman senator, his head resting on the palm of his hand. Earlier in the evening, the story went, he had bitten down on a shot glass and added a three-inch extension to one side of his smile.
"I'm a alcoholic," the drunk said, having caught the guard's eye. "I got me a big problem with that. Not a little problem, a big problem. A goddamn Shop Rite-sized problem. I ain't gonna lie about it."
The guard snorted and turned his attention to a bored correction officer on escort duty. He was doing half-assed push-ups against the wall while waiting for his charge to get the rest of his thumbnail removed.
A nurse's aide, a round, bespectacled, almost elderly black woman with a bemused set to her mouth, slapped a blood-pressure cuff on the drunk.
"I need me something for the pain. I told you that, right?"
"I got to get some Percocets or something 'cause I cannot stand pain and I got to get to work at 6:00 a.m. in the morning."
"Yeah? What do you do." The nurse smirked.
"You don't want to know."
"Well, I hope you don't drive no school bus."
"Mommy, I got me a forty-thousand-dollar car, cash paid. I'm telling you, you don't want to know."
"You don't want to know," the nurse said, mocking him. "I cannot stand pain," she added mincingly. "You want to know about pain, you have yourself a baby, then come talk to me about pain."
"Hey, I had six--"
"Well, I was in the vicinity."
The security guard, laughing now, hands behind his back, took a spacey 360-degree spin on one heel, then came alert with irritation as that lady outside the ambulance entrance renewed her rapping on the door. He began to wave her around again but saw the blood smearing the glass and what looked like a palm full of jewels pressed against the pane.
The ambulance bay doors were opened by remote to let a uniformed cop out, and suddenly the woman was in the house.
Eyes unfocused, teeth chattering, she floated down the hall, ignoring the irritated shout "Miss! Miss! Excuse me," a reproachful singsong from the nurses station.
She wandered down the hallway, past the examination rooms--surgery, trauma, medical, X ray--then, as if remembering something, abruptly wheeled around, inadvertently stepping into the startled embrace of the goateed security guard.
"You got to go out to triage just like everybody else," the kid lectured awkwardly, wincing at the sight of her uptumed palms, the things growing there. He steered her back past the nurses station to the dented, paint-chipped double doors that led to the waiting room. She went willingly at first but then suddenly, with an expression of disgust, twisted out of his grasp. Her supported arm fell from its cradle, the hand hanging from the wrist like a dead goose.
An East Indian doctor, petite, slender, and almost prim in his self-possession, strolled down the hallway eating a sandwich. His face registered a look of grudging interest as he noticed the floppiness of the hand.
"What happened to you," he asked flatly, between bites, taking in the glassy dislocation of her eyes, the labored workings of her chest. His identification tag read "Anil Chatterjee."
"He threw me down. I couldn't even get the words out." Her voice was smoky and deep, vibrating with a kind of retroactive panic.
"Down where." He lifted her limp hand, gently felt the outer wrist bones.
She ignored the question, her head jerking like a bird's.
"What happened to you."
Still no response.
He gave his sandwich to the security guard and took both her hands. Her palms were embedded with shards of glass, clear and beer-bottle green, bits of gravel, some rusted wedges of tin, sharp fragments of various colored plastic, and in one hand a fine, small coil of metal, the inner spring of a cheap ballpoint pen--all of it implanted in the red-and-blue rawness of abraded flesh.
"I want you to answer my question," he said sternly. "What happened to you."
"He threw me out of the car . . ." Suddenly she stomped her foot like a child, her voice soaring. "I couldn't get the words out! He didn't give me a chance! I tried, I swear to God!"
"Threw you out. Was the car moving?" Chatterjee gripped her above the wrists to prevent her from flailing and complicating the damage.
She turned away, her face bunching, tears popping like glass beads.
Casually bypassing the screening drill, he walked her directly to the surgery room, escorting her in an awkward sideways scuttle, still holding her in that double-handed grip. The guard followed tentatively with the doctor's sandwich.
The surgery room was crowded, the floor sticky, littered with torn gauze wrappers. Along the walls, patients sat quietly. A frazzled doctor with a Russian accent held a bouquet of MRIs, CAT scans, and X rays to his chest and read out names, mail-call-style.
Two men, both wearing blood-drizzled shirts, cautiously raised their hands, then, noticing each other, simultaneously lowered them.
Chatterjee sat her on a backless stool and took her pulse, which was racing like a hummingbird. He strapped a blood pressure cuff on her arm, holding himself still. Ninety over seventy. The blood was probably somewhere in her feet at this point.
"I need to know what happened to you. I cannot treat you if I don't know what happened to you," he said, locking his eyes into hers, staring into that dazzling lupine gray.
She looked away again, exhaling in graduated shudders, trying.
"I was lost," she began, in that smoky, stunned vibrato. "He said . . . he said he could help me get through the park. The guy, he didn't . . ." Her voice fluttered away. "He didn't even--I got out of the car, OK? He didn't even let me get a word out. He threw me down." She looked off, clenching her teeth.
"Were you raped?"
She balled her impaled palms into white knots, blood dripping. Chatterjee quickly backed away to save his pants, then, leaning forward from a safe distance, forcibly pried her fingers open again. The security guard placed the doctor's sandwich on a stack of X rays and left the room.
"Listen to me. I speak six different languages. Just answer in human range. Were you raped."
The triage nurse, a woman in her fifties with frosted red hair and a giant button reading "#1 NANA" pinned under her collar, slipped in behind Chatterjee. She held an admissions form on a clipboard. The doctor waited for an answer as the young woman looked at both of them with a pleading muteness. His gaze compulsively returning to those eyes, he nudged her stool with his knee, moving it along on its casters to a sink. He worked on a pair of latex gloves, then took one of her palms and began to wash it gently.
From the Trade Paperback edition.
Posted November 25, 2009
I picked up "Lush Life" in the library and fell in love with this writer. I had to get more and more! I just finished this novel and it moved me even beyond the others I've read. It's as if he reaches in and grabs the still beating hearts of his characters and shows them to you with all of their rawness and beauty and stench. I read another review by a reader who got caught up in the "truth" of what a real journalist does. What about the truth of these peoples feelings and their confusions? What about the way they are just trying to stumble through their human flawed existence and do what they can? Some more effective than others. Price really brings out all the painful details of race and hows its influenced by individuals and institutions. But even more than that he speaks to the soul of what it means to be human; defined by nature and searching for nurture.
I love how as a writer he starts out in these wide circles that grow ever tighter and smaller,as a spiral, until by the end you find yourself face to face with yourself.
ok...blah blah blah....read the book and see for yourself.
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Posted November 10, 2011
Posted August 23, 2008
I absolutely loved this book. I read it years ago and can still feel the heart-wrenching pain of the main character. I continue to recommend this book to anyone who will listen. I cannot believe the negative reviews- what are they missing?Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 31, 2006
Once again, Price displays a great sense of place, realistic, gritty dialogue and patient pacing. However, his portrayal of the reporter is off in so many ways. Granted, this is a little personal -- me being a journalist and all. But it showed me Price -- who should have the time -- didn't do his homework, and that cost the book credibility. First of all, an evening paper does NOT have a five-o-clock deadline (The paper comes OUT at five, right?). Besides, there are probably about two evening papers left in this country, and they each have a circulation of about 150. While I'm at it, daily reporters on a big story NEVER publish the story a week after the news. I could go on about more inaccuracies, but it would probably bore the non-journalist. Come on, Richard. if you'd at least consulted one reporter, he or she would've steered you right. Don't big time authors do a ton of research? And -- while I'm on my soap box here -- the overzealous reporter who'll stomp on anyone to get the story is cliche, cliche, cliche. Can we please stop villainizing the press? It's a lazy tactic more becoming of a rookie writer. Why not just throw in a sleezy defense attorney while you're at it? Or how about a bureaucratic justice system that lets bad guys out of prison on a technicality? To those who like to equate the media with demons, remember: We need someone to question authority. My final complaint is that the story did drag on a little at the end. Overall, it's a decent read but not nearly as consistent as Price's 'Clockers' or 'Ladies Man.'Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 19, 2006
The white woman walks into the hospital, her hands dripping with blood. What she tells the hospital staff ignites what is to be the start of a racial war between neighbourhoods in downtown New Jersey. Armstrong¿s Police Officer, Lorenzo Council is called in to investigate the claims of Brenda Martin ¿ that a black man carjacked her and drove off with her four year old son asleep in the backseat. Soon, the people are in an uproar as the white infested Gannon sends their police force to pick on the residents of Armstrong, while the latter retaliates with disdainful shouts of ` ¿all cause of that White B....'s kiddd?¿ Amidst the pandemonium, Lorenzo is desperate to solve the case of the missing boy, especially when it becomes palpable that Brenda Martin was not revealing the truth and that she knew more than she let on. With pressure coming from all sides, Lorenzo is forced to enlist the help of the Friends of Kent, a group formed by feisty housewives whose main cause was to locate missing children, to spend some time with Brenda ¿ and what they discover may cause even more violence and disarray to two neighbourhoods already sitting on a time bomb. Freedomland is a heavy thriller with provocative character study but it lacked one crucial element ¿ a good and gripping story. Readers might find it frustrating to flip through unnecessary pages on subjects that were irrelevant to the main plot as author has the tendency to go off tangent. Said author should pick up the pace in order to maintain momentum as he runs the risk of losing readers¿ interest with his ramblings. However, author Price has the gift of eradicating any falseness from the way the characters talked to the way they move and think. For those with the mental stamina to persevere through the inner city cockledoodledoos, you will find a satisfying read in the end.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted April 6, 2006
After reading the critics' reviews of this book, I was really anticipating the story. However, I found it quite difficult to read. It was an interesting story with complex characters, but I found the beginning incredibly slow and kind of boring. And while the characters were complex, I never really felt connected with them. I agree with another reviewer here in that it felt like an episode of Law & Order. I was not shocked by anything in this book. As well, the overall theme was so bleak and hopeless (which I guess is purposeful), but it really turned me off.
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Posted December 9, 1999
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