French Romance of the Later Middle Ages: Gender, Morality, and Desire

Overview

While French romances of the twelfth and thirteenth centuries have long enjoyed a privileged place in the literary history of France, romances from the later middle ages have been largely neglected by modern scholars, despite their central role in the chivalric culture of the day. In particular, although this genre has been seen as providing a forum within which ideas about masculine and feminine roles were debated and prescribed, little work has been done on the gender ideology of texts from the fourteenth and ...

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French Romance of the Later Middle Ages: Gender, Morality, and Desire

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Overview

While French romances of the twelfth and thirteenth centuries have long enjoyed a privileged place in the literary history of France, romances from the later middle ages have been largely neglected by modern scholars, despite their central role in the chivalric culture of the day. In particular, although this genre has been seen as providing a forum within which ideas about masculine and feminine roles were debated and prescribed, little work has been done on the gender ideology of texts from the fourteenth and fifteenth centuries. This study seeks to fill this gap in the scholarship by analyzing how the views of gender found in earlier romances were reassessed and reshaped in the texts produced in the moralizing intellectual environment of the later medieval period. In order to explore these topics, this book discusses sixteen historico-realist prose romances written in the century from 1390, many of which were commissioned at the court of Burgundy. It addresses key issues in recent studies of gender in medieval culture including the construction of chivalric masculinity, the representation of adolescent desire, and the social and sexual roles of husbands and wives. In addition to offering close readings of these texts, it shows how the romances of the period were informed by ideas about gender which circulated in contemporary works such as manuals of chivalry, moral treatises, and marriage sermons. It thus aims not only to provide the first in-depth study of this little-known area of French literary history, but also to question the critical consensus on the role of gender in medieval romance that has arisen from an exclusive focus on earlier works in the genre.

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Product Details

  • ISBN-13: 9780199554140
  • Publisher: Oxford University Press, USA
  • Publication date: 1/15/2009
  • Pages: 304
  • Product dimensions: 6.30 (w) x 9.20 (h) x 0.90 (d)

Meet the Author

Rosalind Brown-Grant was educated at the University of Manchester where she took a BA in French and Italian (1986) and was also later awarded a Ph.D for her thesis on the fifteenth-century writer Christine de Pizan (1994). Currently Senior Lecturer in French at the University of Leeds, she specialises in the teaching of medieval French literature at both undergraduate and postgraduate levels. Her published work includes Christine de Pizan and the Moral Defence of Women: Reading beyond Gender (CUP, 1999), a translation of Christine de Pizan's Book of the City of Ladies (Penguin Classics, 1999), and numerous articles in scholarly journals and edited volumes on Christine de Pizan and, more recently, late medieval French romance. She is currently preparing a major new research project on narration in Burgundian historiography.

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Table of Contents

Introduction: reassessing late medieval romance
1. 'R├ęcits d'armes et/ou d'amour': love, prowess and chivalric masculinity
2. Youthful folly in boys and girls: idyllic romance and the perils of adolescence in Pierre de Provence and Paris et Vienne
3. Husbands and wives in marital romance: the trials of male adultery, bigamy, and repudiation
4. Incestuous desire versus marital love: rewriting the tale of the 'maiden without hands' in versions of the Manekine and the Roman du Comte d'Anjou
Conclusion: romance in a moralising culture
Bibliography

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